Bizarrely fascinating documentary.
Crossing the Line (2007)
Tomatometer
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Reviews Counted:20
Fresh:18
Rotten:2
Average Rating:6.6/10
Runtime: 1 hr 34 mins
Genre: Education/General Interest
Synopsis: In 1962, James Joseph Dresnok, a soldier in the U.S. Army, crossed over the heavily guarded line of demarcation and defected to the communist country of North Korea. Soon there was a group of four... In 1962, James Joseph Dresnok, a soldier in the U.S. Army, crossed over the heavily guarded line of demarcation and defected to the communist country of North Korea. Soon there was a group of four American military defectors in the Democratic People's Republic of Korea, becoming part of Kim Il-Sung's and, later, Kim Il-Jong's propaganda machine. After more than 40 years, Dresnok tells his story for the first time to filmmaker Daniel Gordon (THE GAME OF THEIR LIVES) in CROSSING THE LINE, a fascinating look at a little-known corner of the Cold War. Dresnok had a difficult upbringing, including living in foster homes and an orphanage. The instability in his personal life impelled him to join the army, which stationed him in South Korea. But because of his lifelong mistrust of authority, he refused to follow direct orders and was facing a potential court-martial when he sneaked into North Korea, a treasonous move that had even more impact because it came at the height of the Cold War. There, he was joined by Larry Allen Abshier, Jerry Wayne Parrish, and Charles Robert Jenkins, who all went on to star in a series of propaganda films called NAMELESS HEROES, directed by Kim Il-Jong, showing the Americans to be evil predators. Gordon, while in North Korea making STATE OF MIND, tracked down the two surviving defectors, Dresnok and Jenkins, who each had a somewhat different tale to tell. The film focuses on Dresnok's version, in which the man known as Comrade Joe sings the praises of the Great Leader and his deep love of North Korea, never intending to return to the United States. Through archival footage, photographs, and interviews with friends, family, historians, and journalists, Gordon carves out Dresnok's complicated, confusing, compelling, and sometimes questionable life story. [More]
Director: Daniel Gordon
Director: Daniel Gordon
Producer: Daniel Gordon
Composer: Craig Armstrong, Sister Bliss, Heather Fenoughty
Studio: Kino International
Reviews for Crossing the Line
There are no absolute answers to these questions, but like a brain-tickling puzzle, Crossing the Line keeps us on our toes and digging for more information.
A tale of alienation and adaptation both miraculous and strange, but also abduction both psychological and physical.
Crossing the Line, like its subject, remains a fascinating and frustrating enigma -- a declassified government report still marred by redacted passages.
Crossing The Line lacks the force and power of a strong point of view, but like Gordon's other work about North Korea, it succeeds in revealing what it means for individuals to give themselves over to a collective.
You'll be untangling Dresnok's knotty reality long after you leave the theater.
[The] compelling story and the plentiful high-definition video images of North Korean daily life prove so fascinating that Crossing the Line is riveting.
Not exactly compelling stuff, especially if you caught the recent 60 Minutes segment about this traitor which covered substantially the same ground.
The reflective sequences veer between stylishly effective and drearily overstated.
A scary journey into the belly of the beast but a sketchy psychological portrait.
Profile of the last American GI defector in North Korea. Fascinating!
An engrossing look at a rarity, the only four Americans who ever defected to North Korea, with a warm look at the first, James Joseph Dresnok.
One commendable but far too brief section of the documentary, presents through horrific images and testimony, the gruesome atrocities visited upon the DPRK civilians which exceeded even the US mass carnage against the Vietnamese in that invasion.
The film is so visually stunning it keeps the audience entertained the entire time.
Amazingly, director Daniel Gordon and his crew were allowed to film Dresnok in and around his home in Pyongyang, resulting in a canny portrait of a man as uniquely fit for a life on display as he is blindly willing to kowtow to power.
Dresnok comes across as honest and credible, and his story is absolutely fascinating.
Film's rarity value and still-hot subject matter make this required viewing on the fest circuit and cable channels.
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