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Head-On (2005)
Rated: 18
Runtime: 2 hrs
Theatrical Release: 18-02-2005
Synopsis: Fatih Akin's HEAD-ON (GEGEN DIE WAND) is a powerful film about sexuality and suicide, centering on two Turks living in Germany. Drunken loser Cahit (Birol Unel) drives his car into a wall; Sibel (Sibel Kekilli) slashes her wrists because she can't stand living with her traditional Muslim... Fatih Akin's HEAD-ON (GEGEN DIE WAND) is a powerful film about sexuality and suicide, centering on two Turks living in Germany. Drunken loser Cahit (Birol Unel) drives his car into a wall; Sibel (Sibel Kekilli) slashes her wrists because she can't stand living with her traditional Muslim family. The two meet in the hospital and decide to join in a marriage of convenience in which he can get himself a cute young housekeeper and she can finally move away from home. They live together in Hamburg, where she begins to sleep around dangerously and he grows surprisingly jealous, leading to tragedy. Set to a soundtrack of 1980s music (Depeche Mode, Talk Talk, Sisters of Mercy), their lives continue to fall apart, lost to a world of lies and deception, drugs and violence, and emotional pain. Filmed on location in Germany and Turkey, HEAD-ON is an intense look at two lost souls who can't stand life as they know it. They spend a lot of time in clubs, trying to drink and dance away their troubles, but they seem doomed to constant failure and unhappiness. Unel and Kekilli are shockingly realistic in the lead roles, adding to the overall poignancy of the harsh and disturbing film. There is a large Turkish contingent living in Germany, many of whom came over in the 20th century seeking employment; in HEAD-ON, Akin delves into the resultant changing cultures with deep insight in this moving drama. [More]
Genre: Foreign Films
Starring: Birol Unel, Sibel Kekilli, Catrin Striebeck, Guven Kyrac, Meltem Cumbul
DVD Info
Release:
Jan 9, 2006
DVD Features:
- Keep Case
- Anamorphic Widescreen
Additional Release Material:
- Deleted Scenes
- Outtakes
- Making Of Featurette
- Trailer - 1. Original Theatrical Trailer
- 2. German Promo Reel
Reviews
Not easy to watch, the characters are all strongly abrasive, and yet we are emotionally gripped.
Beyond its pleasures as a good piece of storytelling, Head-On also provides some interesting commentary on the clash between different cultures.
A gloomy fairy-tale version of a Hollywood romantic film that barely gets past its gloomy outlook on life.
A crash course in raw, visceral film-making . . . riding a gritty story and frenetically alive characters, Head-On is a cinematic rush.
Akin makes this a most intriguing, if roundabout, journey from despair to 'do something.'
Teutonic despair hasn't looked this good since Fassbinder was in business.
...[peppered] with a variety of needlessly self-conscious touches that serve only to distract the viewer from the sporadically intriguing storyline...
not particularly original but it is often riveting enough to hold one’s attention.
The power of Akin's film, which is considerably aided by the two lead performances ... comes from the spectacle of people developing feelings for each other even through numbing layers of mutual narcissism, self-loathing and raging terror of intimacy.
Their performances are the heart of a film that is an often comic and raucous look at mismatched personalities, cultural dissonance, and the tender and tentative sense of optimism that keeps all of us alive for another day.
There is an addictive quality to Akin's bizarre but heartrending film ...
Head-On is not pretty to watch most of the time. But it's pretty hard to forget even a dozen hours after the final credits have rolled.
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