Under all the stylistic flash and dash, his movie is barely comprehensible; its big surprise ending is no surprise at all; and its coda almost seems like an insult.
Revolver (2007)
Tomatometer
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Reviews Counted:59
Fresh:10
Rotten:49
Average Rating:3.5/10
Consensus: In attempting to meld his successful previous formulas with philosophical musings, Guy Ritchie has produced an incoherent misfire.
Runtime: 1 hr 55 mins
Genre: Action/Adventure
Synopsis: Director Guy Ritchie’s (LOCK, STOCK AND TWO SMOKING BARRELS) fourth feature film is about a hard-bitten gambler named Jake Green (played by Ritchie favorite Jason Statham). Green has just spent a... Director Guy Ritchie’s (LOCK, STOCK AND TWO SMOKING BARRELS) fourth feature film is about a hard-bitten gambler named Jake Green (played by Ritchie favorite Jason Statham). Green has just spent a lengthy stretch in jail and is seeking revenge on the man who put him behind bars--crime overlord Dorothy Macha (Ray Liotta). Macha’s thirst for gambling is his weak spot, and Green exploits it by soundly beating him on a visit to the crime boss’s own casino. A hit is subsequently ordered on Green, and he teams up with two tough guys. Avi (Andre Benjamin aka Andre 3000 from Atlanta-based hip-hop outfit Outkast) and Zack (Vincent Pastore) who offer to protect him. Green must give all his money to Avi and Zack, and work for them, if he values his life, so he agrees to the deal despite simultaneously discovering that he suffers from a rare blood disease that will kill him within three days. At this point in the movie Ritchie and writer Luc Besson (who adapted the screenplay from Ritchie’s original script) loosen the narrative structure of REVOLVER, deliberately confounding their audience as the film takes a number of oddball twists and turns. The bloodshed and extreme violence of Ritchie’s first two films remain, but he takes this movie into unusual territory as Statham’s character begins to ponder the meaning of life, scenes are replayed with different consequences, and an assassin (played by Mark Strong) has an existential crisis about his occupation. REVOLVER isn’t an easy ride, but it is likely to stir some debate among passionate Ritchie fans as he follows SWEPT AWAY with another unusual addition to his canon. [More]
Starring: Jason Statham, Ray Liotta, Vincent Pastore, André Benjamin
Starring: Jason Statham, Ray Liotta, Vincent Pastore, André Benjamin, Terrence Maynard
Director: Guy Ritchie
Director: Guy Ritchie
Screenwriter: Guy Ritchie
Producer: Luc Besson, Pierre Spengler, Virginie Silla-Besson
Composer: Nathaniel Mechaly
Studio: IDP Distribution
Reviews for Revolver
This 2005 feature offered me my first taste of Guy Ritchie's macho-centric artiness, and I hope it's my last.
Revolver turns out to be worse than Swept Away -- and not just by a little bit.
As the plot becomes increasingly convoluted -- as if two Ritchie gangster stories have been accidentally fused -- Jake's tortured state becomes ours.
The thing about being smooth is that it's not supposed to look like you're trying, and most of the time Ritchie seems like he's working hard.
There are quotations from Machiavelli, brainiac chess stratagems, meditations on the ego and suicide, and some of the clunkiest gangland gab this side of a Martin Scorsese parody.
Writer-director Guy Ritchie returns to his Brit-pulp roots, only this time he gets all intellectual, too. It's a deadly combination.
Gangsters prancing about like homicidal matadors unusually impressed with themselves, dreary macho interior monologues, and mob rackets that are mostly the noisy migraine-induced racket inside audience heads.
While it's unclear if this nonsense is propaganda for Madonna's Kabbalah dogma, there's absolutely no doubt that Revolver achieves a higher plane of badness.
Ritchie may still be working within his beloved cockney gangster milieu, but he does to it something akin to what Alessandro Jodorowsky did to the Western with El Topo, or to the slasher flick with Santa Sangre.
Revolver comes off like Jim Thompson crossed with Philip K. I liked it, because of the audacious solution, but I suspect that not many other people will agree.
I can't remember another time in my film-watching career where I sincerely hated a movie ... one of the worst films ever made
This is the perfect movie for those who like to crack things open and dig around the innards, with Ritchie encouraging interpretation and curiosity with each new scene.
Really nice on the eyes, but this will make your brain hurt. I don't think repeated viewings will clarify anything, either.
Guy Ritchie shoots a blank with Revolver, which replays the low-life criminal shtick from his first two features with an ill-advised overlay of pretension.
A cold, cerebral exercise in existential mannerisms that one watches with increasing dismay.
Any semblance of a cohesive narrative arc is junked early on, and those who can sit through Revolver and claim to have "followed it completely" is a bald-faced liar.
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