Okay, we'll admit that the ideal of being fawned over and adored by half-dressed men has some appeal, but this movie doesn't... sex in paradise shouldn't be this uninteresting.
Heading South (2006)
Tomatometer
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Reviews Counted:81
Fresh:56
Rotten:25
Average Rating:6.7/10
Consensus: As touching as it is disturbing, Heading South is an unconventional exploration of desire and longing, with superb performances and direction.
Theatrical Release:07-07-2006
Synopsis: Laurent Cantet's feature film stars Charlotte Rampling and is set in 1970s Haiti. The film examines a time and place in which wealthy women from the east headed to the country in search of sexual... Laurent Cantet's feature film stars Charlotte Rampling and is set in 1970s Haiti. The film examines a time and place in which wealthy women from the east headed to the country in search of sexual fulfillment among its young male population. [More]
Starring: Charlotte Rampling, Karen Young, Louise Portal
Starring: Charlotte Rampling, Karen Young, Louise Portal
Director: Laurent Cantet
Director: Laurent Cantet
Reviews for Heading South
Heading South opens up a fascinating world of complexities, some of which are there on the screen although others open up only once the horizon line moves past the screen's edge.
"Heading South" is more of a middling film precisely because it is so obviously tackling an issue and making a statement. As a result, the characters and the story suffer.
Where does Legba go when he leaves? Neither the women nor the director seem to care.
A compact drama boiling over with political and sexual subtext, Heading South gives us yet another opportunity to soak up the wonder that is Charlotte Rampling.
Exploring female desire in a way films rarely do, Heading South is a film of sometimes subtle, sometimes blunt metaphors for the interaction of rich and pauperized countries.
Well acted (Rampling is, as always, brilliant) and well-crafted -- and it's constantly interesting, but it's finally too unfocused to attain the power it seeks.
It's a measured, stately film, and that makes the women's behavior -- 'It's incredible how racist they can be,' says Young, ignorant of her own racism -- even more shocking.
The regal Rampling has never been finer, and Cesar makes his character surprisingly proud and sympathetic.
Director Laurent Cantet dabbles in the waters of change with great subtlety.
In the end, one gets the sense that Cantet and his cast and crew mainly wanted to get paid to make a movie on a beautiful Santo Domingo beach among beautiful people.
The film offers something unusual, a tragic spectacle of normal, recognizable and utterly sympathetic people condemning themselves.
It misses by a mile the quality that characterizes Cantet's other films.
An unsettling drama by the director of two other remarkable films about class illusions, Human Resources and Time Out.
Laurent Cantet directs his adaptation of Dany Laferreiere's La Chair du Maitre as if it were a Danielle Steele novel.
In a humid story that doesn't dip too far into voyeurism, and gives us a deep sense of Haiti as a volcano where visitors picnic on the slope, [Young] is a flood of complicated feelings.
Laurent Cantet is less successfu ... with his obvious intention to use the women as a metaphor for the colonial meddling of the West in Third World nations, where exploitation is a rule of thumb.
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