Surrender to its exotic oddity and guttural throat-singing and you’ll be entertained by a sweeping saga that’s like a Mongolian Braveheart.
Mongol (2008)
Rated: 15 [See Full Rating] for sequences of bloody warfare
Runtime: 2 hrs 4 mins
Theatrical Release: 06-06-2008
Synopsis:
Award-winning Russian filmmaker Sergei Bodrov (Prisoner of the Mountains) illuminates the life and legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading scholarly accounts and written by Bodrov and Arif Aliyev, Mongol delves into the dramatic and harrowing...
Award-winning Russian filmmaker Sergei Bodrov (Prisoner of the Mountains) illuminates the life and legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading scholarly accounts and written by Bodrov and Arif Aliyev, Mongol delves into the dramatic and harrowing early years of the ruler who was born as Temudgin in 1162. As it follows Temudgin from his perilous childhood to the battle that sealed his destiny, the film paints a multidimensional portrait of the future conqueror, revealing him not as the evil brute of hoary stereotype, but as an inspiring, fearless and visionary leader. Mongol shows us the making of an extraordinary man, and the foundation on which so much of his greatness rested: his relationship with his wife, Borte, his lifelong love and most trusted advisor.
Filmed in the very lands that gave birth to Genghis Khan, Mongol transports us back to a distant and exotic period in world history; to a nomad's landscape of endless space, climatic extremes and ever-present danger. In a performance of powerful stillness and subtlety, celebrated young Japanese actor Asano Tadanobu (Zatoichi, Last Life in the Universe) captures the inner fire that enabled a hunted boy to become a legendary conqueror. Asano's achievement is matched by those of his co-stars, including the radiant newcomer Khulan Chuluun as Temudgin's courageous, spirited wife Borte, and the Chinese actor Honglei Sun (The Road Home) as the Mongol chieftain Jamukha, Temudgin's dearest friend and deadliest enemy. Masterfully blending action and emotion against some of the most arresting terrain on earth, Bodrov delivers an exciting and awe-inspiring tale of survival and triumph, and a love story for the ages.
--© Picturehouse
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Genre: Dramas
Starring: Tadanobu Asano, Honglei Sun, Khulan Chuluun, Odnyam Odsuren, Aliy A
Screenwriter: Arif Aliyev, Sergei Bodrov
Producer: Sergey Selyanov, Sergei Bodrov, Anton Melnik
Composer: Tuomas Kantelinen
Reviews
A beautiful and ambitious film flawed by its dogged determination to cast Genghis Khan in a new light, the best that can be hoped is that Mongol provides a stage for better things in the forthcoming films.
A gracefully mounted, stunningly photographed historical account, fascinating in its attention to detail if somewhat unengaging in its story and characters.
With its breathtaking landscapes, bloody battles, bitter betrayals and an aching love story, Mongol is a sumptuously crafted epic
It must have been a pretty weak year for subtitled fare if the Oscar voters sought to praise this inert, inept epic.
Mongol has just enough characterization to sustain its own reason for being -- cinematic fullness.
A thoroughly rousing hunk of celluloid, a war saga that blends the sturdiest conventions of old-fashioned heroic storytelling with a few pixilated battle enhancements — check out the soaring blood globs — of the kind that spattered across 300.
The battle sequences are tremendous, and the performances are captivating, making for the sort of rousing, giant-scale entertainment that a figure as towering as Genghis Khan deserves.
The melodrama is as thick as the blood in the spectacular battle sequences, but Asano's soulful performance brings this little-understood historical icon passionately to life.
Probably the only movie you'll ever see that opens in '1192 -- Year of the Black Rat.'
...an action movie that, for a change, comes from the history books, not the comic books.
There is plenty of violence. But anyone expecting the wrath of Kahn will have to wait for the sequel.
Even though the results might not be as stunning as Kurosawa's epics, the film certainly has its highlights, especially the often-bloody battle scenes.
Mongol, from its thrilling battles to its intimate romance, has the look, scale, story and feel of an old-fashioned epic in the best and biggest sense of the word.
The real star here is director and co-writer Sergei Bodrov, who largely turns his back on CGI effects and creates stirring battle scenes the old-fashioned way.
'Mongol' is so beautifully photographed that it should knock your socks off.
Not that I'm a fan of violent behavior, but if I'm watching a movie about Genghis Khan, I expect more gut-wrenching slaughter than this.
The action sequences here are first-rate, the performances are uniformly excellent, the cinematography as good as I’ve seen in any film this year.
This - the first of a trilogy - is a coming-of-age story about the nomadic lad who eventually became the great warrior, Genghis Khan.
I liked it, even though the one-bloody-battle-after-another deal is not my sort of thing. If it's your sort, I bet you'll like it even more.
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