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Critics / Authors Reviews and Articles
AMY TAUBIN
PUBLICATION(S)
• City Pages, Minneapolis/St. Paul
• Girls on Film
• Sight and Sound
• Village Voice

STATS
Total Reviews: 182

CRITICS GROUP(S)
• National Society of Film Critics
• New York Film Critics Circle


SECTIONS
Home
About
Movie Reviews
Fresh Films
Rotten Films
Other Articles
Unquoted Reviews/Articles
 
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  • Fresh
  • Rotten
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  • Unquoted

Rating T-Meter Title | Year Add Date (default)

Fresh

Fresh
96%

Ran (1985)

" For aficionados of the war movie, the western, and the period action epic, Ran is necessary viewing." — Village Voice

Posted Jul 1, 2008

Fresh

Fresh
61%

The New World (2005)

" A work of great intelligence, ambition and radiant beauty." — Sight and Sound

Posted Sep 28, 2006

Fresh

Fresh
93%

An Inconvenient Truth (2006)

" An eco-horror movie that is anything but escapist entertainment..." — Sight and Sound

Posted Sep 28, 2006

Fresh

Fresh
88%

In the Mood for Love (2001)

" Cheung and Leung give the most subtle performances of their careers here." — Sight and Sound

Posted Dec 2, 2002

Fresh

Fresh
88%

The Trial (1963)

" The Trial is splendid to look at and teeming with ideas about the individual, society, and of course, film itself." — Village Voice

Posted Oct 30, 2002

Fresh

Fresh
100%

Yana's Friends ()

" Kaplun's smart, scrappy romantic comedy Yana's Friends displays an insouciance rarely found in Israeli film." — Village Voice

Posted Oct 9, 2001

Fresh

Fresh
100%

Sobibor, October 14, 1943, 4 p.m. (2001)

" A spare, formally ingenious, journalistically acute piece of filmmaking." — Village Voice

Posted Oct 9, 2001

Fresh

Fresh
72%

Training Day (2001)

" Propulsive, elegantly written police thriller." — Village Voice

Posted Oct 2, 2001

Fresh

Fresh
86%

La Ciénaga (2001)

" A debut feature that's assured in every aspect." — Village Voice

Posted Oct 2, 2001

Fresh

Fresh
96%

Fighter (2001)

" Thanks to Lustig, the film has a generosity and antic humor." — Village Voice

Posted Aug 21, 2001

Fresh

Fresh
83%

Animal Factory (2000)

" It's the relationship between Willem Dafoe, as Earl, the hard-time veteran, and Edward Furlong, as Ron, the new boy he takes under his wing, that makes the film so compelling." — Village Voice

Posted Aug 17, 2001

Fresh

Fresh
70%

La Buche (2000)

" Thompson keeps her focus (and ours) on the actors, most of whom have never been as luminous as they are here." — Village Voice

Posted Aug 15, 2001

Fresh

Fresh
95%

Band of Outsiders (1964)

" Along with Raoul Coutard's radiant cinematography, what makes the film extraordinary is Karina." — Village Voice

Posted Aug 14, 2001

Fresh

Fresh
84%

The Others (2001)

" This is one scary movie, not because we see ghosts or monsters, but because Kidman makes us feel her fear as our own." — Village Voice

Posted Aug 7, 2001

Fresh

Fresh
81%

Jump Tomorrow (2001)

" Becomes increasingly charming as it goes along." — Village Voice

Posted Jul 3, 2001

Fresh

Rotten
53%

The Fast and the Furious (2001)

" Even those who've never heard of 'rice rockets' (Japanese imports souped up with computerized hydraulics and customized engines) might be charmed by the film's blend of kineticism, car-culture rituals, and hilariously flat-footed dialogue." — Village Voice

Posted Jun 26, 2001

Fresh

Fresh
85%

Sexy Beast (2001)

" What distinguishes Sexy Beast from the recent rash of British gangster films is Glazer's investment in character and performance." — Village Voice

Posted Jun 12, 2001

Fresh

Fresh
92%

Startup.com (2001)

