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Movies / On DVD / The Violin
The Violin

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The Violin (2007)

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Reviews Counted:33

Fresh:31

Rotten:2

Average Rating:7.2/10

Consensus: Vargas makes a strong debut with The Violin, which features crisp photography, a poetic screenplay, and a breakthrough performance by Tavira.

Runtime: 1 hr 38 mins

Genre: Foreign Films

Theatrical Release:00-00-0000

Synopsis: Don Plutarco, his son Genaro and his grandson Lucio live a double life: on one hand they are musicians and humble farmers, on the other they support the campesina peasant guerilla movement's armed... Don Plutarco, his son Genaro and his grandson Lucio live a double life: on one hand they are musicians and humble farmers, on the other they support the campesina peasant guerilla movement's armed efforts against the oppressive government. When the military seizes the village, the rebels flee to the sierra hills, forced to leave behind their stock of ammunition. While the guerillas organize a counter-attack, old Plutarco executes his own plan. He plays up his appearance as a harmless violin player, in order to get into the village and recover the ammunition hidden his corn field. His violin playing charms the army captain, who orders Plutarco to come back daily. Arms and music play a tenuous game of cat-and-mouse which ultimately results in painful betrayal.--© Film Movement [More]

Starring: Don Angel Tavira, Gerardo Taracena, Mario Garibaldi

Starring: Don Angel Tavira, Gerardo Taracena, Mario Garibaldi

Director: Francisco Vargas

Director: Francisco Vargas
Screenwriter: Francisco Vargas
Producer: Francisco Vargas
Composer: Cuauhtemoc Tavira
Studio: Film Movement

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Reviews for The Violin

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1 - 20 (sorted by date; UK critics are listed first)
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Full Review Source: ViewLondon | comment Comment
10/18/08
Matthew Turner
Matthew Turner
ViewLondon

The weathered Tavina, who lost his hand in an accident at the age of 13, makes a fittingly indomitable hero. He's a character you're likely to remember - his face alone is worth a thousand words.

Full Review Source: This is London | comment Comment
01/04/08
Derek Malcolm
Derek Malcolm
This is London

Shot in luminous, high-contrast black and white, it has the rugged if faintly self-important authority of a Hemingway short story.

Full Review Source: Independent | comment Comment
01/04/08
Tim Robey
Tim Robey
Independent

A terrific debut by Vargas, who wrote, directed and produced.

Full Review Source: Independent | comment Comment
01/04/08
Anthony Quinn
Anthony Quinn
Independent

Another sort of movie would find a feelgood way of resolving the story; Vargas's vision is more grim and more realistic, but it is persuasively real, and in Tavira the director has found a natural star of the screen.

Full Review Source: Guardian [UK] | comment Comment
01/04/08
Peter Bradshaw
Peter Bradshaw
Guardian [UK]
Top Critic Icon Top Critic

The plot is slimmer than a bowed string and lacks tension.

Full Review Source: Sun Online | comment Comment
01/04/08
Sun Online

A quietly gripping adversarial duel lies at the heart of this political thriller, which has been hailed as a masterpiece in Vargas's native Mexico.

Full Review Source: Channel 4 Film | comment Comment
01/04/08
Jamie McLeish
Jamie McLeish
Channel 4 Film
Top Critic Icon Top Critic

The film’s strongest asset is octogenarian newcomer Tavira, who exudes stoic dignity.

Full Review Source: Total Film | comment Comment
01/04/08
Tom Dawson
Tom Dawson
Total Film

A challenging yet rewarding watch.

Full Review Source: BBC | comment Comment
01/04/08
Anna Smith
Anna Smith
BBC
Top Critic Icon Top Critic

Told with ruthless efficiency and no sentiment or sermonizing, stands as a fitting tribute to the human spirit.

Full Review Source: Sky Movies | comment Comment
01/04/08
Rob Daniel
Rob Daniel
Sky Movies

A slightly meandering build-up is saved by a second half that really cooks, with Vargas ratcheting up the tension by flirting with genre convention in order to deal with Plutarco’s unconventional psychological stand-off with a malodorous Captain.

Full Review Source: Time Out | comment Comment
01/04/08
David Jenkins
David Jenkins
Time Out
Top Critic Icon Top Critic

The austere monochrome photography gives the story a gravitas that’s reinforced by the dignity of the amateur cast.

Full Review Source: Empire Magazine | comment Comment
01/04/08
David Parkinson
David Parkinson
Empire Magazine
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: San Francisco Chronicle | comment Comment
10/18/08
San Francisco Chronicle

An impressive debut for Mexican writer and director Francisco Vargas.

Full Review Source: Ozus' World Movie Reviews | comment Comment
04/30/08
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews
N/R

Click to read the article

Full Review Source: Boxoffice Magazine | comment Comment
04/03/08
Boxoffice Magazine

The film from first-timer Francisco Vargas puts a human face on universal suffering. It is also about the power of music, as the title instrument saves (for a while anyway) three generations of peasant men in their roles as guerrilla fighters.

Full Review Source: Detroit Free Press | comment Comment
03/07/08
John Monaghan
John Monaghan
Detroit Free Press

You may not remember how exactly this trio passed the time during most of the film's too-spare 98 minutes, but Plutarco is a character you likely won't forget.

Full Review Source: Let's Not Listen | comment Comment
02/28/08
Tricia Olszewski
Tricia Olszewski
Let's Not Listen

The Violin is so beautiful to look at, it almost wouldn't matter if it had a story. But it has one, and it's riveting.

Full Review Source: St. Paul Pioneer Press | comment Comment
02/22/08
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Life-or-death matters are handled with compelling gravity.

Full Review Source: Seattle Times | comment Comment
02/08/08
John Hartl
John Hartl
Seattle Times

It's all stripped down to a conflict more abstract than historical, a fable of heroic defiance in the face of brutal oppression.

Full Review Source: Seattle Post-Intelligencer | comment Comment
02/08/08
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer
 
 
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