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CRITICS / AUTHORS REVIEWS AND ARTICLES
NICK PINKERTON
PUBLICATION(S)
• L.A. Weekly
• Village Voice

STATS
Total Reviews: 45


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"If the human details are often problematic, the IMAX-grade bombast, ceremonial camera, and Jodorowsky-esque eclecticism still combine for a singular spectacle." -- Village Voice
Posted May 7, 2008
 
The Fall (2008)57%
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"The sense of storytelling intelligence is undeniable." -- Village Voice
Posted May 7, 2008
 
Turn the River (2008)79%
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"It takes a controlling hand to chisel something more contoured than monotony out of this dense angst, and director Lucía Puenzo doesn't have it." -- Village Voice
Posted Apr 30, 2008
 
XXY (2008)71%
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"Seven Days is all fetishized decay and "daring" press-kit stuffing." -- Village Voice
Posted Apr 23, 2008
 
Seven Days Sunday (2008)n/a
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"Give up, old timers—the kids are all right." -- Village Voice
Posted Apr 23, 2008
 
SqueezeBox! (2008)n/a
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"Celebrating and singing the scene it records." -- Village Voice
Posted Apr 23, 2008
 
Walden ()n/a
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"This is the first collaboration between kung fu's Astaire and Kelly, and, as that, it disappoints." -- Village Voice
Posted Apr 16, 2008
 
The Forbidden Kingdom (2008)62%
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"Dark Matter's insights go no deeper than 'chickens coming home to roost' banality." -- Village Voice
Posted Apr 8, 2008
 
Dark Matter (2008)34%
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"Reynolds, called to 180 from anal nebbish to feral beast, is beautifully committed, but he gets no help on the other side of the camera." -- Village Voice
Posted Apr 8, 2008
 
Chaos Theory (2008)30%
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"Completing the convergence of rare young talents is the 27-year-old French director Céline Sciamma." -- Village Voice
Posted Apr 2, 2008
 
Water Lilies (2007)83%
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"Stupid monikers are just one symptom of a stultifying, overwritten cleverness that substitutes quirk for character." -- Village Voice
Posted Apr 2, 2008
 
Sex and Death 101 (2008)26%
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"[Actor] Elio Germano vitalizes the film: He's hyper-reactive, flickering between brash, bashful, playful, and awkward -- offering a Swiss Army knife performance that's diverse and yet totally unified." -- Village Voice
Posted Mar 25, 2008
 
My Brother is an Only Child (2008)90%
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"Ricci is appealingly human, and some acknowledgement of the importance of female friendship, in addition to romance, is faintly touching." -- Village Voice
Posted Feb 27, 2008
 
Penelope (2008)53%
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"The cast is a museum exhibit on the nigh-extinct art of scaled-in American bit acting, with the magnificent Sylvia Sidney as the daughter of a prominent family brought low, her flashing pridefulness intact, and Tommy Noonan as a peeping poltroon." -- Village Voice
Posted Feb 27, 2008
 
Violent Saturday (1955)n/a
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"Mary Olive Smith and Amy Bucher feel no need to overlay this health-care calamity with pious outrage." -- Village Voice
Posted Feb 5, 2008
 
Walk to Beautiful, A (2008)88%
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"So objectively awful it ceases even to be a reflection of writer-director Andrews Jenkins's non-talent, How to Rob a Bank calls into question the distribution filtration process that should protect delicate consumer eyes from things like this." -- Village Voice
Posted Feb 5, 2008
 
How to Rob a Bank (2008)9%
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"This is no career high, but it's impossible to actively dislike Rudd." -- Village Voice
Posted Jan 31, 2008
 
Over Her Dead Body (2008)13%
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"The prevalent shooting style is monotonous naturalism, as the camera buzzes between contentious actors and trolls after anything on the move." -- Village Voice
Posted Jan 22, 2008
 
Lost in Beijing (2008)47%
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"Without cheapening the suffering of American or Afghan, the film retrieves the torture issue from the realm of the abstract and gives the plain facts of this world right now. As long as we still care about people and power, they will matter." -- Village Voice
Posted Jan 15, 2008
 
Taxi to the Dark Side (2008)100%
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"Morgan butchers me every time with that overemphatic- delivery thing that makes incidental lines multiplex-leveling funny." -- Village Voice
Posted Jan 8, 2008
 
First Sunday (2008)15%
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"Anker's excavated some remarkable stuff here..." -- Village Voice
Posted Dec 18, 2007
 
Imaginary Witness: Hollywood and the Holocaust (2007)86%
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"The film avoids potentially interesting frictions by always letting the team debate (and win) on the 'correct' side of every issue -- that which aligns with generally accepted modern liberal sympathies." -- Village Voice
Posted Dec 18, 2007
 
