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Critics / Authors Reviews and Articles
JASON CLARK
PUBLICATION(S)
• Matinee Magazine
• Premiere Magazine
• Slant Magazine

BIOGRAPHY
Jason Clark is a regular contributor to Entertainment Weekly and Slant Magazine. He also has written for Premiere, HX and All-Movie Guide.
more...

CONTACT INFO
Email Critic

STATS
Total Reviews: 210
Total QuickRatings: 17

OTHER INFO
• Official Website(s)
• Location: Astoria, NY


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OTHER REVIEW & ARTICLE TYPES

What kind of content are found here? Any article type that IS NOT a movie review, a dvd review, a quick rating, or an interview are listed here - like soundtrack reviews, book reviews, laserdisc reviews, essays, tributes, previews, and news links.

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 N/A  
" Opaque, tiresome" -- Matinee Magazine
Posted Sep 25, 2002
 
Morvern Callar (2002)84%
 N/A  
" It is never quite as shocking as it thinks it might be and grows wearying after about an hour, when the movie seems to run out of options that might work" -- Matinee Magazine
Posted Sep 25, 2002
 
Better Luck Tomorrow (2003)80%
 N/A  
" any option to duck out of seeing the Dardenne brothers' maddening, obnoxiously designed The Son is a good one, unless you're partial to movies where you get to watch the back of someone's head emote for nearly 100 minutes" -- Matinee Magazine
Posted Sep 25, 2002
 
The Son (2003)88%
 N/A  
" It apparently took the filmmakers nearly five years to make this film, and you wonder why anyone would want it in the first place" -- Matinee Magazine
Posted Sep 25, 2002
 
Love Liza (2002)54%
 N/A  
" The film offers little more than what it presents to you and makes you wonder if seeing this onstage wouldn't possibly be more compelling than fancily designed as a film" -- Matinee Magazine
Posted Sep 25, 2002
 
The Last Letter (2003)100%
 N/A  
" When it stays on track, it's pretty good fun" -- Matinee Magazine
Posted Sep 25, 2002
 
Standing in the Shadows of Motown (2002)92%
 N/A  
" A worthless, witless thriller" -- Matinee Magazine
Posted Sep 25, 2002
 
Phone Booth (2003)71%
 N/A  
" It really fuels the mind and conversation in a way few movies have recently" -- Matinee Magazine
Posted Sep 25, 2002
 
Max (2002)70%
 N/A  
" By infusing the film with a dreamlike, digitally shot haze, Miller loses a little of the urgency of her tales" -- Matinee Magazine
Posted Sep 25, 2002
 
Personal Velocity (2002)70%
 N/A  
" This lushly made comedy-musical-whodunit is good fun for awhile" -- Matinee Magazine
Posted Sep 25, 2002
 
8 Women (2002)78%
 N/A  
" The intrigue is replaced with post-feminist affectations that mar the central story, and leave its game actors stranded in movie limbo" -- Matinee Magazine
Posted Sep 25, 2002
 
Secretary (2002)74%
 N/A  
" Warm and surprising, it's a film Douglas Sirk would have been proud of" -- Matinee Magazine
Posted Sep 25, 2002
 
Talk to Her (2002)92%
 N/A  
" This is not a film for the mall crowd, but for serious filmgoers who like to get swept up in filmic poetry" -- Matinee Magazine
Posted Sep 25, 2002
 
Gerry (2003)61%
 N/A  
" His three lead performers are our equivalent of acting heaven, with Moore, Quaid and Haysbert beautifully suggesting depths of heartbreak and regret without ever threatening to veer into parody" -- Matinee Magazine
Posted Sep 25, 2002
 
Far From Heaven (2002)91%

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