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Movies / Upcoming / G
G

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G (2002)

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Reviews Counted:27

Fresh:7

Rotten:20

Average Rating:4.6/10

Consensus: Race and class struggles come to the Hamptons in this reworking of The Great Gatsby with a hip-hop flavor. Unfortunately, too many subplots and a lack of believable characters spoil an otherwise novel concept.

Runtime: 1 hr 36 mins

Genre: Dramas

Synopsis: G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made... G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made millionaire and rap mogul Summer G (Richard T. Jones) on a journey to regain what he desires most – the love of his life (Chenoa Maxwell), now married to a wealthy and philandering Wallstreeter (Blair Underwood). Having built his thriving empire from the ground up, Summer G would relinquish it all for the promise of rekindling a romance with his one true love. Urban music writer, Tre, (Andre Royo) spends the summer chronicling the lifestyle of this complex rap mogul for an article on the rise of African-American prominence linked to Hip Hop in the Hamptons. Without malice or intent, this writer brings these lovers together while simultaneously pulling their worlds apart. [More]

Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo

Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo, Laz Alonso, Sonja Sohn, Damian Young

Director: Christopher Scott Cherot

Director: Christopher Scott Cherot

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Reviews for G

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21 - 30 (sorted by date; UK critics are listed first)
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Christopher Scott Cherot's drama is an honorable attempt laid low by a verbose script, cheap production values, and a general tendency toward soap opera.

Full Review Source: Boston Globe | comment Comment
10/28/05
Ty Burr
Ty Burr
Boston Globe

There is scarcely a minute's worth of believable human behavior on display in G, which builds to a climax as incoherent as it is ludicrous.

Full Review Source: Fort Worth Star-Telegram | comment Comment
10/28/05
Scott Von Doviak
Scott Von Doviak
Fort Worth Star-Telegram

The decadent world of Hamptonite hip-hop moguls is a fitting backdrop for this somewhat faithful but not very graceful retelling of F. Scott Fitzgerald's 'Great Gatsby.'

Full Review Source: New York Times | comment Comment
10/27/05
Laura Kern
Laura Kern
New York Times
Top Critic Icon Top Critic

The filmmakers are going for something operatic here with their mix of love and loss, rap and race. They miss. By a lot.

Full Review Source: Chicago Tribune | comment Comment
10/27/05
Allison Benedikt
Allison Benedikt
Chicago Tribune

Fails both as an update of F. Scott Fitzgerald's dissection of American aspirations and class barriers and on its own boorish terms.

Full Review Source: TV Guide's Movie Guide | comment Comment
10/27/05
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

The problem with G is not merely that the ending doesn't work and feels hopelessly contrived. It's also that the plot adds too many unnecessary characters and subplots, so that the main line gets misplaced.

Full Review Source: Chicago Sun-Times | comment Comment
10/27/05
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

In nimbly sidestepping the burden of textual fidelity, director Christopher Scott Cherot’s freeform Fitzgerald riff captures the novel’s sense of unrequited yearning better than any of Hollywood’s more slavishly faithful attempts.

Full Review Source: Variety | comment Comment
10/27/05
Scott Foundas
Scott Foundas
Variety
Top Critic Icon Top Critic

props for being more ambitious than the average contemporary black romantic drama.

Full Review Source: New Times | comment Comment
10/27/05
Luke Y. Thompson
Luke Y. Thompson
New Times

[It] would be a fascinating exercise -- both artistic and anthropological -- if one word of G were authentic, artful or even borderline believable.

Full Review Source: Washington Post | comment Comment
09/16/05
Ann Hornaday
Ann Hornaday
Washington Post

The producers may be right to bemoan Hollywood's myopia; but it's the movie's execution, not its vision of an alternative African-American cinema, that delayed its release.

Full Review Source: Commercial Appeal (Memphis, TN) | comment Comment
09/16/05
John Beifuss
John Beifuss
Commercial Appeal (Memphis, TN)
 
 
21 - 30 (sorted by date; UK critics are listed first)
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