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Happy Hour (2004)
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Reviews Counted:21
Fresh:8
Rotten:13
Average Rating:5/10
Runtime: 1 hr 33 mins
Genre: Dramas
Synopsis: Once upon a time it appeared that Tulley (Anthony LaPaglia) had a glittering future mapped out ahead of him. The son of a successful writer, his early literary efforts suggested he would easily... Once upon a time it appeared that Tulley (Anthony LaPaglia) had a glittering future mapped out ahead of him. The son of a successful writer, his early literary efforts suggested he would easily follow in his father's prestigious footsteps. Then the booze got him. A slave to the bottle and the bar, Tulley spends his daylight hours counting down the clock in an interminable office job. His coworker and best friend Levine (Eric Stoltz) is a keen companion in the pursuit of alcohol, frequently propping up the bar next to Tulley in the duo's local watering hole, where the sound of the HAPPY HOUR bell is like music to the patrons' ears. But Tulley's life is irretrievably altered one fateful night, when schoolteacher Natalie (Caroleen Feeney) settles down snuggly at the bar, and comfortably matches him drink-for-drink. A love affair begins, and Natalie attempts to coerce Tulley back into writing. Levine tries to explain the futility of such a pursuit, but when Tulley is delivered some shocking news from his doctor, he grasps hold of his addiction and endeavors to overcome it. As he sinks deeper into the abyss of ill health, Tulley enters into a breathless race with the Grim Reaper in order to belatedly fulfill his literary promise. This cinematic study of a hapless alcoholic is so convincing that it's a wonder the celluloid doesn't ooze alcohol from its reels. The coterie of heavy drinkers portrayed by Stoltz, Feeney, and LaPaglia are disturbingly believable, and the movie stands as a fine testament to LaPaglia's skills in particular. Director Mike Bencivenga wonderfully recreates the ambience of New York City's less salacious nightspots, presenting a sad portrait of a man for whom the glass is always half empty. [More]
Starring: Anthony LaPaglia, Eric Stoltz, Caroleen Feeney, Robert Vaughn
Starring: Anthony LaPaglia, Eric Stoltz, Caroleen Feeney, Robert Vaughn, Sandrine Holt
Director: Mike Bencivenga
Director: Mike Bencivenga
Screenwriter: Richard Levine
Producer: J. Todd Harris, Kimberly Shane O'Hara, John Davis
Composer: Jeffrey Taylor
Reviews for Happy Hour
The premise of the ever-soused movie is solid, too bad the execution is anything but.
In a world with so many problems, it's hard to drum up any sympathy for these characters' profligate self-destruction.
First-time writer-director Mike Bencivenga and co-writer Richard Levine have a flair for brittle repartee, and an obvious affection for literate drunks, but their take on the drinking life feels antiquated and movie-derived.
Drama of a self-destructive, boozing New York ad man would reek of cliche were it not for a virtuosic performance from Anthony LaPaglia, who still fails to make this small film big.
Happy Hour is strictly college-level compost, content with its mediocrity, if not wholly unaware of it.
Nothing especially new, but a well-acted chamber piece about a self-destructive writer.
LaPaglia is solid and there's a grittiness here, and a clear-eyed approach to alcoholism that's reminiscent of Leaving Las Vegas.
What you'll remember most about the movie is its banal script and dialogue so ripe it almost laughs at itself.
Provides enough tragi-comedy to make the viewer feel like drowning their own sorrows... while laughing to lift their spirits.
The characters in Happy Hour are stick figures from a musty old teleplay that might be titled The Days of Wine and Malarkey.
Once the story takes its big turn toward tragedy, though, it becomes predictable and sentimental.
Strain credulity. Shake until sudsy. Garnish with a maraschino cherry or Eric Stoltz. Serve chilled, straight up.
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