ROTTEN TOMATOES: Megan Lehmann

MOVIE REVIEWS ONLY

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
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	" *A terrific horror premise goes begging in the garbled Halloween offering 30 Days of Night." -- Hollywood Reporter* Posted Oct 24, 2007	30 Days of Night (2007)	50%
	" First-time director Ringan Ledwidge conjures up an effectively creepy mood to accompany three young backpackers on an ill-fated road trip across the Aussie desert." -- Hollywood Reporter Posted Mar 13, 2007	Gone (2006)	55%
	" This is another tale about dreamers, transplanted to the Australian opal-mining hub of Coober Pedy, where the frenzied quest for the rainbow-colored gemstones creates a modern-day gold rush atmosphere." -- Hollywood Reporter Posted Nov 7, 2006	Opal Dream (2006)	69%
	" The premise is provocative but the film lingers too long on the scenes of imprisonment, turning them into a kind of soft-porn performance art and leaving the emotional aftershocks less satisfyingly explored." -- Hollywood Reporter Posted Sep 16, 2006	The Book of Revelation (2006)	82%
	" Eloquent direction lifts this beyond a genre whodunit." -- Hollywood Reporter Posted Sep 13, 2006	The Silence (2006)	n/a
	" This is Shakespeare as action film -- furiously paced and unapologetically cinematic. If the baroque sets and costumes often overwhelm the acting, it's unlikely the hipsters will mind." -- Hollywood Reporter Posted Sep 13, 2006	Macbeth (2007)	46%
	" A coiled and enigmatic psychodrama that cements Australian director Ray Lawrence's standing as a fine, if not prolific, filmmaker." -- Hollywood Reporter Posted Jul 20, 2006	Jindabyne (2007)	65%
	" Witty choreography juices the pedestrian plot." -- Hollywood Reporter Posted Jun 15, 2006	Fearless (2006)	74%
	" While intelligent performances from the luminous Porter (Better Than Sex) and newcomer Thaine make their unconventional mother-daughter relationship feel thoroughly organic, the script finally collapses under the weight of a narrative pile-up." -- Hollywood Reporter Posted Jun 8, 2006	Caterpillar Wish (2006)	n/a
	" An enchanting fable rich in authenticity and shot through with unexpected humor." -- Hollywood Reporter Posted May 20, 2006	Ten Canoes (2007)	98%
3.5/4	" Devoid of 21st-century irony, this visually stunning, action-packed yuletide treat is sweet and, yes, magical in a way that will enchant kids and give older viewers a twinge of nostalgia." -- New York Post Posted Nov 10, 2004	The Polar Express (2004)	57%
3/4	" An intelligent and entertaining exploration of racial and sexual politics that brings alive the Harlem Renaissance of the 1920s, and draws parallels with African-American identity crises of today." -- New York Post Posted Nov 5, 2004	Brother to Brother (2004)	76%
1.5/4	" Law tries hard to make his Alfie likable, but he's working against the orchestrations of the narrative and merely comes off as feeble, a one-dimensional Eurotrash jerk with outmoded ideas about women and troubles that don't amount to a hill of beans." -- New York Post Posted Nov 5, 2004	Alfie (2004)	49%
2.5/4	" There's something inherently frustrating about the illogical plot and the breezy vagueness of its message, which seems to be linking the global freezing of a near-future world with the coldness in people's hearts." -- New York Post Posted Oct 29, 2004	It's All About Love (2004)	14%
2/4	" It is a riddle wrapped in a mystery inside an enigma that ultimately reveals... not much." -- New York Post Posted Oct 29, 2004	Birth (2004)	40%
2/4	" A sporadically amusing curiosity that falls short of effectively satirizing the public's fixation with the minutiae of celebrity lives." -- New York Post Posted Oct 22, 2004	Stella Street (2003)	12%
3.5/4	" *Anderson gives The Machinist* a sickly noirish look that contributes to the creeping horror -- but it's the emaciated Bale's spectral presence that leaves the imprint.*" -- New York Post* Posted Oct 22, 2004	The Machinist (2004)	73%
3/4	" Undertow conforms to many of the tropes of a formula thriller but, aided by an evocative Philip Glass score and Tim Orr's beautifully naturalistic cinematography, it transcends the genre." -- New York Post Posted Oct 22, 2004	Undertow (2004)	56%
3/4	" Lightning is a joyous, toe-tapping celebration of a musical style born of sorrow." -- New York Post Posted Oct 22, 2004	Lightning in a Bottle (2004)	87%
2.5/4	" It's a simple tale of father-and-son bonding that director Huo Jianqi injects with a quiet power, and it benefits greatly from the gorgeous lushness of its backdrop." -- New York Post Posted Oct 22, 2004	Postmen in the Mountains (1998)	96%
4/4	" It's a joy to watch comedy unfold so naturally, the laughs gently teased out from our growing knowledge of the characters, their imperfections, doubts and, yes, emotional pain." -- New York Post Posted Oct 22, 2004	Sideways (2004)	96%
