ROTTEN TOMATOES: Chris Wiegand

FRESH REVIEWS ONLY

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-50* of 56) Next** »

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3/5	"Such quirky characters and humorous observations give this slight diversion plenty of precious moments." -- Boxoffice Magazine Posted Jul 18, 2005	Monday Morning (2002)	71%
4/5	"Kapadia constantly proves himself to be a director with not only an astonishingly rich visual imagination but also a strong sense of narrative, intelligently integrating a handful of flashbacks." -- Boxoffice Magazine Posted Jul 13, 2005	The Warrior (2005)	83%
3/5	"Hero's thrilling mixture of the audacious and the exquisite offers the viewer a myriad of treats." -- Boxoffice Magazine Posted Apr 3, 2004	Hero (2004)	95%
4/5	"This crowd-pleasing tale of growing pains is a work of undeniable charm and unexpected gravity, endowed with an offbeat sense of humor that will appeal to fans of Jim Jarmusch and Aki Kaurismaki." -- Boxoffice Magazine Posted Mar 18, 2004	Noi (2004)	88%
4.5/5	"A wise and sensitive piece of filmmaking that heralds the arrival of a major new talent." -- Boxoffice Magazine Posted Jan 18, 2004	Broken Wings (2004)	92%
3/5	"An unspeakably timely exercise in despair; an experience that leaves you feeling as exposed, as exhausted and as raw as its central characters." -- Film Threat Posted Oct 22, 2003	Time of the Wolf (2003)	65%
3/5	"This considerable first collection features a stellar line-up of international directors yet offers little star appeal." -- Boxoffice Magazine Posted Oct 7, 2003	Ten Minutes Older: The Trumpet (2002)	86%
3.5/5	"Feels both authoritative and authentic." -- Boxoffice Magazine Posted Sep 20, 2003	In This World (2003)	90%
3/5	"Brisk and efficient homage to the 1970s horror cycle." -- Boxoffice Magazine Posted Sep 12, 2003	Cabin Fever (2003)	63%
4/5	"A class act through and through." -- Boxoffice Magazine Posted Apr 27, 2003	The Heart of Me (2003)	49%
4/5	"A picture that clearly comes straight from the heart, it reminds you of the screen's potential to accurately reflect everyday life and genuinely move the viewer." -- Boxoffice Magazine Posted Mar 10, 2003	Raising Victor Vargas (2003)	96%
3.5/5	"Beautifully shot, delicately scored and powered by a set of heartfelt performances, it's a lyrical endeavour." -- Boxoffice Magazine Posted Oct 31, 2002	Balzac and the Little Chinese Seamstress (2005)	78%
4/5	"*With Rabbit-Proof Fence, Noyce has tailored an epic tale into a lean, economical movie." -- Boxoffice Magazine* Posted Oct 20, 2002	Rabbit-Proof Fence (2002)	88%
3.5/5	"The real revelation in this endlessly engaging feature is the ever-present Parillaud, who dominates the picture like her character dominates the set." -- Boxoffice Magazine Posted Oct 20, 2002	Sex is Comedy (2004)	70%
3.5/5	"An unconventional and remarkably moving chamber piece." -- Boxoffice Magazine Posted Oct 20, 2002	Ten (2003)	86%
3/5	"Saved by Fresnadillo's visual virtuosity." -- Boxoffice Magazine Posted Oct 20, 2002	Intacto (2002)	71%
3/5	"Ramsay succeeds primarily with her typical blend of unsettling atmospherics, delivering a series of abrasive, stylized sequences that burn themselves upon the viewer's memory." -- Boxoffice Magazine Posted Oct 20, 2002	Morvern Callar (2002)	84%
3/5	"There's much to relish here, including a raft of deft supporting performances." -- Boxoffice Magazine Posted Oct 20, 2002	The Guru (2003)	58%
3/5	"Engaging portrait of the elusive and reclusive artist Ray Johnson." -- Boxoffice Magazine Posted Oct 20, 2002	How to Draw A Bunny (2002)	84%
3/5	"In this genre-bending celebration of family values, Miike delivers an imaginative and deliciously delirious mixture of jet black humor and schlock horror." -- Boxoffice Magazine Posted Sep 27, 2002	Happiness of the Katakuris (2001)	65%
3/5	"Cardoso breathes new life into a familiar premise with this charming and sensitive crowd pleaser." -- Boxoffice Magazine Posted Aug 14, 2002	Real Women Have Curves (2002)	84%
4/5	"*As a director, Cantet has built on the foundation of Human Resources* and continues to prove himself a master of the small, often ironic, detail.*" -- Boxoffice Magazine* Posted Jul 9, 2002	Time Out (2002)	95%
3/5	"Vega and Ulloa give strong performances as the leading lovers and there are some strong supporting turns, particularly from Najwa Nimri." -- Boxoffice Magazine Posted Jul 2, 2002	Sex and Lucia (2002)	71%
3/5	"Wenham is quietly charismatic as the increasingly mysterious protagonist, while LaPaglia enjoys the lion's share of the best lines as the Gordon Gekko-esque mercenary." -- Boxoffice Magazine Posted Jun 5, 2002	The Bank (2002)	59%
