The problem with Proteus is that the issues tend to overwhelm the story, and one is never fully engaged in the narrative.
Proteus (2003)
Runtime: 1 hr 37 mins
Synopsis: An historical drama based on the true story of a homosexual love affair in South Africa during the 18th Century, PROTEUS unfolds within the confines of a Cape Town penal colony. Rijkhaart Jacobsz (Neil Sandilands) is a Dutch sailor who has been locked up for violating the strict laws against... An historical drama based on the true story of a homosexual love affair in South Africa during the 18th Century, PROTEUS unfolds within the confines of a Cape Town penal colony. Rijkhaart Jacobsz (Neil Sandilands) is a Dutch sailor who has been locked up for violating the strict laws against homosexuality, which at the time treated it as a crime worse than murder. Khoi herder Claas Blank (Rouxnet Brown) is a member of the lowest caste; cleared of his charges, he is nonetheless being forced to serve a 10-year sentence just for being arrested. Despite the strong taboos regarding interracial relationships, the two had an affair that spanned 10 years, but it was eventually discovered, and they were placed on trial. The film--a collaboration between Canadian John Greyson and South African Jack Lewis--is based to a large extent on the court transcripts of these proceedings, with the resulting picture providing a moving exploration of a number of themes that have shaped gay history. [More]
Genre: Dramas
Starring: Tessa Jubber, Rouxnet Brown, Brett Goldin
DVD Info
Release:
Feb 12, 2005
DVD Features:
- Region (unknown)
- Keep Case
- Full Frame - 1.33
Reviews
Grounded by the stark physicality of the location and the emotional charge generated by those prison-bound passions (Jean Genet would have approved).
Frankly steamed sex scenes spice the film from John Greyson and Jack Lewis, gaining it entry to gay festivals but only momentarily rousing it from the fetid doldrums of a fatiguingly 'instructive' story.
The biggest failing of the movie is that it focuses on the scientific experiments and the facts of the case instead of the emotion of the situation.
An intelligently rendered film (shot on video) that doesn't seek to make its central characters overtly sympathetic even as it stresses the human rights so thoughtlessly or deliberately denied them.
Involving and affecting even if it is not completely coherent or fully realized.
Carries an air of forced-wit experimentation that never quite gets its anachronisms in order.
Clearly attempting to make the story relevant for contemporary times, they use a variety of stylistic devices that serves to have the opposite effect, distancing us from a story that might have been far more compelling if rendered in a direct fashion.
The historical specificity of this real-life episode is constantly challenged by the filmmakers' fanciful use of 1960s anachronisms but these postmodern touches never detract from what is at heart a deeply moving love story.
... the story of lust, love and betrayal intriguingly bemoans racism and prejudice of bygone times while peppering the 'history' with more modern references ...
Homophobia and hyprocisy, history and legend, racism and jealousy, cruelty and love all figure in -- and prove too much.
Script doesn't sufficiently fill in the blanks left by historical record regarding the personalities involved, which robs the central relationship of emotional (let alone tragic) depth.


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