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Nathalie (2003)
Tomatometer
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Reviews Counted:22
Fresh:16
Rotten:6
Average Rating:6.4/10
Consensus: A seductive French import that portrays adult issues of jealousy and betrayal with strong lead performances and considerable French charm.
Runtime: 1 hr 40 mins
Genre: Foreign Films
Synopsis: Catherine (Fanny Ardant) is an attractive woman with a great career and a seemingly solid marriage to Bernard (Gérard Depardieu), her husband of 25 years. Their lives seem to be going well until... Catherine (Fanny Ardant) is an attractive woman with a great career and a seemingly solid marriage to Bernard (Gérard Depardieu), her husband of 25 years. Their lives seem to be going well until Catherine discovers that Bernard is having an affair. Realizing that she does not really know her husband or what he really wants, Catherine hires Marlene (Emmanuelle Béart), a beautiful prostitute, to act as “Nathalie,” a woman who will seduce Bernard and extract answers to the questions that are obsessing her. Instead of the traditional man/woman relationship, what begins is a mesmerizing relationship between two women. Expecting to be in control of the situation, Catherine meets with Marlene on a regular basis. However, what she learns soon takes her into a world that not only startles her but begins to change her. A woman’s take on the classic love triangle, Nathalie is written and directed by Anne Fontaine with her usual flair and intelligence. -- © Wellspring Media [More]
Starring: Gérard Depardieu, Fanny Ardant, Emmanuelle Beart, Wladimir Yordanoff
Starring: Gérard Depardieu, Fanny Ardant, Emmanuelle Beart, Wladimir Yordanoff, Judith Magre, Rodolphe Pauly, Evelyne Dandry
Director: Anne Fontaine
Director: Anne Fontaine
Studio: Koch Lorber Films
Reviews for Nathalie
The performances are better than the material deserves, but, even so, there's often no tangible friction between the female leads.
As a rather naughty slice of erotica it works brilliantly, with Ardant and Béart making a fascinating partnership.
It isn't engaging enough to really work and the direction lacks the imagination that might have breathed some life into it.
... the conceit works beautifully with the right personalities, talented and uninhibited, engaged in its execution.
A woman (Fanny Ardant) hires a prostitute (Emmanuelle Béart) to seduce her unfaithful husband (Gérard Depardieu) in Anne Fontaine's seductive and intriguing film.
Worth a look, especially if you appreciate the very particular and sometimes peculiar charms of contemporary French cinema.
The film's considerable eroticism is all in the atmosphere and the dialogue.
Nathalie is intricate, provocative, cleanly acted, but it's never entirely convincing -- and never more so than in the table-turning climax.
Deals with the impleasantries of sexual behavior without submitting to the level of cheap softcore theatrics.
Nathalie... offers compelling food for thought, with a little visual stimulation thrown in on the side.
A decent import with a nice ending -– and you couldn't ask for better acting talent.
Between the leonine Ardant, the streets of Paris, and the nearly hypnotic score by Michael Nyman, the sophisticated Nathalie oozes with elegance.
Underwhelming ending and all, Nathalie... remains a powerful exploration of jealousy and desire.
A final big 'twist,' which should be no surprise..., sets everything to right again, a case of French marital therapy by way of the Red Shoe Diaries.
Exceptional performances and the oh-so-Frenchness of the complications produce an erotic tale that plays like the best gossipy story you ever heard about people you thought you knew.
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