3/5	"The comic performances are all spot on, especially Lee Ross's turn as Ken." -- Boxoffice Magazine Posted Jun 5, 2002	Secret Society (2002)	33%
3.5/5	"A painfully astute tale, intelligently directed and co-scripted by Cantet, who has clearly researched his subject material in great detail." -- Boxoffice Magazine Posted Jun 5, 2002	Human Resources (2000)	97%
3/5	"For the most part a lot of fun, with some fine performances from a mature cast." -- Boxoffice Magazine Posted Jun 5, 2002	Lakeboat (2001)	83%
3/5	"A compelling tale of obsession and addiction." -- Boxoffice Magazine Posted Mar 8, 2002	Quitting (2002)	77%
2.5/5	"Rifkin's references are ... impeccable throughout." -- Boxoffice Magazine Posted Mar 8, 2002	A Night at the Golden Eagle (2002)	38%
3.5/5	"*Like The Full Monty, this is sure to raise audience�s spirits and leave them singing long after the credits roll." -- Boxoffice Magazine* Posted Mar 8, 2002	Lucky Break (2002)	49%
3.5/5	"Honest, poignant and occasionally very, very witty." -- Boxoffice Magazine Posted Mar 8, 2002	Lawless Heart (2002)	84%
3/5	"A minor, offbeat achievement, yet particularly impresses with its strong central performances from a masterly Holm and a sensitive Hjelje." -- Boxoffice Magazine Posted Mar 8, 2002	The Emperor's New Clothes (2002)	73%
	"An energizing, intoxicating documentary charting the rise of hip-hop culture in general and the art of scratching (or turntablism) in particular." -- Boxoffice Magazine Posted Feb 1, 2002	Scratch (2002)	93%
4/4	"A love for films shines through each frame and the era is recreated with obvious affection, scored to perfection with some tasty boogaloo beats." -- Boxoffice Magazine Posted Feb 1, 2002	CQ (2002)	67%
	"A farcical, partly autobiographical, and frequently hilarious comedy charting the adventures of an odd couple abroad." -- Boxoffice Magazine Posted Feb 1, 2002	The Chateau (2002)	49%
	"Atanarjuat will make you laugh, make you cry and keep you on the edge of your seat for nearly three hours. Isn't that what cinema was supposed to do all along?" -- Boxoffice Magazine Posted Jan 10, 2002	The Fast Runner (2002)	90%
	"The increasingly diverse French director has created a film that one can honestly describe as looking, sounding and simply feeling like no other film in recent history." -- Boxoffice Magazine Posted Jan 10, 2002	Trouble Every Day (2002)	47%
	"Friel ... and Williams ... both create sympathetic and thoroughly believable individual characters." -- Boxoffice Magazine Posted Jan 10, 2002	Me Without You (2002)	66%
	"As a portrait of the complexities facing a young Jewish Nazi, this is compelling stuff." -- Boxoffice Magazine Posted Jan 10, 2002	The Believer (2002)	81%
	"An elegant, awfully English affair -- an atmospheric country-house whodunit with a stellar cast and crew from the UK." -- Boxoffice Magazine Posted Nov 29, 2001	Gosford Park (2001)	86%
	"Like all good documentaries, this is an enlightening insight into a previously unexplored world, to which the viewer feels privileged to have been introduced." -- Boxoffice Magazine Posted Oct 25, 2001	Cool and Crazy (2001)	82%
	"This is a difficult film to watch and near impossible to rate." -- Boxoffice Magazine Posted Oct 12, 2001	Raw Deal: A Question of Consent (2002)	83%
	"A frank and startling feature that is hard to stomach but harder still to forget." -- Boxoffice Magazine Posted Oct 12, 2001	Fat Girl (2001)	72%
	"An intriguing debut." -- Boxoffice Magazine Posted Oct 8, 2001	La Ci�naga (2001)	86%
	"The most remarkable feature of Lukas Moodysson's film is how convincingly the director gets under the skin of each of his characters." -- Boxoffice Magazine Posted Sep 4, 2001	Together (2001)	90%
	"A delightful feature that is as charming as its title and as beautiful as its Venetian setting." -- Boxoffice Magazine Posted Jun 7, 2001	Bread and Tulips (2001)	70%
	"An extraordinary and imaginative examination of human nature." -- Boxoffice Magazine Posted Apr 27, 2001	The King is Alive (2001)	60%
	"A piece of unashamedly traditional filmmaking, which relies upon solid plot and strong characterization as opposed to more experimental shock value." -- Boxoffice Magazine Posted Mar 7, 2001	Simon Magus (2001)	62%
	"An ambitious feature with some original touches." -- Boxoffice Magazine Posted Mar 7, 2001	The Luzhin Defence (2001)	59%
	"What at first seems to be a rather insubstantial romantic comedy gains an impressive amount of verve and variety as it unfolds." -- Boxoffice Magazine Posted Mar 7, 2001	About Adam (2001)	68%

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-50* of 56) Next** »

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