" The editing is seamless, the drama builds throughout, and the arc of the central character is as shapely as in a Hollywood fiction." — Village Voice

Posted May 8, 2001

Fresh

Fresh
90%

Eureka (2001)

" It makes one believe that intimate human connections are possible, that empathy is worth struggling for." — Village Voice

Posted May 2, 2001

Fresh

Fresh
94%

Under the Sand (2001)

" Rampling has never been as beautiful, not to mention as emotionally naked, nuanced, and affecting as she is here." — Village Voice

Posted May 2, 2001

Fresh

Rotten
37%

Beautiful Creatures (2001)

" Weisz exhibits a hitherto undisclosed gift for physical comedy." — Village Voice

Posted Apr 4, 2001

Fresh

Fresh
67%

Too Much Sleep (2001)

" So good it made me wish I had kept that workhorse phrase 'remarkably assured debut feature' just for it." — Village Voice

Posted Mar 6, 2001

Fresh

Fresh
70%

Series 7: The Contenders (2001)

" A dead-on shot to the heart of reality TV." — Village Voice

Posted Mar 1, 2001

Fresh

Fresh
92%

Southern Comfort (2001)

" An affecting tribute to a remarkable life." — Village Voice

Posted Feb 21, 2001

Fresh

Fresh
90%

42 Up (1998)

" A bit slower and heavier, but its connection of past and present yields more subtle character twists and contradictions than ever before." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
91%

A Bug's Life (1998)

" The little kids’ version of Antz: sweeter, funnier, simpler to follow." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
87%

An Ideal Husband (1999)

" [The] film is hardly memorable, but it's amusing enough for two hours, and it never panders or cloys." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
67%

Boiler Room (2000)

" Although the plotting gets a bit predictable toward the end, the script is intelligent and boldly written throughout." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
95%

Don't Look Now (1974)

" Roeg maps Sutherland's disintegrating psyche onto the city of Venice, with its labyrinthian alleys, murky canals, and crumbling facades." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
84%

Erin Brockovich (2000)

" [Soderbergh's] knack for getting career-defining turns from actors is intact." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
92%

High Fidelity (2000)

" A Woody Allen film for youngish white males who fetishize rock music and its many memorabilia and have commitment problems when flesh-and-blood women." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
83%

Last Night (1998)

" Bare-bones filmmaking, Last Night is nothing special to look at, but it has a witty, trenchant script, lots of complicated characters, and a few actors who turn human frailty into something nearly sublime." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
82%

Love and Basketball (2000)

" The most passionate, clear-sighted movie ever made about women in sports." — Village Voice

Posted Jan 1, 2000

Fresh

Rotten
50%

Outside Providence (1999)

" Outside Providence doesn't wear out the small welcome it's won." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
98%

Raging Bull (1980)

" The most obvious basis for the film's claim to greatness lies in Scorsese's devastating critique of the very codes of masculinity that shaped him as a filmmaker, and in Robert De Niro's performance, through which that critique is made flesh." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
78%

Sweet and Lowdown (1999)

" Great material." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
72%

The Best Man (1999)

" The dialogue is fast, funny, and based in character." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
93%

The Dreamlife of Angels (1999)

" It's so graceful and intelligent and complicated in its depiction of human interaction that it takes the notion of a remarkably assured directorial debut to a new level." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
83%

The Hurricane (1999)

" Denzel Washington delivers a mesmerizing, volatile performance." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
86%

The Matrix (1999)

A lot of the fighting and shoot-out scenes are positively balletic and great fun to watch. — Girls on Film
Posted Jan 1, 2000

Fresh

Fresh
77%

The Tic Code (2000)

" A sympathetic but conventional disease-of-the-week movie." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
100%

The Young Girls of Rochefort (1967)

" Deneuve and Dorléac are stylish, smart, and spirited, and their awkwardness as dancers makes them even more winning." — Village Voice

Posted Jan 1, 2000

Fresh

Fresh
82%

Wonder Boys (2000)

" Cinematographer Dante Spinotti, who here proves that dark, dreary weather and comedy are not incompatible." — Village Voice

Posted Jan 1, 2000

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