The Great Debaters (2007)79%
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"Persepolis is a small landmark in feature animation." -- Village Voice
Posted Dec 18, 2007
 
Persepolis (2007)95%
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"Lamentable scenes include that comic relief stand-by, the Bad Date Montage, but the movie comes off better than it should by virtue of Benhamou and (especially) Lister-Jones, appealing and modest young actors who create a plausible central relationship," -- Village Voice
Posted Dec 11, 2007
 
Arranged (2007)67%
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"One incredible tale: As independence gains a foothold, a crowd of USSR-loyal reactionaries storms the capitol building in Tallinn. The trapped officials...radio an S.O.S. to the Estonian public -- and the People actually show up." -- Village Voice
Posted Dec 11, 2007
 
The Singing Revolution (2007)86%
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"One incredible tale." -- L.A. Weekly
Posted Dec 6, 2007
 
The Singing Revolution (2007)86%
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"The film...is unkempt and sometimes awkward -- a homely, homemade labor of love that's loosely structured as an investigative procedural." -- Village Voice
Posted Dec 4, 2007
 
'Tis Autumn - The Search for Jackie Paris (2007)92%
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"Revolver disappoints." -- Village Voice
Posted Dec 4, 2007
 
Revolver (2007)16%
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"Writer-director Michael Schroeder compulsively references canonical films and books, presumably in the hope that genius rubs off." -- Village Voice
Posted Dec 4, 2007
 
Man in the Chair (2007)50%
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"Chronicle might be utterly uncompromising in its "you are there" visceral style—or just unresourceful. I tend toward the latter reading." -- Village Voice
Posted Nov 28, 2007
 
Chronicle of an Escape (2007)60%
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"There's not much, finally, to lift this thing above its necessarily niche appeal." -- Village Voice
Posted Nov 27, 2007
 
The Rocket (2007)56%
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"It's no revolution, but comic-pastoral traditionalism refined to its essence." -- Village Voice
Posted Nov 13, 2007
 
The Whole Shootin' Match (1979)n/a
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"[A] deeply amoral morality tale." -- Village Voice
Posted Nov 6, 2007
 
Divorce, Italian Style (1962)100%
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"Though the storytelling is haphazard, artistry often transcends mere good intentions." -- Village Voice
Posted Nov 6, 2007
 
Holly (2007)62%
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"If you evaluate Darfur Now against the goals it sets for itself -- as a stirring call to action -- it must be considered lacking." -- L.A. Weekly
Posted Nov 2, 2007
 
Darfur Now (2007)69%
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"The argument can be made that the subject's urgency excuses the need for artfulness; the opposite, of course, is true." -- Village Voice
Posted Oct 30, 2007
 
Darfur Now (2007)69%
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"This is great filmmaking in the sense that overplayed virtuoso guitar shredding is great music -- which is to say, not at all." -- Village Voice
Posted Oct 23, 2007
 
The Living and the Dead (2006)90%
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"This is the barbaric yawp of the Soviet film industry circa 1968, an entertainment A-bomb test announcing to the world: 'Here is what we are capable of.'" -- Village Voice
Posted Oct 16, 2007
 
War and Peace (1968)100%
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"Beneath the 1950’s seemingly placid exterior of Ozzie and Harriet normalcy, there were -- brace yourself! -- sinister undercurrents at work." -- Village Voice
Posted Oct 16, 2007
 
The Girl Next Door (2007)62%
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"The rebellion never achieves the mythopoeic visual potency it strives for; while passably adopting several familiar modes of art-house style... Khadak doesn't exhibit full, dynamic fluency in any of them." -- Village Voice
Posted Oct 9, 2007
 
Khadak (2006)64%
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"Helpless with comedy, heavily reliant on coincidence, and out of step with all current cinematic vogue, We Own the Night finally resonates as a beautiful, dolorous nocturne." -- Village Voice
Posted Oct 9, 2007
 
We Own The Night (2007)55%
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"Hard as it is to believe that anyone thinks the comic possibilities of polyester arrow collars haven't been thoroughly strip-mined, those are the primary source of ostensible laffs here." -- Village Voice
Posted Oct 2, 2007
 
Finishing the Game (2007)33%
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"A remarkable confluence of talents are at work here." -- Village Voice
Posted Sep 27, 2007
 
The 400 Blows (1959)100%
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"Achieves something more resonant than a Solemn Affirmation of the Immortal Spirit of Art." -- Village Voice
Posted Sep 18, 2007
 
Forever (2007)91%
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"The film is most enamored, naturally, with the era of its subject's greatest influence, the '50s..." -- Village Voice
Posted Sep 11, 2007
 
Toots (2007)100%

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