ROTTEN TOMATOES: Mike D'Angelo

MOVIE REVIEWS ONLY

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
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3.5/4	"*Scene by scene, Zodiac* is the director's most visually restrained work to date, taking its cue from the mostly functional mise-en-sc�ne of the police procedural...*" -- Las Vegas Weekly* Posted Oct 15, 2007	Zodiac (2007)	89%
	"A cautionary eco-doc so earnest and moth-eaten it should properly be seen on filmstrip during fourth-period social studies." -- Village Voice Posted Aug 14, 2007	The 11th Hour (2007)	66%
	"*I can't see how anybody, no matter how keen to preserve a positive self-image, could fail to identify with Time, [director] Kim's cheerfully lunatic allegory about two young lovers." -- Village Voice* Posted Jul 10, 2007	Time (2007)	81%
3/5	"But in order to enjoy the movie, you have to accept the fact that it's a gauzy, pop-morose mood piece, not a character study or history lesson." -- Las Vegas Weekly Posted Oct 20, 2006	Marie Antoinette (2006)	54%
3/5	"The facts are banal, the inventions lackluster." -- Las Vegas Weekly Posted Sep 12, 2006	Hollywoodland (2006)	69%
2/5	"Only the magnitude of the tragedy gives the film dramatic weight ..." -- Las Vegas Weekly Posted Aug 11, 2006	World Trade Center (2006)	70%
3/5	"Scoop makes other late Allen comedies look even more feeble by comparison, but it's still only half of a great movie ..." -- Las Vegas Weekly Posted Aug 7, 2006	Scoop (2006)	37%
3.5/5	"Part of the fun is the way that Marshall strives to make his outlandish scenario at least marginally plausible ..." -- Las Vegas Weekly Posted Aug 7, 2006	The Descent (2006)	85%
2.5/5	"We want comic adventure and Deppian eccentricity, and wind up with regrettably little of either." -- Las Vegas Weekly Posted Jul 7, 2006	Pirates of the Caribbean: Dead Man's Chest (2006)	54%
2.5/5	"Trouble is, Singer can't decide whether he's making a sequel or a remake." -- Las Vegas Weekly Posted Jun 30, 2006	Superman Returns (2006)	77%
2/5	"*Even with a less irritating protagonist, though, it's hard to imagine how Poseidon* could have succeeded.*" -- Las Vegas Weekly* Posted May 12, 2006	Poseidon (2006)	33%
4/5	"[Jean-Pierre and Luc Dardenne's] achievement here is both formidable and intensely moving ..." -- Las Vegas Weekly Posted May 5, 2006	L'Enfant (2006)	86%
3/5	"It's not clear to me whether Holofcener means to suggest that you can't have any degree of personal autonomy without a decent income, or the inverse ..." -- Las Vegas Weekly Posted Apr 21, 2006	Friends With Money (2006)	71%
3.5/5	"Inside Man seems less interested in Case's ancient war crimes than in the contemporary spectacle of a Sikh hostage having his turban forcibly removed by the NYPD ..." -- Las Vegas Weekly Posted Apr 11, 2006	Inside Man (2006)	86%
2.5/5	"Lucky Number Slevin can't boast of a single interesting or novel idea, but it did hold my attention throughout ..." -- Las Vegas Weekly Posted Apr 11, 2006	Lucky # Slevin (2006)	51%
3/5	"*... pay no attention to the sputtering of various critics and pundits to the effect that V for Vendetta* glorifies terrorism.*" -- Las Vegas Weekly* Posted Mar 17, 2006	V For Vendetta (2005)	73%
1/5	"Part of the problem is that first-time screenwriter Joe Forte�potentially ironic name!�keeps squandering terrific ideas." -- Las Vegas Weekly Posted Feb 14, 2006	Firewall (2006)	19%
3/5	"*But in the quest for greater accessibility, I fear that some of The New World's* eerie beauty may have been lost.*" -- Las Vegas Weekly* Posted Jan 26, 2006	The New World (2005)	60%
	"The film's nervous reticence makes it both precious and a little unwieldy, like a matchstick palace built on a subway platform." -- Time Out New York Posted Oct 31, 2003	Charlotte Sometimes (2002)	82%
84/100	"What makes Adaptation more than just a clever stunt is the way that Laroche's fickle enthusiasm, Orlean's quiet longing and "Kaufman"'s paralyzing self-doubt dovetail to form a potent, funny-sad disquisition on the value of compromise." -- Man Who Viewed Too Much Posted Dec 1, 2002	Adaptation (2002)	90%
63/100	"Whatever else one might say of Soderbergh and Clooney, they understand that clout is something you exercise, not something you safeguard." -- Time Out New York Posted Nov 25, 2002	Solaris (2002)	64%
48/100	"Even on those rare occasions when the narrator stops yammering, Miller's hand often feels unsure." -- Time Out New York Posted Nov 19, 2002	Personal Velocity (2002)	70%
66/100	"At heart, it's a sick, scandalous joke, but you can't quite bring yourself to laugh at something so deeply felt and so gravely elegant." -- Time Out New York Posted Nov 19, 2002	Talk to Her (2002)	92%
57/100	"Once again, Chris Columbus stays out of J.K. Rowling's way, sticking to the text and hitting each narrative beat cleanly and vigorously." -- Time Out New York Posted Nov 11, 2002	Harry Potter and the Chamber of Secrets (2002)	82%
