ROTTEN TOMATOES: Bob Satuloff

LISTING OF ALL REVIEWS & ARTICLES

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	"Simply too adolescently overwrought to sit well with late '90s audiences, gay or otherwise." Posted Jul 11, 2007	Parallel Sons (1996)	n/a
	"Literal to a fault, enervatingly paced, and lacking the novel's poetic vitality, the movie seems stilted and stultifying." Posted Nov 13, 2001	Other Voices Other Rooms (2003)	n/a
	"[A] dark, pounding exercise in mayhem, revenge, nihilism and despair in contemporary Tokyo." Posted Apr 20, 2001	Gonin (1995)	86%
	"A shallow, empty-headed rehash of cliches about the perils of contemporary marriage and baby-making." Posted Jan 1, 2000	A Smile Like Yours (1997)	8%
	"*Lacks the style, wit and suspense that marked Waller's debut feature, Mute Witness." Posted Jan 1, 2000*	An American Werewolf in Paris (1997)	9%
	"Remains more a theatrical work than a cinematic one--but its dramatic story, powerful theme and historical importance are undeniable." Posted Jan 1, 2000	Bent (1997)	68%
	"The way in which Mangold's writing and direction redistribute the weight of Stallone's screen persona is bound to impress." Posted Jan 1, 2000	Cop Land (1997)	71%
	"Impresses with its ambitious theme, complex structure, well-sustained tension and strong, heartfelt performances." Posted Jan 1, 2000	Eye of God (1996)	77%
	"Too creepy for mainstream moviegoers and too tame for genre audiences." Posted Jan 1, 2000	Fallen (1998)	42%
	"A culture-clash comedy that's less a movie than an overproduced, four-times-too-long sitcom." Posted Jan 1, 2000	For Richer or Poorer (1997)	16%
	"A simplistic, succeed-against-the-odds fantasy in Simpson-Bruckheimer mode." Posted Jan 1, 2000	G.I. Jane (1997)	55%
	"That rare '50s piece capable of attracting a young '90s audience." Posted Jan 1, 2000	Going All the Way (1997)	57%
	"*Seems longer than the rough cut of Titanic." Posted Jan 1, 2000*	I Love You, Don't Touch Me! (1996)	40%
	"Sets the comic Richter Scale jumping." Posted Jan 1, 2000	In & Out (1997)	72%
	"Greyson deserves much credit for realizing an outrageous theatrical conceit with clarity, consistency, and an arsenal of cinematic ideas." Posted Jan 1, 2000	Lilies (1997)	100%
	"The film's effect is that of a fictional travelogue that offers amusement, but lacks substance." Posted Jan 1, 2000	Midnight in the Garden of Good and Evil (1997)	50%
	"*If Showgirls* represented Verhoeven's bid to become Hollywood's most shameless vulgarian, that sound you hear in Starship Troopers is the other shoe dropping.*" Posted Jan 1, 2000*	Starship Troopers (1997)	60%
	"Perfectly affable, and there are some good laughs." Posted Jan 1, 2000	The Matchmaker (1997)	54%
	"Strains to build up a head of comic steam, but there's nowhere very interesting to go." Posted Jan 1, 2000	The Real Blonde (1998)	36%
	"Acted with depth and acuity by its ensemble cast." Posted Jan 1, 2000	The Winter Guest (1997)	61%
	"Breezily entertaining, cannily crafted, sociopolitical satire that brandishes razor-sharp teeth." Posted Jan 1, 2000	Wag the Dog (1997)	82%
	"Painstakingly produced, dramatically compelling, and acted with skill and intensity." Posted Jan 1, 2000	Washington Square (1997)	80%

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