The movie, short as it is, feels trumped-up, overblown, and ultimately silly.
Asylum (2005)
Tomatometer
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Reviews Counted:85
Fresh:31
Rotten:54
Average Rating:5.4/10
Consensus: This catastrophic adaptation of Patrick McGrath's novel gets sillier and more implausible as it goes along.
Runtime: 1 hr 39 mins
Genre: Thriller
Synopsis: Set in 1950s England, ASYLUM, a tale of erotic obsession, tells the story of Stella Raphael (Natasha Richardson), a restless, beautiful woman who desperately desires to find in romantic love the... Set in 1950s England, ASYLUM, a tale of erotic obsession, tells the story of Stella Raphael (Natasha Richardson), a restless, beautiful woman who desperately desires to find in romantic love the one thing that will change everything. When her husband Max (Hugh Bonneville), an ambitious forensic psychiatrist, is appointed Deputy Superintendent at a high-security psychiatric hospital for the criminally insane, Stella and her young son come with him to live on the grounds. Being in proximity of madness has a dangerous attraction for this woman; with its eerie, gothic beauty and endless echoing corridors, the institution itself seems to draw Stella in. Then she meets inmate Edgar Stark (Marton Csokas), an artist confined for murdering his wife in a jealous rage. There is a visceral connection between the two. Stella finds release and a sense of herself reborn in Edgar's embrace. Senior physician Peter Cleave (Ian McKellen), long in line for the position to which Max has been promoted, watches carefully as Stella and Edgar bond – "sexual pathology" is his particular field of interest. The cunning Dr. Cleave is a master observer, one who especially prides himself on manipulation. Stella is now the center of attention for three men, each of whom desires to possess her: the husband, the lover and the doctor. When Edgar escapes the asylum and their secret affair is revealed, Stella determines to continue on with her lover, no matter what the cost. What began as a fierce brave step towards freedom now threatens to bring Stella to other, even more intense forms of confinement. Having taken the risk, there is no turning back. --© Paramount Classics [More]
Starring: Natasha Richardson, Ian McKellen, Marton Csokas, Hugh Bonneville
Starring: Natasha Richardson, Ian McKellen, Marton Csokas, Hugh Bonneville, Joss Ackland, Wanda Ventham, Judy Parfitt
Director: David Mackenzie
Director: David Mackenzie
Screenwriter: Patrick Marber
Producer: Mace Neufeld, David Allen
Composer: Mark Mancina
Studio: Paramount Classics
Reviews for Asylum
The morbid interiority of McGrath's novel has been turned into distressed gloss, and while it's awfully nice to look at, it never once comes close to the dangerous emotions of the real thing.
Richardson is the reason to see Asylum. A lot of what happens doesn't really make sense, yet her intensity hooks us.
Like a romance novel brought to life - high melodrama and deep emotions and a couple who want to be together, but something stands in their way.
A chilling study in obsession aided by moody atmospherics and a solid cast.
Asylum is a semi-watchable, lurid melodrama. But it could have been a dynamic, probing psycho-drama.
Richardson, who also executive produced, is a heartbreaking, strong Stella, failed by being born in the wrong era -- and by the wrong men.
I know it's all about erotic obsession, not logic. Still, it's just so darn annoying to watch this attractive, seemingly smart woman throw her life away for some (admittedly rather hot) sex in the greenhouse.
The makers of Asylum pretend they're making an art movie, and although the film has the trappings, the story is mostly Hollywood.
An overwrought Gothic melodrama that has a nice first act before it descends into shameless absurdity.
Mad passion and marital ennui collide with calamitous results in Asylum.
Even at its most melodramatic, Asylum plays as if someone had slipped a pair of restraining devices on the material and then yelled 'action.'
While the film looks authentic in every insignificant detail, it never seems remotely real from an emotional standpoint.
Although wonderfully acted and often compelling on a scene-to-scene basis, it can't quite distinguish itself from the large shadow of its impressively dank environment.
...a load of gothic, bodice-ripping claptrap...goes overboard indulging its romantic excesses
turgid, trite, and painfully puffed-up with its completely delusional sense of self-importance
It is not sufficient as pure storytelling to sustain interest...feels hollow at the center--lacking in any payoff, from an entertainment or from a thematic point of view.
Latest News for Asylum
August 27, 2007:
RT talks to Hallam Foe helmer David Mackenzie
The Brit director introduces us to his "teen gothic fairytale." More...
August 26, 2007:
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Rotten Tomatoes UK heads up north to take in the sights and sounds of the Edinburgh Film Festival. And as the celebration of cinema draws to a close we present what's hot and... More...
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