While it starts intriguingly, it unravels into incoherent confusion.
Revolver (2007)
Tomatometer
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Reviews Counted:59
Fresh:10
Rotten:49
Average Rating:3.5/10
Consensus: In attempting to meld his successful previous formulas with philosophical musings, Guy Ritchie has produced an incoherent misfire.
Runtime: 1 hr 55 mins
Genre: Action/Adventure
Synopsis: Director Guy Ritchie’s (LOCK, STOCK AND TWO SMOKING BARRELS) fourth feature film is about a hard-bitten gambler named Jake Green (played by Ritchie favorite Jason Statham). Green has just spent a... Director Guy Ritchie’s (LOCK, STOCK AND TWO SMOKING BARRELS) fourth feature film is about a hard-bitten gambler named Jake Green (played by Ritchie favorite Jason Statham). Green has just spent a lengthy stretch in jail and is seeking revenge on the man who put him behind bars--crime overlord Dorothy Macha (Ray Liotta). Macha’s thirst for gambling is his weak spot, and Green exploits it by soundly beating him on a visit to the crime boss’s own casino. A hit is subsequently ordered on Green, and he teams up with two tough guys. Avi (Andre Benjamin aka Andre 3000 from Atlanta-based hip-hop outfit Outkast) and Zack (Vincent Pastore) who offer to protect him. Green must give all his money to Avi and Zack, and work for them, if he values his life, so he agrees to the deal despite simultaneously discovering that he suffers from a rare blood disease that will kill him within three days. At this point in the movie Ritchie and writer Luc Besson (who adapted the screenplay from Ritchie’s original script) loosen the narrative structure of REVOLVER, deliberately confounding their audience as the film takes a number of oddball twists and turns. The bloodshed and extreme violence of Ritchie’s first two films remain, but he takes this movie into unusual territory as Statham’s character begins to ponder the meaning of life, scenes are replayed with different consequences, and an assassin (played by Mark Strong) has an existential crisis about his occupation. REVOLVER isn’t an easy ride, but it is likely to stir some debate among passionate Ritchie fans as he follows SWEPT AWAY with another unusual addition to his canon. [More]
Starring: Jason Statham, Ray Liotta, Vincent Pastore, André Benjamin
Starring: Jason Statham, Ray Liotta, Vincent Pastore, André Benjamin, Terrence Maynard
Director: Guy Ritchie
Director: Guy Ritchie
Screenwriter: Guy Ritchie
Producer: Luc Besson, Pierre Spengler, Virginie Silla-Besson
Composer: Nathaniel Mechaly
Studio: IDP Distribution
Reviews for Revolver
It’s long been said that films have the power to inspire violence in the viewing public. Revolver is one such movie -- a piece of work guaranteed to send you into a violent frenzy.
There's no point beating around the bush - Revolver is a complete and utter mess from start to finish.
A confusing, frustrating and failed attempt to intellectualise the Lock, Stock formula. Anyone know what this movie's about? Answers on a postcard, please.
Under all the stylistic flash and dash, his movie is barely comprehensible; its big surprise ending is no surprise at all; and its coda almost seems like an insult.
Ritchie has packed Revolver with so much 'substance' that it completely overwhelms his still somewhat charming style.
Revolver turns out to be worse than Swept Away -- and not just by a little bit.
Ritchie remains hopelessly inept at delivering a caper flick that's as fun as it is flashy, but now he looks like a pretentious jackass too.
Ritchie may still be working within his beloved cockney gangster milieu, but he does to it something akin to what Alessandro Jodorowsky did to the Western with El Topo, or to the slasher flick with Santa Sangre.
I can't remember another time in my film-watching career where I sincerely hated a movie ... one of the worst films ever made
... given Ritchie's penchant for flashy, in-your-face twists, we trust all will be revealed in good time. But as "Revolver" rolls on -- and on and on and on -- it becomes painfully apparent that Ritchie's firing blanks.
After 2002's terrible Swept Away and now Revolver, Ritchie has managed to make, back to back, two of the worst films any one director can lay claim to.
An unwieldy, short-circuiting film, packing "more tricks than a clown's pocket" yet imbued with brute spiritual force
A film that's main crime is inducing stupefying boredom with little payoff in the end.
A frothing mad film that thrashes against its very sprocket holes in an attempt to bash its brains out against the projector. It seems designed to punish the audience for buying tickets.
Writer-director Guy Ritchie returns to his Brit-pulp roots, only this time he gets all intellectual, too. It's a deadly combination.
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