ROTTEN TOMATOES: Edward Guthmann

WORST REVIEWED FILMS

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-50* of 61) Next** »

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0/4	"An ugly, revolting movie." -- San Francisco Chronicle Posted May 3, 2002	Vulgar (2002)	23%
0/4	"Worst of all is the way Sandler wants to have it both ways: to muck around in gross-out humor one minute and then turn schmaltzy the next minute with some fraudulent business about how much he loves the kid." -- San Francisco Chronicle Posted Jun 18, 2002	Big Daddy (1999)	40%
0/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	Shattered Image (1998)	33%
0/4	"The result is a batch of shrill, self-indulgent sketches that turn so wretched in spots you start to wonder if the filmmakers wanted them to be bad." -- San Francisco Chronicle Posted Jan 1, 2000	Four Rooms (1995)	15%
1/4	"First-time director Catherine Jelski dredges up every cliche about druggy, obnoxious dreamers on the fringes of Hollywood and assumes that said cliches have the power to shock and surprise." -- San Francisco Chronicle Posted Apr 25, 2003	The Young Unknowns (2003)	15%
1/4	"A dreadful teen comedy." -- San Francisco Chronicle Posted Apr 4, 2003	What a Girl Wants (2003)	35%
1/4	"A lot of the acting is amateurish, and most of the plot feels like a rehash of a rehash." -- San Francisco Chronicle Posted Mar 21, 2003	Down and Out with the Dolls (2003)	52%
1/4	"Is there a point to this spew, a cry against the mongrel violence of men? Or is Noe merely a sadist who enjoys inflicting ugly, pitiless images on his audience?" -- San Francisco Chronicle Posted Mar 14, 2003	Irreversible (2003)	56%
1/4	"It's another world now, which is why Kirkwood's play, adapted to the screen by actor Steve Guttenberg, feels so moldy and out of date." -- San Francisco Chronicle Posted Jan 17, 2003	P.S. Your Cat is Dead! (2002)	24%
1/4	"What can one say about a balding 50-year-old actor playing an innocent boy carved from a log?" -- San Francisco Chronicle Posted Jan 3, 2003	Pinocchio (2002)	0%
1/4	"Reunion tries hard, means well, but makes a big mistake in believing that cheap production values automatically bestow integrity." -- San Francisco Chronicle Posted Nov 15, 2002	reunion (2002)	50%
1/4	"*It isn't simple bad taste that Formula 51* deals in, but a total vacuum of feeling.*" -- San Francisco Chronicle* Posted Oct 18, 2002	Formula 51 (2002)	27%
1/4	"A cheesy thing that opened Friday without any advance screening." -- San Francisco Chronicle Posted Jul 15, 2002	Halloween: Resurrection (2002)	11%
1/4	"Some Body smacks of exhibitionism more than it does cathartic truth telling." -- San Francisco Chronicle Posted May 24, 2002	Some Body (2002)	41%
1/4	"Drags along in a dazed and enervated, drenched-in-the- past numbness." -- San Francisco Chronicle Posted Apr 26, 2002	The Cherry Orchard (2002)	54%
1/4	"*Directed by Australian filmmaker Michael Rymer, who showed promise in the low-key Angel Baby, Queen of the Damned* is self-serious, pointless and silly.*" -- San Francisco Chronicle* Posted Feb 22, 2002	The Queen of the Damned (2002)	14%
1/4	"Gans splices genres without shame and makes a grand effort at proving that the French can make big, boneheaded, mass-market action flicks, too." -- San Francisco Chronicle Posted Jan 11, 2002	The Brotherhood of the Wolf (2002)	71%
1/4	"Starts promisingly but disintegrates into a dreary, humorless soap opera." -- San Francisco Chronicle Posted Apr 25, 2003	Hush! (2001)	79%
1/4	"Even though Pulido has affection for his characters and delivers a few laughs, he lacks a sense of cinematic rhythm or where to put his camera." -- San Francisco Chronicle Posted Oct 11, 2002	The Flip Side (2001)	67%
1/4	"Plays as if the script pages had been tossed in the air and randomly assembled." -- San Francisco Chronicle Posted Dec 3, 2001	Texas Rangers (2001)	2%
1/4	"Neither Barrymore, who's never played a role this ambitious before, nor director Penny Marshall, who peppers the movie with sight gags and sitcom broadness, ever comes to terms with Beverly." -- San Francisco Chronicle Posted Oct 19, 2001	Riding in Cars with Boys (2001)	48%
