The film's catalogue of absurdity is so colorful that it needn't be mined for impact, and [Phillippe] Falardeau takes the matter-of-fact route, merely gawking at the wreckage.
Congorama (2006)
Synopsis: Michel is a Belgian inventor who is misunderstood by his employer. At 42, he learns that he was an adopted child and that he was secretly born in a barn in Sainte-Cécile, Quebec. Inventing a professional excuse, he travels to Sainte-Cecile but fails to find his biological family. Just as he is... Michel is a Belgian inventor who is misunderstood by his employer. At 42, he learns that he was an adopted child and that he was secretly born in a barn in Sainte-Cécile, Quebec. Inventing a professional excuse, he travels to Sainte-Cecile but fails to find his biological family. Just as he is about to give up and return home to Belgium, he meets a man driving an anachronistic electric car. On the road to Montreal, they have an accident that will change not only their lives but also the future of the automobile industry. [More]
Starring: Olivier Gourmet, Olivier Gourmet
Reviews
Even with its weaknesses, such as those many coincidences that keep the plot going, the film offers a unique and playful adventure seldom found in Hollywood cinema.
While Falardeau's prismatic storytelling technique is frequently impressive, it ultimately gets in the way of a movie that otherwise would seem to have a powerful human story struggling to get out.
The surfeit of plot twists and implausible coincidences strain narrative credibility even as the remarkably brawny presentation provides a warm rush.
Is that just a trite sentiment, a love-is-all-you-need platitude, and just one more aspect of Congorama that's too neat and a bit forced? Perhaps, but sometimes it takes bravery to embrace the cliché.
...ultimately undone by its meandering structure and distinctly unfocused vibe.
The suffocatingly neat construction strains credibility, leaving the central characters -- feeling like the punchlines of an elaborate cosmic joke.


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