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Celebrities / Composers / Michael Giacchino / Biography
Michael Giacchino

Michael Giacchino

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Biography

This page uses content from the Michael Giacchino biography page on the English version of Wikipedia and is licensed under the GNU Free Documentation License. This list of authors can be seen in the page history. Rotten Tomatoes disclaims any and all warranties as to the accuracy or reliability of the content.

Michael Giacchino (born in Riverside, New Jersey) is an American soundtrack composer who has composed several multi-award winning scores for many popular movies, television series and video games.IMDB.com - Michael Giacchino His scores are notable for their usage of brass. He is an alumnus of the Juilliard School and the School of Visual Arts in New York City, where he acquired a degree in film production and a minor degree in History.Mackie.com

Compositions

In videogames

Giacchino's first major composition was for the DreamWorks video game adaptation of the 1997 movie, The Lost World: Jurassic Park.Michael Giacchino.com -Biography The video game was the first PlayStation-only console title to be recorded with an original live orchestral score. Giacchino has since continued his relationship with DreamWorks, providing full orchestral scores for many of their popular videogames. Giacchino's award-winning compositions covers the entire Medal of Honor series, (Underground, Allied Assault and Frontline), and also the scores for several other World War II-related video games like Secret Weapons Over Normandy, Call of Duty and Call of Duty: Finest Hour.Michael Giacchino.com - Wors Additionally, Giacchino composed themes for The Incredibles: Rise of the Underminer, and co-wrote the theme of Black with composer Chris Tilton.Chris Tilton.com - Black

In film and television

Giacchino's work on the various video games led to his first work on television. In 2001, J.J. Abrams, producer of the television series Alias, discovered Giacchino through his work on the video games and tapped Giacchino to provide the new show's soundtrack.IMDB.com - Alias - Full Credits The soundtrack featured a mix of full orchestral pieces, often mixed with upbeat electronic music, a departure from much of his previous work. Giacchino would also provide the score for J.J. Abrams's next project, the 2004 television series, LostAmazon - Lost Soundtrack, which was an acclaimed soundtrack that used a unique process of using spare pieces of a plane fuselage for the percussions. His score for Lost is notable for a signature thematic motif - a brass fall-off at the end of certain themes.The Log Book - Lost In 2004, Giacchino was given his first big feature film composition, when he was called on to provide the soundtrack for the Pixar film, The Incredibles.Cinemusic - The Incredibles Director Brad Bird had heard Giacchino's work on Alias and asked him to work on the soundtrack for the new movie. The upbeat jazz orchestral sound was a departure in sound not only for Giacchino but for Pixar, who had previously relied on the works of Randy and Thomas Newman for all of their previous films. Brad Bird had originally sought out John Barry, who was best known for composing many of the early James Bond movie soundtracks, to compose the music, but was reportedly unable to write music that fit his old James Bond style. Giacchino was nominated for two Grammy Awards in 2005 for his work The Incredibles: Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media and Best Instrumental Composition.Grammy Nominations 2005 - PDF Giacchino also composed scores for the 2005 films, Sky High and The Family Stone, and the television movie, The Muppets' Wizard of Oz. Most recently, Giacchino composed the score for the movie Mission: Impossible III, directed by J.J. Abrams, which was released on May 5 2006.CDUniverse - M:I - III Following the announcement that Incredibles director Brad Bird would be directing the next Pixar film, Ratatouille, it was announced that Giacchino, who has a history with Bird, will be providing the score.

Additional compositions

In addition to his long list of soundtracks, in 2005 Giacchino collaborated with Walt Disney Imagineering in creating two new soundtracks for the updated versions of Space Mountain at Disneyland, Disneyland Paris, and Hong Kong Disneyland.Space Mountain Giacchino was also contracted by Sarah Vowell, who played character Violet in The Incredibles, to compose the score to the audio version of her book Assassination Vacation.

Awards and nominations

In 2004, Giacchino won the award of "Excellence in Audio" in the Game Developers Choice Awards for work on the video game, Call of Duty. Giacchino was nominated for two Grammy Awards in 2005 for his work on The Incredibles: Best Score Soundtrack Album For Motion Picture, Television Or Other Visual Media and Best Instrumental Composition.Michael Giacchino Awards Cited by the New Yorker music critic Alex Ross as "some of the most compelling film music of the past year,"NewYorker.com - SOUND AND VISION Giacchino's work on Lost won him the 2005 Emmy for Music Composition For A Series (Dramatic Underscore).Emmy Award Winners

Partial composer filmography

Album Year Medium
Ratatouille 2007 Film
Black 2006 Video game
Mission: Impossible III 2006 Film
Looking for Comedy in the Muslim World 2006 Film
The Family Stone 2005 Film
Space Mountain 2005 Theme park attraction
The Muppets' Wizard of Oz 2005 Television movie
Mercenaries: Playground of Destruction 2005 Video game
Call of Duty: Finest Hour 2004 Video game
The Incredibles 2004 Film
The Incredibles Game 2004 Video game
Lost 2004 Television series
Secret Weapons Over Normandy 2003 Video game
Call of Duty 2003 Video game
Medal of Honor: Frontline 2002 Video game
Medal of Honor: Allied Assault 2002 Video game
Alias 2001 - 2006 Television series
Medal of Honor: Underground 2000 Video game
Medal of Honor 1999 Video game
The Lost World: Jurassic Park 1997 Video game

References

External links

  • Official web site
  • SoundtrackNet Interview with Michael Giacchino
  • SoundtrackNet's Mission: Impossible 3 Scoring Session Exclusive
  • Alex Ross column in The New Yorker

Permission is granted to copy, distribute and/or modify the biographical information on this page under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation.



 
 
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