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Amu (2005)
Genre: Dramas
Reviews
Shot with remarkable confidence and an understated eloquence.
A work of evident passion and outrage, Amu is also remarkable for its humanism and persuasive, natural presentation.
Less about finger-pointing than a plea for India to confront its past.
An admirable labor of love that stumbles dramatically but gets along on its sincere good intentions.
The flashback sequences are vibrant and intense, and the film’s long closing shot is so dense with feeling for a nation and its people that Bose deserves to be noted as a filmmaker to watch.
[Amu] is clearly a labor of love for the activist filmmaker, as she breaks all the traditional inhibitions of Bollywood to remind the world of -- and, for most of us, reveal for the first time -- one of the most shameful episodes in Indian history.
The movie has its share of wobbly moments, and the resolution feels a bit like a cop-out.
In Shonali Bose's tightly constructed debut feature (2005) a young Indian-American woman from Los Angeles returns to Delhi for the first time since childhood to visit her relatives.
[Though] undermined by uneven performances, preachy digressions and a handful of clunky scenes, it's nonetheless compelling on a personal level.
Fails to grab the imagination as it unfolds in familiar TV-movie fashion.
[Director Bose] has a genuine gift for atmosphere, making the many wordless scenes, in teeming streets and on crowded trains, the movie's best.
The flat, pat talk is symptomatic of Amu's overriding problem: It has no sense of personal style.
Amu, the ambitious debut feature by Shonali Bose, wears its political heart on its sleeve and is unafraid to tackle big topics: identity, history, truth, injustice.
1984 may have a certain negative meaning to Westerners ever since Orwell immortalized that futuristic dystopia. But for India's Sikhs, 1984 has a far more dreaded historical significance, and one oddly buried here deep within their collective memory.
Writer-director Shonali Bose makes a sensational feature debut with this moving, powerful and suspenseful film.
Too bad first-time writer-director Shonali Bose's juxtaposition of the personal and the political often feels forced, and like many didactic history lessons, this one's about 20 minutes too long.


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