Technical shortcomings aside this is a good story well told, elevated by McKellen on top form.
Emile (2004)
Tomatometer
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Reviews Counted:23
Fresh:13
Rotten:10
Average Rating:5.8/10
Runtime: 1 hr 33 mins
Genre: Dramas
Synopsis: Accomplished British actor Sir Ian McKellen stars in this Canadian picture as Emile, a 65 year-old man torn apart by memories of his troubled past. Consumed by guilt over abandoning his family when... Accomplished British actor Sir Ian McKellen stars in this Canadian picture as Emile, a 65 year-old man torn apart by memories of his troubled past. Consumed by guilt over abandoning his family when he was young, Emile makes a last attempt to reconnect with his only living relatives. Director Carl Bessai seamlessly blends the past and present in retelling Emile's life story. Much of the film's key events are examined through flashbacks, with the real and imaginary intersecting throughout. Emile's fragile state of mind is reflected through this interweaving of the past and present, suggesting that he may never escape the past enough to really be present in the current moment. Exploring the conflict between wanting to be independent from one's family, and feeling the need to be connected, EMILE is a well-written and extraordinarily well-acted drama that deals with the complexities of human emotions. [More]
Starring: Ian McKellen, Deborah Unger, Tygh Runyan
Starring: Ian McKellen, Deborah Unger, Tygh Runyan
Studio: Castle Hill Productions
Reviews for Emile
Reminds us that Sir Ian McKellen is used to playing more complex characters than Gandalf or Magneto.
An honest and intelligent look into real relationships, impressively original in its execution and breathtakingly remarkable in its delivery.
Beautifully filmed and edited by Bessai to take us into the mind of a man who has made too many life-changing decisions.
McKellen is superb as usual, and even if it's all a bit pat, the film quietly generates enough emotional momentum to be genuinely moving.
a film of tender hues, quiet intensity and elegiac melancholy that you may well find lingering in your own memory.
A small but excellent cast supports McKellen in what is a beautiful and intelligent film.
Emile may not be flashy, it may even be hard slogging emotionally, but it has value.
...the sort of prototypical movie that one expects from a made-in-Canada production...
At heart a reverie, a meditation on the past and its treacheries, the ways in which people become flawed, and the eternal though often elusive possibility of forgiveness and redemption.
McKellen, as one might expect, is brilliant in the role of a 60-something man re-inhabiting his earlier life on a farm in Saskatchewan and visiting the imagined life of his brother and his niece during the period when he has been living in England.
While this dreamily photographed piece contains fine performances by all, it loses its way as it lingers too long in the past and moves too slowly in the present.
It's appropriate that the director calls this the final chapter in a trilogy about struggling with one's identity -- he shows none of his own while mishandling someone else's.
McKellen and Unger do a wonderful trudging through the dirt (and, finally, cheese), Emile never quite gets off the ground.
Confusing the profound with the pretentious, director Bessai packs the story with elliptical, ominous flashbacks that undercut all the advances he makes with the contemporary tale.
Sensitively played but ultimately undone by its unconventional approach.
The films of Carl Bessai are remarkably similar on two fronts: (1) They all have a single name for a title -- first Johnny, then Lola, now Emile; and (2) They just aren't getting much better.
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