A confusing, frustrating and failed attempt to intellectualise the Lock, Stock formula. Anyone know what this movie's about? Answers on a postcard, please.
Revolver (2007)
Tomatometer
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Reviews Counted:59
Fresh:10
Rotten:49
Average Rating:3.5/10
Consensus: In attempting to meld his successful previous formulas with philosophical musings, Guy Ritchie has produced an incoherent misfire.
Runtime: 1 hr 55 mins
Genre: Action/Adventure
Synopsis: Director Guy Ritchie’s (LOCK, STOCK AND TWO SMOKING BARRELS) fourth feature film is about a hard-bitten gambler named Jake Green (played by Ritchie favorite Jason Statham). Green has just spent a... Director Guy Ritchie’s (LOCK, STOCK AND TWO SMOKING BARRELS) fourth feature film is about a hard-bitten gambler named Jake Green (played by Ritchie favorite Jason Statham). Green has just spent a lengthy stretch in jail and is seeking revenge on the man who put him behind bars--crime overlord Dorothy Macha (Ray Liotta). Macha’s thirst for gambling is his weak spot, and Green exploits it by soundly beating him on a visit to the crime boss’s own casino. A hit is subsequently ordered on Green, and he teams up with two tough guys. Avi (Andre Benjamin aka Andre 3000 from Atlanta-based hip-hop outfit Outkast) and Zack (Vincent Pastore) who offer to protect him. Green must give all his money to Avi and Zack, and work for them, if he values his life, so he agrees to the deal despite simultaneously discovering that he suffers from a rare blood disease that will kill him within three days. At this point in the movie Ritchie and writer Luc Besson (who adapted the screenplay from Ritchie’s original script) loosen the narrative structure of REVOLVER, deliberately confounding their audience as the film takes a number of oddball twists and turns. The bloodshed and extreme violence of Ritchie’s first two films remain, but he takes this movie into unusual territory as Statham’s character begins to ponder the meaning of life, scenes are replayed with different consequences, and an assassin (played by Mark Strong) has an existential crisis about his occupation. REVOLVER isn’t an easy ride, but it is likely to stir some debate among passionate Ritchie fans as he follows SWEPT AWAY with another unusual addition to his canon. [More]
Starring: Jason Statham, Ray Liotta, Vincent Pastore, André Benjamin
Starring: Jason Statham, Ray Liotta, Vincent Pastore, André Benjamin, Terrence Maynard
Director: Guy Ritchie
Director: Guy Ritchie
Screenwriter: Guy Ritchie
Producer: Luc Besson, Pierre Spengler, Virginie Silla-Besson
Composer: Nathaniel Mechaly
Studio: IDP Distribution
Reviews for Revolver
It’s long been said that films have the power to inspire violence in the viewing public. Revolver is one such movie -- a piece of work guaranteed to send you into a violent frenzy.
There's no point beating around the bush - Revolver is a complete and utter mess from start to finish.
If I understand the ending properly, [this] is an infomercial for one or another school of New Age-y psychology/philosophy. ... a touchy-feely ultraviolent gangster flick. Come over here and give Scarface a hug, you big gruff pussycat.
The mystery surrounding the production and how someone as talented as Ritchie could produce a film this ineptly made are the most interesting elements of Revolver.
... given Ritchie's penchant for flashy, in-your-face twists, we trust all will be revealed in good time. But as "Revolver" rolls on -- and on and on and on -- it becomes painfully apparent that Ritchie's firing blanks.
I can't remember another time in my film-watching career where I sincerely hated a movie ... one of the worst films ever made
Revolver: a title of breathtaking unoriginality for a movie of breathtaking unoriginality.
[A]bout as compelling a brief for Kabbalah as Battlefield Earth was for scientology.
As the plot becomes increasingly convoluted -- as if two Ritchie gangster stories have been accidentally fused -- Jake's tortured state becomes ours.
Between the manic editing, atrocious acting, and laughably pretentious narration, Ritchie's tired tricks feel like empty distractions in a game of three-card Monte.
Even the legion of Ritchie fans hooked on the kineticism and casual violence of Snatch will surely turn on the man after seeing Revolver. He has added an insufferable pretense to his usual smugness.
Revolver bogs down badly less than halfway through in a repetitious loop of navel-gazing.
Ritchie remains hopelessly inept at delivering a caper flick that's as fun as it is flashy, but now he looks like a pretentious jackass too.
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