67/100	"Visually ravishing, subtly provocative, both entertainment and dissertation." -- Time Out New York Posted Nov 4, 2002	Far From Heaven (2002)	91%
80/100	"Slowly but surely devolves into a fascinating, cringe-inducing portrait of cultural solipsism, climaxing in an emotional meltdown that wouldn't look out of place in mid-period Cassavetes." -- Time Out New York Posted Oct 28, 2002	American Experience - Daughter from Danang (2002)	97%
48/100	"Absurdities and clich�s accumulate like lint in a fat man's navel." -- Time Out New York Posted Oct 28, 2002	Love in the Time of Money (2002)	19%
66/100	"*As an introduction to the man's theories and influence, Derrida* is all but useless; as a portrait of the artist as an endlessly inquisitive old man, however, it's invaluable.*" -- Time Out New York* Posted Oct 21, 2002	Derrida (2002)	82%
70/100	"It's a movie dominated by conversation yet devoid of theatricality or staginess: a pictorial gabfest." -- Time Out New York Posted Oct 21, 2002	Roger Dodger (2002)	88%
60/100	"Evokes a palpable sense of disconnection, made all the more poignant by the incessant use of cell phones." -- Time Out New York Posted Oct 14, 2002	Take Care of My Cat (2001)	81%
41/100	"Combines the least appealing aspects of the biopic (episodic narrative, lack of imagination) with the least appealing aspects of the junkie's-downward-spiral genre (wearying repetition, lofty condescension)." -- Time Out New York Posted Oct 14, 2002	Auto Focus (2002)	73%
63/100	"Boasts a real heart-stopper of a finale�an uncanny phosphor nightmare that depicts a marrow-deep fear shared by every kid who grew up in the video age." -- Time Out New York Posted Oct 14, 2002	The Ring (2002)	72%
61/100	"Rises and falls on the strength of its individual episodes. Mostly, it rises, though its extreme length ill suits its anecdotal structure (or perhaps vice versa)." -- Time Out New York Posted Oct 7, 2002	Safe Conduct (2002)	75%
38/100	"A singularly off-putting romantic comedy." -- Time Out New York Posted Sep 30, 2002	Pipe Dream (2002)	72%
69/100	"Far more successful, if considerably less ambitious, than last year's Kubrick-meets-Spielberg exercise." -- Time Out New York Posted Sep 30, 2002	Heaven (2002)	73%
63/100	"Has few rivals as a work of visual imagination." -- Time Out New York Posted Sep 22, 2002	Spirited Away (2002)	97%
35/100	"An artsploitation movie with too much exploitation and too little art." -- Time Out New York Posted Sep 16, 2002	Ted Bundy (2002)	38%
18/100	"Impenetrable pseudo-philosophical gibberish." -- Time Out New York Posted Sep 3, 2002	In Praise of Love (2001)	53%
50/100	"Suffers from a schematic, overdetermined rigidity, as if screenwriter Ken Hixon had plotted the scenario on graph paper before setting it down in type." -- Time Out New York Posted Sep 3, 2002	City by the Sea (2002)	48%
47/100	"Sometimes feels uncomfortably like a 93-minute Photoshop demonstration." -- Time Out New York Posted Aug 26, 2002	Corpus Callosum (2002)	57%
60/100	"*A lean, surprisingly artful programmer, closer in spirit to something like Don Siegel's Riot in Cell Block 11* than to typical boxing fare.*" -- Time Out New York* Posted Aug 22, 2002	Undisputed (2002)	47%
29/100	"Its juxtaposition of overwrought existentialism and stomach-churning gore will have you forever on the verge of either cracking up or throwing up." -- Time Out New York Posted Aug 19, 2002	The Isle (2002)	75%
49/100	"Sy is so deeply disturbed that, paradoxically, he isn't very disturbing." -- Time Out New York Posted Aug 19, 2002	One Hour Photo (2002)	81%
44/100	"In the real world, an actor this uncharismatically beautiful would have a r�sum� loaded with credits like "Girl in Bar #3."" -- Time Out New York Posted Aug 19, 2002	S1m0ne (2002)	50%
	"A magnificent fairy tale." -- Time Out New York Posted Aug 12, 2002	Beauty and the Beast (1946)	95%
65/100	"Aggressively uneven and frequently humdrum, it also reaches cheerfully ludicrous heights to which few films even aspire." -- Time Out New York Posted Aug 12, 2002	Happiness of the Katakuris (2001)	65%
64/100	"Anybody who's ever been turned on by someone's use of an unfamiliar word will understand." -- Time Out New York Posted Aug 12, 2002	Possession (2002)	64%
43/100	"A perfectly competent potboiler, made with Eastwood's usual professionalism, that ultimately feels rather anemic." -- Time Out New York Posted Aug 6, 2002	Blood Work (2002)	56%
46/100	"An empty, incoherent exercise in frenetic style, interesting primarily for its cosmopolitan flavor." -- Time Out New York Posted Aug 5, 2002	The City of Lost Souls (2000)	58%
48/100	"Every potential twist is telegraphed well in advance, every performance respectably muted; the movie itself seems to have been made under the influence of Rohypnol." -- Time Out New York Posted Jul 29, 2002	Merci Pour le Chocolat (2002)	85%

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-50* of 829) Next** »

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