ROTTEN TOMATOES: Ed Kelleher

ROTTEN REVIEWS ONLY

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-34* of 34)**

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	"Cassel and Devos give the tale some much-needed gravitas, but as the movie descends into melodrama, it loses much of its initial charm." Posted Jun 15, 2002	Read My Lips (2002)	97%
	"A lively but preposterous movie that only vaguely glances off the reality of violence." Posted Feb 23, 2002	Rollerball (2002)	4%
	"The so-called 'behind-the-scenes' intrigue often fails to rise above a television sitcom." Posted Aug 14, 2001	America's Sweethearts (2001)	31%
	"Too Much Sleep traffics in deadpan whimsy, always a risky business." Posted Mar 29, 2001	Too Much Sleep (2001)	67%
	"Turns out to be almost as shabby as its name." Posted Mar 5, 2001	The Million Dollar Hotel (2001)	24%
	"A commonplace little offering, low on charm, but trudging ahead anyway, with nary a laugh." Posted Mar 5, 2001	The Wedding Planner (2001)	15%
	"Too often in the movie, we find ourselves looking around the edges more than at the portrait of this "central" figure" Posted Jan 1, 2000	A Friend of the Deceased (1998)	64%
	"Regrettably plays more like a soap opera than a real-life story." Posted Jan 1, 2000	At First Sight (1998)	36%
	"It would take divine intervention to breathe freshness into Blues Brothers 2000." Posted Jan 1, 2000	Blues Brothers 2000 (1998)	45%
	"A slight film if ever there was one." Posted Jan 1, 2000	Chuck & Buck (2000)	84%
	"So intent on keeping the action cresting that the credibility of the narrative is often undermined." Posted Jan 1, 2000	Desperate Measures (1998)	19%
	"Wallows in karaoke performances, while spinning out a predictable variety of plots and subplots against the backdrop of ongoing road-movie settings." Posted Jan 1, 2000	Duets (2000)	22%
	"A loud, busy, apocalyptic extravaganza that's as relentless as it is preposterous." Posted Jan 1, 2000	End of Days (1999)	12%
	"Saddled with a somewhat drab and reactive role, McGregor tries hard to make us care about The Eye, but it's an uphill struggle." Posted Jan 1, 2000	Eye of the Beholder (1999)	10%
	"Did they hit a home run? In terms of computer-generated monsters wreaking havoc, yes. In terms of believable characters and a convincing story, not quite." Posted Jan 1, 2000	Godzilla (1998)	26%
	"For all the movie's extravagances--and it must be admitted that Darius Khondji's cinematography is gloriously extravagant--it just isn't all that frightening." Posted Jan 1, 2000	In Dreams (1998)	23%
	"*With its antecedents in horror pictures like The Exorcist* and The Omen, Lost Souls makes a tepid bid for horror-genre authenticity, but to little avail.*" Posted Jan 1, 2000*	Lost Souls (2000)	7%
	"*Clever as it may be and scattered with zany comic touches, Me Myself I* rarely manages to rise above its basic premise*" Posted Jan 1, 2000*	Me Myself I (1999)	62%
	"*The Farrelly Brothers are back, but Me, Myself & Irene* doesn't match the charm and humor of There's Something About Mary.*" Posted Jan 1, 2000*	Me, Myself & Irene (2000)	46%
	"Despite running only 81 minutes, Sherman's debut feels distended, perhaps because it flutters around from black comedy to Grand Guignol to character study, rarely touching down on any of the above." Posted Jan 1, 2000	Office Killer (1998)	13%
	"Winds up being a stylish soap opera more 'lit' than enlightening." Posted Jan 1, 2000	One Night Stand (1997)	30%
	"Perhaps as a short, Pi could have proved engaging, but stretched to feature length it becomes repetitive and unwieldy." Posted Jan 1, 2000	Pi (1997)	83%
	"This contrived tale of sexual misfits plays out as little more than an endlessly drab exercise in ennui." Posted Jan 1, 2000	Praise (1998)	83%
	"If an audience exists at all for Run Lola Run, it will likely be rabid video-game buffs with a passion for re-set." Posted Jan 1, 2000	Run Lola Run (1999)	92%
	"Seems to be caught between preaching to the converted and reinventing a complex real-life individual without fully exploring that person's humor, complexity and contradictions." Posted Jan 1, 2000	Steal This Movie (2000)	54%
	"Stigmata is just too long on bloody atmosphere and too bloody short on believability." Posted Jan 1, 2000	Stigmata (1999)	20%
	"First-time filmmaker Dunsky doesn't always know where to place his camera to maximize the edgy humor that lurks near the script's surface." Posted Jan 1, 2000	The Alarmist (1997)	55%
	"Seems trapped between theatre and cinema, with nobody around to chew its leg off." Posted Jan 1, 2000	The Big Kahuna (1999)	73%
	"More of a camp pop-culture tribute to the soap-opera-ish Tammy Faye than an incisive look at the evangelical world that she and other religious figures once played a lucrative role in." Posted Jan 1, 2000	The Eyes of Tammy Faye (2000)	84%
	"A good score can only do so much and, too often here, it is undercut by an overly sentimental story." Posted Jan 1, 2000	The Red Violin (1998)	70%
	"Won't cause any sleepless nights for Michael Eisner, though the film might induce a sleepy afternoon for more discriminating youngsters." Posted Jan 1, 2000	The Road to El Dorado (2000)	46%
	"Filmmaker Fox's somewhat uneven documentary works best when it concentrates on Ellis, but the subject is often eclipsed by those around him." Posted Jan 1, 2000	This is Not an Exit: The Fictional World of Bret Easton Ellis (1999)	20%
	"Trixie might have worked better had it stayed with comedy, but once it lurches into melodrama, to quote Trixie, it 'can't go back to square zero.'" Posted Jan 1, 2000	Trixie (2000)	29%
	"Ultimately undone by its courtroom theatrics which go on much too long." Posted Jan 1, 2000	Why Do Fools Fall In Love (1998)	54%

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-34* of 34)**

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