The coming CD, not the DVD, should be the keeper.
The Lost City (2006)
Tomatometer
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Reviews Counted:82
Fresh:21
Rotten:61
Average Rating:4.7/10
Consensus: Its heart is in the right place, but what starts as a promising exercise devolves into an overlong, unevenly directed disappointment.
Theatrical Release:05-12-2008
Synopsis: The Lost City is actor/director Andy Garcia’s bittersweet lyric celebration of Cuban culture that took him 16 years to make. Using music, literature and dance, City captures Havana in full... The Lost City is actor/director Andy Garcia’s bittersweet lyric celebration of Cuban culture that took him 16 years to make. Using music, literature and dance, City captures Havana in full tropical bloom during the late 1950s. Where Buena Vista Social Club commemorated an era of Cuban music before it slipped away, City captures the moment where performers like Beny More electrified audiences with that rhythm, a rhythm that made Havana the Pearl of the Antilles. Scripted by Cuban writer Guillermo Cabrera Infante, whom critic David Thomson likened to Jorge-Luis Borges and Gabriel Garcia Marques, City builds like a vivid tropical fever-dream; a love story and revolution set to music. Centered in El Tropico, a nightclub roughly modeled after Havana’s famous Tropicana, proprietor Fico Fellove tries to hold his family and club together as the dictator Batista’s reign of terror comes crashing down around him. Ultimately, to survive, Fico must leave everything he loves. City is every immigrant’s story—a paean to lost culture. It’s a time and place in history that still lives vividly in the imagination of the exile. And as conjured by Infante and Garcia, this is a land where rhythm can’t be exiled. You can leave the country, but the rhythm will never leave you. Along with its original score, City sings with 40 different songs. Mambos, chachachas, rumbas, toques, danzones, boleros. Together they create an oral history of Cuba. They are love songs to an indomitable culture—a culture that reveals itself in music, but also in dance, in poetry, in Catholicism, in African and European heritages, in Revolution, in tobacco, in Santeria and the azure sky and water that surround the island. These are the residents of The Lost City. -- © Lions Gate Films [More]
Starring: Andy Garcia, Dustin Hoffman, Bill Murray, Inés Sastre
Starring: Andy Garcia, Dustin Hoffman, Bill Murray, Inés Sastre, Jsu Garcia
Director: Andy Garcia
Director: Andy Garcia
Screenwriter: G. Cabrera Infante
Producer: Frank Mancuso
Studio: Lions Gate Films
Reviews for The Lost City
Somewhere amid the bric-a-brac -- hot rhythms, ocean breezes and political upheaval and melodrama -- a movie languishes. Garcia never really finds it.
A pretty bauble, a trinket offered when the stakes of barter were life and death.
What makes this movie interesting is the family (and not just because it's made up of 3 beautiful brothers). It's a love story, between a man and a woman and between a people and their country.
While earnest in intent and visually elegant, simply too narratively amorphous and emotionally desiccated.
Lovely to look at, and its mixture of Cuban standards and Garcia originals is delightful to listen to.
Though the filmmaker's feel for his Cuban heritage is bone-deep, it's a glazed and dolorous movie -- a depressed epic.
As a musical fever dream of paradise lost, The Lost City is a flawed success, boasting just enough truth and admirable purpose to justify the hazards of Garcia's passion.
The film suggests a dutiful if clunky pastiche of The Godfather and a right-wing Reds, with Fellove and his brothers and parents representing a spectrum of possible responses to the Cuban revolution.
... full of characters with import more symbolic than dramatic (Bill Murray plays a veritable court jester), ideas that wander and contradictions that dissipate.
A tribute to pre-revolutionary Havana, an elegy on what was lost, a little payback for a regime that drove his family out and, best of all, a synthesis of the driving Afro-Cuban rhythms of the extraordinary music.
You can see why Garcia was drawn to this material, but he hasn't had much luck shaping it into a film.
'That's not filmmaking,' I thought, 'that's photography.' 'That's not acting, that's posing.' 'That's not Jon Lovitz, it's Andy Garcia!'
The Lost City has a subject, a setting and a historical backdrop, but in the foreground it has a relatively passive protagonist, Fico, whose passions are understated and whose fortunes inspire only minor concern.
Feels like the distillation of countless conversations and family legends, rehearsed from time immemorial by Cubans who fled their homeland and sought to re-create it in their memories.
It's the sort of epic that aspires to tell Cuba's modern political history and celebrate its people without introducing us to a single believable character.
Musical...handsome...poignantly nostalgic...The Lost City is a lot of things, but what it's not is incisive.
Throbbing with music, seething with anger and romance, The Lost City is a film that breaks your heart, bewilders, alienates and ravishes you by turns.
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