4/4	" Consistently hilarious." -- New York Post Posted Oct 15, 2004	Team America: World Police (2004)	78%
1.5/4	" The story is so slight, a low-wattage hair dryer could blow it away." -- New York Post Posted Oct 15, 2004	Hair Show (2004)	17%
3/4	" [Bening] pulls out all the stops playing a limelight-loving stage diva in 1930s London, and her vivacious performance should guarantee her a spot on Oscar's list of Best Actress nominees." -- New York Post Posted Oct 15, 2004	Being Julia (2004)	76%
2.5/4	" There's little here to make this stand out in an already well-stuffed genre." -- New York Post Posted Oct 15, 2004	Saints And Soldiers ()	66%
0/4	" Another repulsive, fetishistic trawl through the life and crimes of a serial killer." -- New York Post Posted Oct 12, 2004	Hillside Strangler (2004)	17%
3/4	" Claire Danes and Billy Crudup certainly spark a terrific chemistry on screen." -- New York Post Posted Oct 8, 2004	Stage Beauty (2004)	65%
.5/4	" *The most embarrassing SNL* vehicle since Pootie Tang.*" -- New York Post* Posted Oct 6, 2004	Taxi (2004)	11%
3/4	" Amid the pandemonium there's a sense of truly rigorous soul-searching." -- New York Post Posted Oct 1, 2004	I Heart Huckabees (2004)	61%
2/4	" *Unconvincing performances and overwritten dialogue make Woman* fail to resonate.*" -- New York Post* Posted Oct 1, 2004	Woman, Thou Art Loosed (2004)	51%
1/4	" Plays as if the filmmakers compiled a list of every smoke-eater clich� imaginable and then resolutely set about crossing them off." -- New York Post Posted Oct 1, 2004	Ladder 49 (2004)	41%
3/4	" Subversively funny." -- New York Post Posted Sep 24, 2004	The Yes Men (2004)	85%
1/4	" *The humorless Reich* makes for one dull and repetitive skin flick.*" -- New York Post* Posted Sep 24, 2004	The Raspberry Reich (2004)	54%
1.5/4	" *Devolves into a best-forgotten clone of an utterly illogical X-Files* episode.*" -- New York Post* Posted Sep 24, 2004	The Forgotten (2004)	31%
3/4	" Sayles' unabashedly partisan film moseys along in an unhurried fashion, encompassing myriad story lines yet taking the trouble to fully develop each of its many characters." -- New York Post Posted Sep 17, 2004	Silver City (2004)	48%
2/4	" An overlong melodrama- by-numbers, existing mainly to give Theron a backdrop against which to smoke and brood in a series of elegant period outfits." -- New York Post Posted Sep 17, 2004	Head in the Clouds (2004)	15%
2/4	" *There's really nothing new here ... and lacking the drama and humor of Fahrenheit 9/11, it is even more likely to be preaching to the converted." -- New York Post* Posted Sep 10, 2004	Hijacking Catastrophe (2004)	83%
3/4	" *Uber-hip technique triumphs over substance in Reconstruction." -- New York Post* Posted Sep 10, 2004	Reconstruction (2004)	76%
2/4	" Highly improbable, maniacally action-packed." -- New York Post Posted Sep 10, 2004	Cellular (2004)	53%
0/4	" A feeble mess." -- New York Post Posted Sep 7, 2004	The Cookout (2004)	5%
	" A cheeseball revenge thriller with an alarmingly twisted moral." -- New York Post Posted Sep 6, 2004	Paparazzi (2004)	19%
2/4	" *There are some powerful emotions coursing through Virgin, writer-director Deborah Kampmeier's raw first feature, and a tighter script would have made them even more affecting." -- New York Post* Posted Sep 3, 2004	Virgin (2003)	40%
1.5/4	" One of the silliest, most sieve-like screenplays of the year." -- New York Post Posted Sep 3, 2004	Wicker Park (2004)	23%
2.5/4	" *Shoehorning all these characters and plot threads into one film is perhaps overly ambitious, but Nair makes Vanity Fair* an elegant showcase for an unforgettable heroine.*" -- New York Post* Posted Sep 1, 2004	Vanity Fair (2004)	50%
1.5/4	" The supersize snakes don't even make an appearance until the movie's midway point -- and when they do, appalling special effects render them merely risible." -- New York Post Posted Aug 27, 2004	Anacondas: The Hunt for the Blood Orchid (2004)	26%
1/4	" Handsomely shot but almost bewilderingly bland." -- New York Post Posted Aug 23, 2004	Almost Peaceful (2004)	73%
3/4	" *Unvarnished and raw as the punk pioneers whose turbulent trajectory it traces, End of the Century: The Story of the Ramones* is a true fan's nirvana.*" -- New York Post* Posted Aug 20, 2004	End of the Century: The Story of the Ramones (2004)	95%
2/4	" Never rises above the level of harmless video fare." -- New York Post Posted Aug 20, 2004	Without A Paddle (2004)	14%
2/4	" The lively whirl of debauched, drug-fueled parties and toffee-nosed exchanges between heiresses and aristocrats fails to mask the essential hollowness of the narrative." -- New York Post Posted Aug 20, 2004	Bright Young Things (2004)	65%
0/4	" Would be hilarious if it weren't so dreadfully cynical." -- New York Post Posted Aug 13, 2004	Yu-Gi-Oh: The Movie (2004)	5%

Genre: # a b c d e f g h i j k l m n o p q r s t u v w x y z
Results for All Genres ...	*(1-50* of 245) Next** »

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