A confusing, frustrating and failed attempt to intellectualise the Lock, Stock formula. Anyone know what this movie's about? Answers on a postcard, please.
Revolver (2007)
Runtime: 1 hr 55 mins
Synopsis: Director Guy Ritchie’s (LOCK, STOCK AND TWO SMOKING BARRELS) fourth feature film is about a hard-bitten gambler named Jake Green (played by Ritchie favorite Jason Statham). Green has just spent a lengthy stretch in jail and is seeking revenge on the man who put him behind bars--crime... Director Guy Ritchie’s (LOCK, STOCK AND TWO SMOKING BARRELS) fourth feature film is about a hard-bitten gambler named Jake Green (played by Ritchie favorite Jason Statham). Green has just spent a lengthy stretch in jail and is seeking revenge on the man who put him behind bars--crime overlord Dorothy Macha (Ray Liotta). Macha’s thirst for gambling is his weak spot, and Green exploits it by soundly beating him on a visit to the crime boss’s own casino. A hit is subsequently ordered on Green, and he teams up with two tough guys. Avi (Andre Benjamin aka Andre 3000 from Atlanta-based hip-hop outfit Outkast) and Zack (Vincent Pastore) who offer to protect him. Green must give all his money to Avi and Zack, and work for them, if he values his life, so he agrees to the deal despite simultaneously discovering that he suffers from a rare blood disease that will kill him within three days. At this point in the movie Ritchie and writer Luc Besson (who adapted the screenplay from Ritchie’s original script) loosen the narrative structure of REVOLVER, deliberately confounding their audience as the film takes a number of oddball twists and turns. The bloodshed and extreme violence of Ritchie’s first two films remain, but he takes this movie into unusual territory as Statham’s character begins to ponder the meaning of life, scenes are replayed with different consequences, and an assassin (played by Mark Strong) has an existential crisis about his occupation. REVOLVER isn’t an easy ride, but it is likely to stir some debate among passionate Ritchie fans as he follows SWEPT AWAY with another unusual addition to his canon. [More]
Genre: Action/Adventure
Starring: Jason Statham, Ray Liotta, Vincent Pastore, André Benjamin, Terrence Maynard
Screenwriter: Guy Ritchie
Producer: Luc Besson, Pierre Spengler, Virginie Silla-Besson
Composer: Nathaniel Mechaly
DVD Info
Release:
Apr 3, 2009
DVD Features:
- Keep Case
- Anamorphic Widescreen - 2.40
Audio:
- Dolby Digital 5.1 - English, French
- Subtitles - English, French, Spanish - Optional
- Subtitles - English - Closed Captioned
Additional Release Materials:
- Audio Commentary - Guy Ritchie - Director
- Behind the Scenes - Making Of
- Deleted Scenes
- Featurettes - "The Concept"
Reviews
There's no point beating around the bush - Revolver is a complete and utter mess from start to finish.
It’s long been said that films have the power to inspire violence in the viewing public. Revolver is one such movie -- a piece of work guaranteed to send you into a violent frenzy.
While it starts intriguingly, it unravels into incoherent confusion.
Like De Palma before him, Ritchie knows how to express substance through style.
... given Ritchie's penchant for flashy, in-your-face twists, we trust all will be revealed in good time. But as "Revolver" rolls on -- and on and on and on -- it becomes painfully apparent that Ritchie's firing blanks.
Ritchie has packed Revolver with so much 'substance' that it completely overwhelms his still somewhat charming style.
If I understand the ending properly, [this] is an infomercial for one or another school of New Age-y psychology/philosophy. ... a touchy-feely ultraviolent gangster flick. Come over here and give Scarface a hug, you big gruff pussycat.
Not the disaster described in the British press but unlikely to restore Ritchie’s luster.
The plot isn't intellectually challenging as much as it is confusing, and yet the big twist is completely telegraphed. Ritchie has created a movie that is patronizingly obvious one minute and impenetrable the next.
Creepy and mysterious as The Usual Suspects, unseen forces and cryptic messages pit men against themselves in one of the darkest and best action-thrillers of the year.
Revolver: a title of breathtaking unoriginality for a movie of breathtaking unoriginality.
It's an irritating, repetitive and pretentious psycho-metaphysical con-job that's ultimately about transcending the ego, and it owes a significant debt to the 1960s The Prisoner TV show -- but isn't nearly in the same artistic league.
Guy Ritchie's greasy little noir Revolver is good grindhouse fun until a last act that's like a meeting of a psychoanalysts' convention.
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