1/4	"Hollywood delivers new junk every week, but this is junk with a vindictive, sadistic edge." -- San Francisco Chronicle Posted Sep 14, 2001	The Glass House (2001)	21%
1/4	"Doesn't contain a single genuine emotion. It's just as bogus and hollow as the movie business it portrays." -- San Francisco Chronicle Posted Jul 20, 2001	America's Sweethearts (2001)	31%
1/4	"Loach and screenwriter Paul Laverty draw everything in simplistic, overstated terms." -- San Francisco Chronicle Posted Jun 11, 2001	Bread & Roses (2001)	65%
1/4	"Flat, rickety and enervated." -- San Francisco Chronicle Posted Jun 8, 2001	Evolution (2001)	41%
1/4	"Whatever message it wants to impart is overwhelmed by shoddy technique ... and a tendency to embrace the kind of exploitation with which it's supposedly in conflict." -- San Francisco Chronicle Posted Apr 27, 2001	Baise Moi (2001)	23%
1/4	"Joe Dirt knows its audience and doesn't stint on the flatulence jokes, poop jokes, leg-humping dogs and moments of homo-panic." -- San Francisco Chronicle Posted Apr 11, 2001	Joe Dirt (2001)	11%
1/4	"The plot lines that follow are so convoluted and ludicrous that one just gives up piecing it all together." -- San Francisco Chronicle Posted Mar 9, 2001	The Caveman's Valentine (2001)	44%
1/4	"A sloppy hash of a movie, poorly directed and plotted in a way that looks as if it were improvised on the spot." -- San Francisco Chronicle Posted Jan 1, 2000	3 Strikes (2000)	0%
1/4	"A glossy piece of trash." -- San Francisco Chronicle Posted Jan 1, 2000	The In Crowd (2000)	2%
1/4	"*The most surprising aspect of Hollow Man* is the fact that Shue agreed to work in such garbage.*" -- San Francisco Chronicle* Posted Jan 1, 2000	Hollow Man (2000)	27%
1/4	"Even the sound effects get tiring: How many times can you hear swords being clanged, yanked from the Earth or sinking squishily into quivering flesh without getting bored?" -- San Francisco Chronicle Posted Jan 1, 2000	Highlander: Endgame (2000)	12%
1/4	"Pras and Rule look good, and handle their guns smoothly in the movie's elaborate shootouts, but there's nothing in their eyes, no spark or passion." -- San Francisco Chronicle Posted Jan 1, 2000	Turn It Up (2000)	8%
1/4	"It's a bitter pill to swallow, featuring a quartet of unsympathetic characters and an unrelenting air of misanthropy." -- San Francisco Chronicle Posted Jan 1, 2000	Cleopatra's Second Husband (2000)	52%
1/4	"The Art of War makes no sense at all." -- San Francisco Chronicle Posted Jan 1, 2000	The Art of War (2000)	16%
1/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	Ravenous (1999)	43%
1/4	"There's nothing new here, just the same plot, the same romantic pattern that we keep seeing over and over." -- San Francisco Chronicle Posted Jan 1, 2000	Random Hearts (1999)	15%
1/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	The Messenger: The Story of Joan of Arc (1999)	30%
1/4	"A self-indulgent mess." -- San Francisco Chronicle Posted Jan 1, 2000	Julien Donkey-Boy (1999)	19%
1/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	The Minus Man (1999)	59%
1/4	"It can't decide what it wants to be -- slasher fest, social satire or revenge comedy -- and ends up being an awkward goulash." -- San Francisco Chronicle Posted Jan 1, 2000	Office Killer (1998)	13%
1/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	Ringmaster (1998)	18%
1/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	Hurlyburly (1998)	61%
1/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	Like it Is (1998)	0%
1/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	I Think I Do (1998)	20%
1/4	Click here to read article -- San Francisco Chronicle Posted Jan 1, 2000	The Legend of 1900 (1998)	54%
1/4	"a naive, surprisingly sloppy documentary." -- San Francisco Chronicle Posted Sep 22, 2007	Anthem (1997)	80%
1/4	Click here to read article -- San Francisco Chronicle Posted Jun 18, 2002	Flubber (1997)	14%
1/4	"Leave It to Beaver just stumbles about in a bland, irony-deprived suburbia that denies the movie any juice or bite and renders the Cleaver family even duller than it was." -- San Francisco Chronicle Posted Jan 1, 2000	Leave it to Beaver (1997)	19%

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-50* of 61) Next** »

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