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The Situation (2007)
Tomatometer
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Reviews Counted:46
Fresh:17
Rotten:29
Average Rating:5/10
Consensus: An ambitious but preachy drama that fails to convincingly parcel its thriller and romance elements.
Runtime: 1 hr 46 mins
Genre: Dramas
Synopsis: Shooting a fictional movie based on a real war while that war still rages is a risky proposition. But director Philip Haas (THE MUSIC OF CHANCE) has taken the plunge with THE SITUATION, a film set... Shooting a fictional movie based on a real war while that war still rages is a risky proposition. But director Philip Haas (THE MUSIC OF CHANCE) has taken the plunge with THE SITUATION, a film set in Iraq as seismic changes grip the country. Connie Nielsen (ONE HOUR PHOTO) stars as Anna, an American journalist who investigates the possible drowning of an Iraqi boy by American soldiers, only to get caught up in the assassination of an Iraqi acquaintance as she travels between the cities of Baghdad and Samarra. In Baghdad Anna hooks up with her casual and disillusioned intelligence officer-boyfriend Dan (Damian Lewis), whose cynicism marks him out from his colleagues. But Anna also finds herself romantically drawn to Iraqi photographer Zaid (Mido Hamada), and when Anna is kidnapped after looking into the death of her friend, Dan and Zaid meet under difficult circumstances, setting out in a desperate bid to free her. Shot in Morocco, THE SITUATION deftly highlights the complexities triggered by the American presence in Iraq. The screen is filled with fine performances from actors who are given the problematic task of bringing to life morally reprehensible characters from both sides of the battle. Lewis and Nielsen both give excellent performances as two people who face duplicity and deceit at every turn, and Haas neatly strings a number of storylines together as the movie slowly weaves its spell. Those looking for answers and solutions to the conflict won't find them here, making THE SITUATION a perfect representation of a war that, as the film is released, still appears to be a long way from resolution. [More]
Starring: Damian Lewis, Connie Nielsen, John Slattery, Peter Eyre
Starring: Damian Lewis, Connie Nielsen, John Slattery, Peter Eyre, Shaun Evans
Director: Philip Haas
Director: Philip Haas
Producer: Liaquet Ahamed, Neda Armian, Michael Sternberg
Studio: Shadow Distribution
Reviews for The Situation
I don't think this movie sheds any new light on 'the situation', but it could have, and it's a shame that it didn't.
A pretty lousy movie in general, though it's the film's somewhat accusatory Iraq War subject matter that's getting it some attention -- deserved or not -- that makes the whole thing a little distasteful.
The concept is strong and expertly fleshed out; it's just a pity that Hollywood tropes are allowed to invade.
Beneath the melodrama is an insider's account of the seemingly inconsequential details often edited out of dispatches from the front.
The essential message in this strongly felt film comes clear: 'It's Iraq.' It used to be bad, but now it's worse. And anyone in his right mind, including Iraqis, wants to get out.
The Situation' is bound to stir up controversy because of the way Americans are portrayed, and anything that gets people talking and thinking is for the good. It brings the war home, where our soldiers should be.
It's a credit to the material and the basic plot that even as you're groaning over a clunky speech explaining it all, you're completely focused on what the situation in Iraq actually is.
[Haas'] attempt to convey the tangled relations between sheikhs and insurgents, occupiers and civilians is undercut by Wendell Steavenson's mightily overwritten screenplay.
Bringing the chaos down to very human terms redefines the paradigm for thinking about the occupation, and makes this a film that is more than a mere exercise in action/adventure
There are a half dozen people in colorful supporting roles all of whom have their own truths. And all of whom are far more interesting, as characters and actors, than [Connie Nielsen].
A gripping briefing on the post-Saddam morass of Iraq. The tactical calculus used by sheiks, insurgents, CIA operatives, soldiers, and civilians is ugly, but it's not inscrutable.
Even as it makes a mucky melodrama out of the war in Iraq, this effect does not seem entirely inappropriate, as it accommodates a U.S. perspective of its own actions.
You want better for this film, but the discomfort it causes is not a matter of it being too soon for the audience, but rather, it seems, for the filmmakers.
The Situation does an admirable job of guiding us through an almost hopeless quagmire.
His heart is in the right place, and our current situation cries out for a film like this %u2026 like this, but much better made.
It's [Wendell Steavenson] first screenplay, and it shows; while not the movie's only problem, the script is a big one, made up as it is primarily of dialogue that isn't just expository, but clunkily explanatory.
The Situation is promoting itself as the first American dramatic feature film to deal with the occupation of Iraq. While that may be true, it turns out not to matter that much.
The film would have made a serviceable drama, perhaps, if [writer] Steavenson and [director] Haas weren't so inured to trite utterances.
As ambitious in scope as it is interpretively timid, The Situation delivers the requisite incendiary climax, but collapses in on itself with daft speeches about the elusiveness of truth in something called 'the fourth dimension of time.'
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