While Kitano obviously believes his subject matter is deeply moving, the result is a film of stunted emotional development.
Dolls (2004)
Tomatometer
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Reviews Counted:36
Fresh:27
Rotten:9
Average Rating:6.7/10
Runtime: 1 hr 58 mins
Genre: Foreign Films
Synopsis: Takeshi Kitano continues alternating between introspective drama and violent films with DOLLS, which he wrote, directed, and edited in between the bloody gangster picture BROTHER (2000) and the... Takeshi Kitano continues alternating between introspective drama and violent films with DOLLS, which he wrote, directed, and edited in between the bloody gangster picture BROTHER (2000) and the samurai update THE BLIND SWORDSMAN: ZATOICHI. Beginning with an excerpt from Bunraku puppet theater master Monzaemon Chikamatsu's THE COURIER FOR HELL, Kitano goes on to tell the story of three sets of men and women obsessed with ill-fated relationships. Matsumoto (Hidetoshi Nishijima) is in love with Sawako (Miho Kanno), but he chooses to marry his boss's daughter instead so he can get ahead in the world. After Sawako attempts suicide and loses her mind, Matsumoto chooses to do his penance by giving up everything to take care of her, leading her through the streets and parks tied to him with a red cord so she can't get away and hurt herself. Hiro (Tatsuya Mihashi) is a yakuza boss who left his love (Chieko Matsubara) long ago in order to make something of himself; she promised she would come to the park to wait for him every Saturday, and he is shocked when he returns to the bench decades later and finds her there, with his lunch. And traffic worker Nukui (Tsutomu Takeshige) is so dedicated to young pop sensation Haruna (real-life pop sensation Kyoko Fukada) that he makes a bizarre sacrifice after she is partially blinded in an accident. With an emotional score by Joe Hisaishi, DOLLS is a deep, dark, bleak, but mesmerizing look at lost love, as seen through the eyes of one of Japan's best filmmakers. [More]
Starring: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara
Starring: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara, Kyoko Fukada, Tsutomu Takeshige
Director: Takeshi Kitano
Director: Takeshi Kitano
Screenwriter: Takeshi Kitano
Producer: Masayuki Mori, Masayuki Mori, Takio Yoshida
Composer: Joe Hisaishi
Studio: Palm Pictures
Reviews for Dolls
The stories have a fateful, lonely feel, like one of Wong Kar-wai's missed connections. Yet their tragic timelessness, and the lovely, aching pace at which they are told, bring them to a level of extraordinary beauty.
Dolls risks the bank on symbology as gaudy as teen anime and as heavy as a stone temple.
It's all as passionate, refined, and insistently sad as Bunraku puppetry itself.
A few days removed from my first and only viewing of it, I admit it's already begun to grow a little in the rear-view.
The movie's pace is appropriate to its mood, which is crisp, melancholy and gently cruel.
Since Dolls is told in a somnambulist manner, the stories become languid and staid.
There aren't many movies more visually beautiful than Takeshi Kitano's odd but moving "Dolls."
Rife with beautiful imagery and loads of symbolism, though none of the stories is particularly compelling on its own.
Weighed down by heavy-handed sentiment and largely free of [Kitano's] trademark dark humor, Dolls is still a compelling work from a genuine talent.
Dolls isn't a film for everybody, especially the impatient, but Kitano does succeed, I think, in drawing us into his tempo and his world, and slowing us down into the sadness of his characters.
Kitano is great at examining and breaking down cultural and sexual boundaries, but Dolls merely plays out like a work of hegemonic reinforcement.
Devoted fans of Kitano will want to see Dolls. Others may be put off by the dirgelike pace (Kitano takes full credit for the editing) and a ghastly, mood-destroying pop-music number performed by Fukada.
Takeshi Kitano's melancholy allegory is a meditation on the heavy ties that bind, of which love is merely one and not necessarily the strongest.
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