Pushes all sorts of envelopes -- political, historical and erotic -- against the sanctified background of the Nazi Holocaust, hitherto unthinkable as the linchpin of a lively melodrama like Black Book.
Black Book (2007)
Tomatometer
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Reviews Counted:142
Fresh:107
Rotten:35
Average Rating:7/10
Consensus: A furious mix of sex, violence, and moral relativism, Black Book is shamelessly entertaining melodrama.
Theatrical Release:19-01-2007
Synopsis: Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the... Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the acclaimed SPETTERS and SOLDIER OF ORANGE among them) in his native country, and it's to Holland that he returns for BLACK BOOK--his first Dutch film in 20 years. The story is set during the final days of World War II in Holland, and follows a Jewish singer named Rachel Stein (Carice Van Houten). Rachel attempts to avoid the Nazis and remains in quiet hiding until her family is brutally slain, causing her to join up with a resistance movement. On a subsequent undercover mission, Rachel crosses paths with a smitten German general named Ludwig Muntze (Sebastian Koch), with whom Rachel begins a relationship in order to feed vital information back to her colleagues in the resistance. But as the action and bloodshed escalate, Rachel realizes that she has genuine feelings for Muntze, and soon she is in enormous danger. Verhoeven's film is wildly ambitious and takes many intriguing twists and turns during its 145 minutes. BLACK BOOK commanded the largest budget of any film to be produced in Holland, and it shows. Explosions litter the screen, plenty of car chases ensue, and wince-inducing injuries and deaths propel the action. The director isn't afraid to criticize his fellow countrymen and inserts a fascinating subtext about the actions of the resistance fighters, asking some uncomfortable questions about the similarities between their behavior and that of the Nazis. Van Houten lights up the screen throughout and is surely destined for bigger things, and while the tumultuous experiences her character undergoes might push the boundaries of reality at times, Verhoeven has pointed out in interviews that Rachel is a composite character who encompasses the merged experiences of many real people from the era. [More]
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint, Halina Reijn, Christian Berkel, Michiel Huisman, Peter Blok
Director: Paul Verhoeven
Director: Paul Verhoeven
Screenwriter: Paul Verhoeven, Gerard Soeteman
Producer: San Fu Maltha, Jos van der Linden
Composer: Anne Dudley
Studio: Sony Pictures Classics
Reviews for Black Book
All that keeps the movie from collapsing into soap opera is the exuberant drive of the filmmaking. And the central performance. Van Houten is pretty without being beautiful.
Some may find scenes excessive and take offense at the suggestion that there were good Nazis like Ludwig. But one thing that can be said for Black Book: It's never boring.
Its essential trashiness too often takes over. Rather than wondering about Rachel/Ellis' dilemma, you find yourself pondering Verhoeven's consistency in setting up bedroom shots so that there's always a nipple in the frame.
A gripping story of duplicity, intrigue and evil that grabs your attention from the very first frame and never lets go.
With the release of his World War II thriller 'Black Book', Verhoeven has entered the realm of classics like 'Schindler's List' and 'The Pianist'.
Verhoeven has succeeded in injecting a bit of energy into this tired genre, and that's a major achievement.
The movie scrambles our responses and covers so much ground, with such zest, that its two and a half hours race past like a firestorm.
It’s a marvelous movie-movie, with a new screen goddess. Van Houten has a soft, heart-shaped face on top of a body so naturally, ripely beautiful it has its own kind of truth.
...a captivating story of high adventure and danger on a very personal level that starts with high tension that continues to increase throughout.
He’s taken a generally holy subject -- Jewish resistance to the Nazis -- and returned to Holland to make what is undeniably, perversely, lovably a Verhoeven movie.
Verhoeven doles out his customary boobs, bombs, and blood, but the tension between thrills and serious consequences splits Black Book's difference.
Verhoeven, with his background in such lurid American entertainments as "Basic Instinct" and "Showgirls," seems an unlikely duck to be paddling around in this somber pond. I can believe that the 68-year-old director has a personal connection to the materi
A viscerally effective thriller ends up a repugnant exercise in moral relativism, delivered with the grandstanding swagger of the self-styled provocateur.
Psssst, want to see a dirty picture about good Nazis, bad Resistance fighters, and a fast-thinking, quick-stripping Jewish woman happy to dye her pubic hair blond and sleep with the enemy in the name of freedom? Have I got a lulu for you.
Working again with longtime screenwriting collaborator Gerard Soeteman, Verhoeven makes Black Book into a rollicking wartime movie-movie, replacing awards-bait clichés with a strong dose of two-fisted action, frank sexuality, and coal-black cynicism.
An engaging World War II drama set in Holland and focused on the resiliency of a Jewish woman struggling to stay alive in terrible times.
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