There is little in life sadder to see than a film that thinks it has a great deal to say of a revelatory or profound nature, but doesn't
Fierce People (2007)
Tomatometer
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Reviews Counted:43
Fresh:11
Rotten:32
Average Rating:4.7/10
Consensus: Fierce People's premise of a teenager studying rich people like animals is grating and self-satisfied, and Anton Yelchin's smug performance makes the film even harder to agree with.
Runtime: 1 hr 52 mins
Genre: Dramas
Synopsis: A coming-of-age story about the perils of privilege, Lions Gate Films’ FIERCE PEOPLE examines the deceit and betrayal that erupts when a working-class mother and her son move to a wealthy “country... A coming-of-age story about the perils of privilege, Lions Gate Films’ FIERCE PEOPLE examines the deceit and betrayal that erupts when a working-class mother and her son move to a wealthy “country club” suburb where social climbing is a blood sport. Starring Oscar ® nominee Diane Lane (UNFAITHFUL, UNDER THE TUSCAN SUN), Donald Sutherland (COLD MOUNTAIN, THE ITALIAN JOB) and Anton Yelchin (HEARTS IN ATLANTIS), FIERCE PEOPLE is directed by Griffin Dunne and written by Dirk Wittenborn, who adapted the screenplay from his novel. Trapped in his mother’s Lower East Side apartment, sixteen-year-old Finn (Anton Yelchin) wants nothing more than to escape New York and spend the summer in South America studying the Iskanani Indians, or “Fierce People,” with the anthropologist father he’s never met. But Finn’s dreams are shattered when he is arrested in a desperate effort to help his drug-dependent mother, Liz (Diane Lane), who scrapes by working as a masseuse. Determined to get their lives back on track, Liz moves the two of them into a guesthouse on the vast country estate of her ex-client, the aging aristocratic billionaire, Ogden C. Osbourne (Donald Sutherland). In Osbourne’s close world of privilege and power, Finn and Liz encounter a tribe fiercer and more mysterious than anything they might find in the South American jungle: the super rich. While Liz battles her substance abuse and struggles to win back her son’s love and trust, Finn falls in love with Osbourne’s beautiful granddaughter, Maya (Kristin Stewart), befriends her charismatic older brother, Bryce (Chris Evans), and even wins the favor of Osbourne himself. But when a shocking act of violence shatters Finn’s ascension within the Osbourne clan, the golden promises of this lush world quickly sour. And both Finn and Liz, caught in a harrowing struggle for their dignity, discover that membership always comes at a price… Contrasting the mores of high society with the blunt savagery of primitive tribes, FIERCE PEOPLE takes an inside look at the upper classes, examining the darkness that lurks beneath the surface of good manners. Sporting a biting wit, and featuring charismatic performances from Diane Lane and Donald Sutherland, this unflinching drama exposes the trappings of wealth and privilege, and their overwhelming power to both seduce and corrupt. --© Lionsgate [More]
Starring: Diane Lane, Anton Yelchin, Donald Sutherland, Kristen Stewart
Starring: Diane Lane, Anton Yelchin, Donald Sutherland, Kristen Stewart, Christopher Shyer, Elizabeth Perkins, Paz de la Huerta, Blu Mankuma, Chris Evans
Director: Griffin Dunne
Director: Griffin Dunne
Screenwriter: Dirk Wittenborn
Producer: Nick Wechsler, Keith Addis
Composer: Nick Laird-Clowes
Studio: Lions Gate Films
Reviews for Fierce People
Overplotting and a particularly ugly turn make this adaptation of Dirk Wittenborn's novel less a meditation on how the rich are different than a bland coming-of-age procedural.
After a promising start, Griffin Dunne's film bogs down and simply turns into a predictable mish-mash of a movie that is shrill and heavy-handed and totally trite.
Fierce People is no ordinary dud. This seedy soap opera is the most outlandish, campy romp through the mud since Showgirls.
The movie seems to want to play the social division card, but its better humanistic instincts undercut that ploy. It's enough to ruin Fierce People as an honest character drama, though.
With a screechingly affected voice (think Nicholson mixed with a sick Chihuahua), Yelchin is all tiring, syllable-pulling raw nerve here; a blinding pitch that holds the film back from needed dramatic expression.
A buoyant coming-of-age adventure welded to an amiable wealth fantasy.
Dunne weighs down a light social satire with a ponderous anthropological analogy.
Watching the idle rich toy with people can only go so far, then you want more depth and this doesn't have it.
throwing the film heedlessly into what was essentially a light social satire seems to border on the irresponsible
Fierce People is based on a forced premise: the idea that a family of super-rich New Jersey eccentrics is like a tribe to be studied anthropologically. None of the characters resembles any creature you'd discover in nature, however.
The suffocating atmosphere of WASP-y snobbery has a morbid fascination, and the characters have enough flavorful eccentricity to hold one's interest.
...the movie's abrupt (and downright graceless) transformation from jaunty comedy to heavy-handed drama strips the proceedings of any momentum it may have had...
Quickly gets bogged down in Anton Yelchin's tendency to be whiny and annoying in his attempts to be clever or cute.
Too bad this wasn't made twenty-five years ago, when it still had a chance of being accepted by the masses because it was quirky.
While not as interesting a ride as advertised, the movie does keep one from falling asleep.
Miscalculated at every level, it's a vacant drama full of ineptly drawn characters.
The last act promises some very dark and primitive acts -- not that you should care.
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