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G (2002)
Tomatometer
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Reviews Counted:27
Fresh:7
Rotten:20
Average Rating:4.6/10
Consensus: Race and class struggles come to the Hamptons in this reworking of The Great Gatsby with a hip-hop flavor. Unfortunately, too many subplots and a lack of believable characters spoil an otherwise novel concept.
Runtime: 1 hr 36 mins
Genre: Dramas
Synopsis: G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made... G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made millionaire and rap mogul Summer G (Richard T. Jones) on a journey to regain what he desires most – the love of his life (Chenoa Maxwell), now married to a wealthy and philandering Wallstreeter (Blair Underwood). Having built his thriving empire from the ground up, Summer G would relinquish it all for the promise of rekindling a romance with his one true love. Urban music writer, Tre, (Andre Royo) spends the summer chronicling the lifestyle of this complex rap mogul for an article on the rise of African-American prominence linked to Hip Hop in the Hamptons. Without malice or intent, this writer brings these lovers together while simultaneously pulling their worlds apart. [More]
Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo
Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo, Laz Alonso, Sonja Sohn, Damian Young
Director: Christopher Scott Cherot
Director: Christopher Scott Cherot
Reviews for G
Everyone in this movie is getting it on with someone else behind their lover's back, but only the women have to end up suffering for it. Nice, right?
The filmmakers are going for something operatic here with their mix of love and loss, rap and race. They miss. By a lot.
[It] would be a fascinating exercise -- both artistic and anthropological -- if one word of G were authentic, artful or even borderline believable.
The women are shrewishly materialistic, the men are manipulative or violent and the Polo wardrobes look fabulous on everyone. It's an ugly affair overall, but at least you can say you've never seen such beautiful shirts.
Another strikeout, further destroying F. Scott Fitzgerald's film batting average.
The producers may be right to bemoan Hollywood's myopia; but it's the movie's execution, not its vision of an alternative African-American cinema, that delayed its release.
The book was about class and the American dream. The movie is too, though it's most interested in the soap opera machinations of the plot.
Reworking the story with a hip-hop record mogul at its center comes across as little more than a stunt. And not a very good stunt.
The decadent world of Hamptonite hip-hop moguls is a fitting backdrop for this somewhat faithful but not very graceful retelling of F. Scott Fitzgerald's 'Great Gatsby.'
[A] poorly acted, directed and written (but slick-looking) vanity project.
Fails both as an update of F. Scott Fitzgerald's dissection of American aspirations and class barriers and on its own boorish terms.
The problem with G is not merely that the ending doesn't work and feels hopelessly contrived. It's also that the plot adds too many unnecessary characters and subplots, so that the main line gets misplaced.
You should never make a movie about boundless, conspicuous wealth on an indie budget.
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