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Asylum (2005)
Genre: Thriller
Starring: Natasha Richardson, Ian McKellen, Marton Csokas, Hugh Bonneville, Joss Ackland
Screenwriter: Patrick Marber
Producer: Mace Neufeld, David Allen
Composer: Mark Mancina
Reviews
Marton Csokas ... comes across as a hybrid of Russell Crowe and Clive Owen in full-on brooding mode and has a genuine chemistry with Richardson that goes some way to explaining why she stays with him as a long as she does.
For a story about infatuation, sex and violence, the film is almost strikingly dull.
offers a bleak vision of the Fifties, where an outbreak of passion or an artistic impulse would be quickly subjected, like any other madness, to containment.
Despite a superb cast, artful set design and seductive cinematography, Asylum remains a lovingly lensed missed opportunity.
Asylum had promise. But it's bad enough to make one wonder just who had the loose screws -- the characters, or the people who filmed them?
Patrick McGrath's screenplay, based on his novel, has moments big and small, delivered in appropriate dollops of awfulness.
It's a movie you fall for or you don't, and like Stella, I am not ashamed I did.
There is nothing to Stella's character -- or any of these characters, for that matter -- that you can relate to.
So obsessed with rendering Patrick McGrath's exquisitely twisted Gothic novel as a refined affair that it forgets less ambitious pursuits, like sussing out a way to keep us awake.
Based on Pat McCabe's moody novel, Asylum has an over-the-top feverishness that suits its premise.
Once characters' actions lose credibility, it's hard to empathize with them, no matter how well the roles are played.
The film wryly wonders whether the lunatics have taken over not just the asylum but the entire world as well.
A troubling psychological drama about illicit passion leading to tragedy.
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