Gruffudd's Wilberforce lacks charisma and the House of Commons scenes are interminable. Worthy shouldn't mean dull. What a waste.
Amazing Grace (2007)
Tomatometer
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Reviews Counted:116
Fresh:82
Rotten:34
Average Rating:6.6/10
Consensus: Amazing Grace is your quintessential historical biopic: stately, noble, and with plenty of electrifying performances.
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: Michael Apted, whose claim to fame till now has been the respected 7 UP documentary series, directs this lavish costume drama whose heart is as big as its budget. Though a marked departure, Apted's... Michael Apted, whose claim to fame till now has been the respected 7 UP documentary series, directs this lavish costume drama whose heart is as big as its budget. Though a marked departure, Apted's idealistic interests are well served by the story, which is based on the true tale of the 18th-century British politician William Wilberforce (Ioan Gruffudd, who played Horatio Hornblower in the HORNBLOWER series). Though as a young man Wilberforce is torn between politics and the church, he is inspired to action by John Newton (Albert Finney), a penitent monk who is haunted by his past as a slave-ship captain. Wilberforce makes it his mission to end slavery in the British Empire, and, aided by a small band of radical thinkers and unlikely supporters, he annually presents a bill for abolition to Parliament. When the war with France generates a patriotism in the people that makes opposition to slavery seem seditious, Wilberforce becomes disillusioned, and he retires to his cousin's (Nicholas Farrell) house, physically ill and emotionally destroyed by his perceived failure. When he meets the beautiful and righteous Barbara Spooner (Romola Garai, AS YOU LIKE IT), however, he gains new determination to pursue his dream of abolition. The talented cast includes Michael Gambon as Lord Fox, an old gent who turns out to be more lucid than anyone would have guessed, as well as Senegalese musician Youssou N'Dour as Oloudaqh Equiano, a regal former slave turned activist. Terrence Malick (BADLANDS), who produced the film, leaves his mark in the stunning visuals. [More]
Starring: Ioan Gruffudd, Albert Finney, Michael Gambon, Benedict Cumberbatch
Starring: Ioan Gruffudd, Albert Finney, Michael Gambon, Benedict Cumberbatch, Romola Garai, Rufus Sewell, Ciaran Hinds, Jeremy Swift, Robert Roy Collins, Nicholas Day, Georgie Glen, Toby Jones, David Hunt
Director: Michael Apted
Director: Michael Apted
Screenwriter: Steven Knight
Producer: Terrence Malick, Patricia Heaton, Ken Wales
Composer: David Arnold
Studio: Roadside Attractions/Samuel Goldwyn Films
Reviews for Amazing Grace
A decent cast under Michael Apted's direction does its best, but it's dull, naive and dramatically inert.
There’s so much story here that the characters don’t have quite enough room to breathe, but it’s still a fascinating look at a time, and a man, worth remembering.
Accessibility is one of the movie's virtues: without dumbing down, it makes the workings of Parliament seem as gripping as a good suspense thriller.
Impressively directed, politically relevant and occasionally inspirational, this is an enjoyable, engaging drama with strong performances from its talented cast.
A very decent contribution to the present bicentennial celebrations of the parliamentary bill that outlawed the slave trade in the British empire.
Skilfully written and directed, the film is an involving drama, even if it's overly worthy and sentimental.
Grufudd is fine, passionate and single-minded, though overly Romantic, and quietly upstaged by the extraordinary Benedict Cumberbatch.
Director Michael Apted and screenwriter Steven Knight can't help letting a little sanctification take hold -- while also, sadly, making a charged historical subject seem tedious.
Like Steven Spielberg's glossy Amistad before it, Amazing Grace shies away from the texture and complexity of color, scurrying instead for the safer platitudes of black and white -- good and evil.
Director Michael Apted tells the story with dry devotion to parliamentary procedurals and a worshipful approach to Wilberforce. But [actor] Gruffudd lacks the intensity and charisma to pull it off.
How could Michael Apted, who directed those towering pillars of truth the 7 Up documentaries, make a movie as bogus as Amazing Grace?
The focus on Wilberforce's ailing body seems a peculiar, not to say "amazing," displacement of affliction.
As written by Steven Knight, it seems so taken with Wilberforce's moral magnificence, it forgets to involve the audience, too.
Gruffudd and the amazing cast give performances that would make this film more useful in teaching drama school than in teaching social studies.
Steven Knight's ponderous script is front-loaded with expository deep background and stuffed into an awkward structure that lumbers back and forth between Wilberforce the early idealist and Wilberforce the broken man.
Earnest, respectful and thoroughly dull, Michael Apted's Amazing Grace follows all of the worst traditions of British historical dramas.
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