A frenetic cut-and-paste job that is free of voiceover, commentary or even titles to introduce interviewees. Such calculated vagueness works, and the lingering impression is of a messy and hedonistic free-for-all.
Glastonbury (2007)
Tomatometer
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Reviews Counted:28
Fresh:22
Rotten:6
Average Rating:6.7/10
Consensus: Glastonbury is formless and scattershot, and successful in capturing the festival's raw, wild energy.
Rated: 15 [See Full Rating] for nudity, drug use, language and some sexual content
Runtime: 2 hrs 18 mins
Genre: Musical & Performing Arts
Theatrical Release:14-04-2006
Synopsis:
Glastonbury is now the best known, longest running and most pre-eminent music festival in the world. Fuelled by a staggering range of music, the movie will embrace the spirit, characters and...
Glastonbury is now the best known, longest running and most pre-eminent music festival in the world. Fuelled by a staggering range of music, the movie will embrace the spirit, characters and overwhelming experiences of the festival as it reflects the extraordinary world changes of the last three decades.
In 1970, a young farmer named Michael Eavis opened his 150-acre farm to 1,500 people who paid one pound each to watch a handful of pop and folk stars perform all weekend long, and the Glastonbury Festival was born. The following year, several rich hippies, including Winston Churchill's granddaughter, provided funds to enlarge the event, and 12,500 people turned up to see David Bowie and Joan Baez. For most of the past 30 years, the Worthy Farm in Glastonbury has provided a delirious outdoor concert for thousands of people over the summer-solstice weekend at the end of June. Julien Temple (director of the Sex Pistols documentary “The Filth and the Fury”) spent a few years collecting footage from every single Glastonbury Festival, ranging from professional outtakes from the film Nicolas Roeg made about the 1971 event to amateur home videos collected from the attendees themselves, often retrieved from forgotten corners of closets and attics. Interweaving images of impromptu art happenings, skeptical locals, and stirring performances by music legends, not to mention the unbridled energy of each successive generation of youthful music fans, Glastonbury skillfully chronicles the evolution of the longest-running music festival in the world.
--© THINKFilm
Starring: Michael Eavis, Bjork, David Bowie, Billy Bragg
Starring: Michael Eavis, Bjork, David Bowie, Billy Bragg, James Brown, Nick Cave, Morrissey, Joe Strummer
Director: Julien Temple
Director: Julien Temple
Studio: ThinkFilm
Reviews for Glastonbury
A magical documentary recounting the 35 tumultuous years of the Glastonbury Music Festival, this is an exhilarating experience.
A Herculean task executed with wit, intelligence and unmistakable passion. The next best thing to being there.
Features some beautiful and epic performances that are enough, on their own, to entertain.
This is entertaining stuff, though and there's a big laugh when a hippy juggling flaming torches sets fire to himself.
Combining images of 30 years of politics, music, self-expression and alternative living, it's a vibrant, if inevitably scattered, film that manages to tread the fine line between chronicling the festival and exploiting it.
An alternately rousing and repetitive 138-minute documentary spanning four decades of the Glastonbury Festival.
... captures the open-air rock festival experience more completely than any previous film of its kind.
For all the posers with light sticks and piercings, there are moments of Dada-esque beauty, not to mention some great music from Tinariwen, Bjork, David Bowie and the late, great Joe Strummer.
What [Temple] does...is immerse his audience in the spirit of the festival with ingenious editing that shows the Glastonbury Festival as nothing short of a geographically bound society that just happens to exist for a few days a year.
While the movie will clarify whether or not the fest is for you, you never feel like you're actually there.
The movie's 135 minutes [feels] long. But the length is a product of [director] Temple's desire to cram in as much as he can. Despite the festival's drawbacks, it's obvious Temple loves everything about it. Even Coldplay.
The portrait is spectacular and inclusive, if sometimes a bit overwhelming and confusing.
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