Director Roland Emmerich has swapped disaster movies like The Day After Tomorrow and Godzilla for, well, a disaster of a movie.
10,000 B.C. (2008)
Runtime: 1 hr 49 mins
Genre: Action/Adventure
Starring: Steven Strait, Camilla Belle, Cliff Curtis, Omar Sharif, Tim Barlow
Screenwriter: Roland Emmerich, Harald Kloser
Producer: Michael Wimer, Roland Emmerich, Mark Gordon
Composer: Harald Kloser, Thomas Wander
Reviews
Even though there's never a hint of either research or gritty realism, it's still good fun.
Roland Emmerich's prehistoric odyssey 10,000 BC is his silliest, most preposterous blockbuster to date. But it's lots of fun, too.
Roland Emmerich's great big CGI blockbuster lumbers along like one of the woolly mammoths that roam across the screen.
Don't expect Roland Emmerich's 10,000BC to make much sense, historically, geographically or logically.
In what might be a record, the makers of this prehistoric drama spent two years and £20m fine-tuning the special effects to ensure its cast of mammoths, sabre-toothed tigers and maneating birds looked as realistic as possible.
Roland Emmerich loves to make big, dumb movies, and though this may not be his biggest, it's certainly his dumbest.
Take the kids along; unless you want them to grow up to be palaeontologists.
A beggar’s banquet of milky CGI beasties and clunky battle-porn set-pieces, 10,000 B.C. is an extravagant waste of time, money and effort. Fans of caveman antics may want to go with something more historically accurate. Like The Flintstones.
With too much talk, not enough adventure and a laughable disregard for geography and anthropology, 10,000 BC is less Jurassic Park than Pleistocene parp.
The mammoths aren’t all that is wild and woolly in this innocent, old-fashioned, amusingly self-important, entertainingly mad, rip-snorting throwback to vintage Saturday matinee fare.
If you absolutely must endure 10,000 BC, do as we did and take along a pencil - jabbing the nib in your eye might be the only way to regain a sense of feeling after the dumbest, naffest cinematic violation of your life.
The filmmakers should be ashamed of themselves for even allowing this movie to enter a movie theatre. It was like a bad made for TV special that you would see on ABC or NBC.
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The actors speak in fluent anachronistic English. The dialogue is prehistoric but not in the way Emmerich intended.
It's a film that countryman Uwe Boll would have made had he the budget and the cinematographer
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