It's a lost cause.
Asylum (2005)
Tomatometer
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Reviews Counted:85
Fresh:31
Rotten:54
Average Rating:5.4/10
Consensus: This catastrophic adaptation of Patrick McGrath's novel gets sillier and more implausible as it goes along.
Runtime: 1 hr 39 mins
Genre: Thriller
Synopsis: Set in 1950s England, ASYLUM, a tale of erotic obsession, tells the story of Stella Raphael (Natasha Richardson), a restless, beautiful woman who desperately desires to find in romantic love the... Set in 1950s England, ASYLUM, a tale of erotic obsession, tells the story of Stella Raphael (Natasha Richardson), a restless, beautiful woman who desperately desires to find in romantic love the one thing that will change everything. When her husband Max (Hugh Bonneville), an ambitious forensic psychiatrist, is appointed Deputy Superintendent at a high-security psychiatric hospital for the criminally insane, Stella and her young son come with him to live on the grounds. Being in proximity of madness has a dangerous attraction for this woman; with its eerie, gothic beauty and endless echoing corridors, the institution itself seems to draw Stella in. Then she meets inmate Edgar Stark (Marton Csokas), an artist confined for murdering his wife in a jealous rage. There is a visceral connection between the two. Stella finds release and a sense of herself reborn in Edgar's embrace. Senior physician Peter Cleave (Ian McKellen), long in line for the position to which Max has been promoted, watches carefully as Stella and Edgar bond – "sexual pathology" is his particular field of interest. The cunning Dr. Cleave is a master observer, one who especially prides himself on manipulation. Stella is now the center of attention for three men, each of whom desires to possess her: the husband, the lover and the doctor. When Edgar escapes the asylum and their secret affair is revealed, Stella determines to continue on with her lover, no matter what the cost. What began as a fierce brave step towards freedom now threatens to bring Stella to other, even more intense forms of confinement. Having taken the risk, there is no turning back. --© Paramount Classics [More]
Starring: Natasha Richardson, Ian McKellen, Marton Csokas, Hugh Bonneville
Starring: Natasha Richardson, Ian McKellen, Marton Csokas, Hugh Bonneville, Joss Ackland, Wanda Ventham, Judy Parfitt
Director: David Mackenzie
Director: David Mackenzie
Screenwriter: Patrick Marber
Producer: Mace Neufeld, David Allen
Composer: Mark Mancina
Studio: Paramount Classics
Reviews for Asylum
The film manages to turn potentially interesting characters into caricatures and potentially heady material into soap-opera melodrama.
A sort of perverse update of an overwrought Barbara Stanwyck-Bette Davis melodrama...
The film, with its uniformly terrific cast, stern Gothic overtones and steady but measured pacing, is a crisp, old-fashioned delight, eschewing cheap tricks for repeated tiny pricks of unease that work up to a continuous gnawing dread.
The film's great strength is a cast of supporting players who steal scene after scene from their leading lady.
... one of those terribly restrained psychological dramas that simply drips with prestige -- but too often trips over its own pretensions.
Richardson's no-holds-barred performance captures Stella's rekindled passion and despair when things go to hell. Alas, the story goes to hell with her.
'Asylum' is a film that enthralls and entertains while at the same time raising the hairs on the back of your neck.
populated by manipulative and unrelatable crazy characters that plod through improbable scenarios to an inevitable nihilistic denouement
A paint-by-numbers melodrama that may have been written in someone's sleep….*yawn!*
In the end, Asylum, like its wretched lovers, suffers from its unrelieving passion.
A completely unbelievable melodrama and bodice ripper ... its fine cast just barely prevents it from being laughably ridiculous and completely unwatchable.
As Stella recedes before this deluge of objectification, Richardson digs into Stella's many moods and miscues with something like relish.
There's nothing remotely seething -- or sympathetic or provocative -- about this overstuffed movie, which bears the unmistakable signs of a film too in love with its own fetishistic production values.
A competent exercise in atmospheric bosom-heaving, if not plausible storytelling.
Latest News for Asylum
August 27, 2007:
RT talks to Hallam Foe helmer David Mackenzie
The Brit director introduces us to his "teen gothic fairytale." More...
August 26, 2007:
RT-UK's What to Watch at the Edinburgh Film Festival
Rotten Tomatoes UK heads up north to take in the sights and sounds of the Edinburgh Film Festival. And as the celebration of cinema draws to a close we present what's hot and... More...
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