Danish auteur Lars von Trier is used to controversy following his films; some of his critics have even accused him of courting it for sensationalism and reaction. Yet even with a career that contains the likes of The Idiots (rich kids mocking the handicapped), Dancer in the Dark (which drove star Bjork to never act again) and Dogville (leveled with charges of misogyny and anti-Americanism), the director's latest may be his crowning achievement in outrage. When it debuted at Cannes earlier this year, Antichrist -- starring Willem Dafoe and Charlotte Gainsbourg as a grieving couple who retreat to idyllic woodland where all Hell breaks loose -- was so appalling to some in its graphic, sexual violence that it prompted uproar (and even a special "anti-humanitarian" prize from the jury). But are the critics really getting what von Trier is playing at? And does he even know himself? Moreover, who's got the better talking fox -- he or Wes Anderson?

Not a lot of people know that actor Eric Bana, familiar to most from roles in the likes of Star Trek, Munich and Ang Lee's Hulk, is a massive petrol head. With the release of Love the Beast, Bana aims to change that. It's a love letter to his pride and joy, a Ford GT Falcon Coupe which he's owned since he was 15, a documentary about his obsession with it and with racing, and the mourning attached to his crash during the Targa rally in 2007. Along the way Bana interviews the likes of Jeremy Clarkson, Jay Leno and Dr. Phil as he attempts to understand his passion better. In London to promote the UK release -- it's out on DVD now -- Bana sat down with RT to talk more about his pride and joy.

Ren Klyce may not be a household name to most, but for those who are keen on sound design, he's the kind of chap that you might mention alongside Ben Burtt, the legendary creator of the Star Wars soundscapes. Working with David Fincher (almost exclusively) since 1995's Se7en, he has created some of the most memorably unnerving soundscapes ever put to film. One of which was, of course, 1999's iconic Fight Club. With the film's 10-year anniversary a special edition is being released on Blu-ray and DVD, with extras devoted entirely to the sometimes shockingly graphic sounds that underpinned what is still, for many, a confronting film. For others, of course, it's a modern day masterpiece. We spoke with Ren on the Fox Studios Lot in Los Angeles and he gave us the low down on what inspires him in movies, and just what went into the creation of those bone-shattering fight sequences.

James Schamus might be a workaholic. If it's not enough that he's the head of Focus Features -- the independent imprint of Universal -- he's also an established producer and screenwriter best known for his collaborations with Ang Lee. This week sees the release of the pair's latest, Taking Woodstock, a comedy about a family integral to the birth of the infamous Woodstock concert of 1969. And if that isn't enough, he's an associate professor of film at Columbia University and just delivered a politically-charged lecture to a rapt London Film Festival audience. While in town, he sat down with RT to talk about the release of Taking Woodstock, his work at Focus and his thoughts on the Tomatometer...

The rule that no two Ang Lee movies are ever the same is confidently kept intact with the release of his latest, Taking Woodstock, a comedy about the true story behind the Woodstock music festival in 1969. It follows romantic wartime drama Lust, Caution and the Oscar-winning Brokeback Mountain on the director's CV and arrives in UK cinemas this week. As RT sits down with Lee to ask his five favourite films, he's keen to point out that if we'd asked him another day we'd have received an entirely different list. "It's a hard one to answer," he tells us. "I could give 50, or 100. I'll throw out 5 that come into my head."