An odd duck of a documentary, but a powerful one.
Screamers (2006)
Runtime: 1 hr 31 mins
Synopsis: Documentary feature examining why genocides keep occurring -- from the Armenian genocide in 1915, to the Holocaust, Bosnia, Rwanda and now Darfur -- through the eyes and music of the Grammy award-winning rock band "System of a Down," based in Los Angeles, whose members are all grandchildren... Documentary feature examining why genocides keep occurring -- from the Armenian genocide in 1915, to the Holocaust, Bosnia, Rwanda and now Darfur -- through the eyes and music of the Grammy award-winning rock band "System of a Down," based in Los Angeles, whose members are all grandchildren of genocide survivors. As the band tours the world and touches on the locations and stories of genocide in the last century, the film follows the personal story of the lead singer's grandfather, a 96-year old survivor of the Armenian genocide, one of the few remaining survivors from his village in Turkey. With the arguments of Harvard Professor Samantha Power, the personal stories of survivors from Armenia, Rwanda and Darfur, policy critics and whistleblowers – the "screamers" – the film targets the problem of genocide denial, with specific reference to the Turkish government’s current campaign to stop its citizens from discussing the genocide. When the band arrives back in the United States, they confront the hypocrisy of U.S. foreign policy in the debate on genocide recognition, with Speaker of the House, Dennis Hastert, actively blocking a vote in Congress. Through the band’s efforts to get Dennis to "Do the Right Thing" and Power’s thesis that America's interest has always been to stay neutral, no matter how wide-scale the carnage, the film shows how successive Presidents and corporate interests have conspired to turn a blind eye to genocides as they are happening – whether it be Iraqi Kurds in the 80s, Rwanda in the 90s or Darfur today. After the Holocaust, we may say 'never again' -- but we don't mean it. [More]
Genre: Education/General Interest
Reviews
Is it possible to get mad at a film that has its heart and soul in the right place?
Despite the noble effort, the medium and the message just don't mix.
The Armenian genocide and the continuing Turkish denial of history. The film offers damning evidence that the highly civilized European Union should do everything it can to keep the highly uncivilized Turks from becoming equals in EU membership.
Grating concert footage trivializes Garapedian's message. (One fan, celebrating the band's political potency, enthuses that 'System is antiwar, they're anti-this, anti-that.')
Screamers isn't didactic; it doesn't tell you how to respond. It just wants you to know and to ask questions.
Armenian-American director Carla Garapedian, who got a doctorate in international relations at the London School of Economics, presents a wide-awake, high-decibel briefing on foreign policy.
This film has provocations to spare; it just hasn't been made provocatively. It's a mess, actually.
Cannot decide if it wants to be a documentary about the band System of a Down or what the band is about.
Screamers is a commendably brave piece, but less focused and powerful than you'd like.
The film's composite testimony, from the charismatic band and more-metaphorical screamers such as politicians, scholars and eyewitnesses, is both scary and motivating.
System of a Down, whose members are the grandsons of genocide survivors, anchor this musical and political documentary with surprising gravitas, and the film offers true insight into the patterns of war crimes.
Despite a limited understanding of why genocide occurs, a worthwhile introduction to one of the 20th century's greatest crimes.
Rife with rotting corpses, severed heads and massacred children, Screamers is one of the most horrifying movies I've ever seen.
... one of the most bizarre documentaries you'll ever not see ...
Fans are, obviously, most likely to appreciate the concert footage that's woven throughout the film.
Part rockumentary, part howl of outrage, Screamers is an invigorating and articulate film.
It raises more questions than it answers, but the passion is more than welcome-from both the band and director Carla Garapedian.
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by: Rafe 11/18/06

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