Slipstream fails miserably as a film about moviemaking, writing, REM sleep and historical atrocities.
Slipstream (2007)
Tomatometer
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Reviews Counted:39
Fresh:9
Rotten:30
Average Rating:4.2/10
Consensus: Slipstream is a failed experiment; confusing instead of coherent.
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: Anthony Hopkins channels his inner David Lynch for this MULHOLLAND DRIVE-like descent into the warped mind of a Hollywood screenwriter. Felix Bonhoeffer (Hopkins) appears to be losing his grip on... Anthony Hopkins channels his inner David Lynch for this MULHOLLAND DRIVE-like descent into the warped mind of a Hollywood screenwriter. Felix Bonhoeffer (Hopkins) appears to be losing his grip on reality. After he witnesses a highway road-rage incident go deadly, Felix's world begins to spin out of control. For one thing, the characters he's written into his most recent script have begun to appear in his actual life. Two of these figures (played by Christian Slater and Jeffrey Tambor) happen to be evil hit men who have just knocked off another seemingly innocent victim (Michael Clarke Duncan). But when Slater's character drops dead on set, the maniacal studio boss (John Turturro) sends Felix to the Mojave Desert to rewrite the script and resolve the situation. Along the way, he struggles to separate reality from fiction before the two blur together to the point where he no longer knows what world he's living in. With SLIPSTREAM, Hopkins delivers a truly experimental film that will confound many viewers. By the film's conclusion, however, all of the cinematic trickery will make sense. Using a striking assault of visual and sonic tricks--quick-cutting, sound distortion, seemingly nonsensical stock footage--writer/director/composer Hopkins burrows into the mind of a man in a way that most films would never dare. The result is a confounding yet exhilarating satire of Hollywood that features standout performances from its all-star cast. [More]
Starring: Anthony Hopkins, John Turturro, Christian Slater, Stella Arroyave
Starring: Anthony Hopkins, John Turturro, Christian Slater, Stella Arroyave, Camryn Manheim, Lisa Pepper, Gavin Grazer, Michael Lerner, Fionnula Flanagan, Michael Clarke Duncan, Jeffrey Tambor
Director: Anthony Hopkins
Director: Anthony Hopkins
Screenwriter: Anthony Hopkins
Producer: Stella Arroyave, Robert Katz
Composer: Anthony Hopkins
Studio: Strand Releasing
Reviews for Slipstream
Slipstream ultimately winds up an avant-garde film that just ain't all that avant.
The editing-on-speed renders Hopkin's "experiment" inacessible to the degree that the movie will be lucky if it makes two cents.
Slipstream is an experiment in visual stream-of-consciousness, but stream-of-consciousness fares better as a literary form than a cinematic one.
A visual masterpiece and an amazing achievement in cinematography and editing.
Has one trick up its sleeve, and once that trick is revealed, the film collapses in on itself in a manner that will irritate more viewers than it intrigues.
Leave it to a 69-year-old actor to make the year's most experimental film.
If consummate thespian Anthony Hopkins downplays, even dismisses, discussions about the “craft” of acting, then Slipstream, only the second film he’s directed, betrays evidence that it’s a subject to which he’s nevertheless given a lot of thought.
Blaring its pretense to Lynch-ness, Slipstream crumbles under the weight of Hopkins's self-indulgence, yet there is some measure of sincerity to this senseless upchuck.
Hopkins' ambition is laudable, but what he has produced is a handsome, admirable failure, a labor of love and an extremely personal film with extremely limited appeal.
An avante-garde, admittedly experimental, absurdist, through-the-looking-glass glimpse of behind-the-scenes movie-making, it's the Mad Hatter's Tea Party.
Hopkins claims it's a comedy, and perhaps John Turturro's live-action cartoon of a mogul producer suggests so, but what does it all mean? That art can be just as shallow as Hollywood?
Slipstream is Anthony Hopkins’s third film as a director and his first as a quasi-avant-garde filmmaker working well outside the mainstream.
The veneer of stylistic hyperactivity can't conceal the starkly banal dialogue and a roster of performances that seem, under the circumstances, hardly directed at all.
Latest News for Slipstream
September 24, 2008:
An Audio Conversation With Anthony Hopkins: On doing Nixon, Hannibal, Hitler and Hitchcock, and what does it all mean. ![]()
More...
October 16, 2007:
Stylish attempt at Hopkins visualizing post-traumatic Hollywood syndrome, but there should be a rule that movies helmed by movie stars turned directors need to come with some sort of equivalent of the Surgeon General warning label. ![]()
More...
October 06, 2007:
Trailer & Poster review ![]()
More...
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