One can’t turn a blind eye to such conspicuous failings.
The Eye (2008)
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Reviews Counted:74
Fresh:16
Rotten:58
Average Rating:4.3/10
Consensus: Featuring wooden performances and minimal scares, The Eye is another tedious remake of an Asian horror film.
Rated: 15 [See Full Rating] for violence/terror and disturbing content.
Runtime: 1 hr 37 mins
Genre: Horror/Suspense
Theatrical Release:24-04-2008
Synopsis: THE EYE adapts the influential 2002 Hong Kong ghost tale by the Pang brothers into a star vehicle for Jessica Alba. While it remains faithful to the original story, this version ups the number of... THE EYE adapts the influential 2002 Hong Kong ghost tale by the Pang brothers into a star vehicle for Jessica Alba. While it remains faithful to the original story, this version ups the number of jolts for thrill-seeking Western audiences. Writing/directing team David Moreau and Xavier Palud, creators of the popular 2006 French thriller THEM, make their U.S. debut with a screenplay by Sebastian Gutierrez (SNAKES ON A PLANE), putting a few new twists on a cult favorite. Concert violinist Sydney Wells (Alba) has been blind since she was five, when an accident involving firecrackers damaged her corneas. Now in her mid-20s, she has just undergone a transplant, a risky procedure that is not always successful. When the bandages come off, her sight slowly returns, and everything she sees is a new experience. A happy occasion becomes terrifying, though, when she begins to see horrifying visions of the dead. Fearing that she's losing her sanity, she enlists the help of Dr. Paul Faulkner (Alessandro Nivola), who uncovers the identity of the donor of her new corneas and travels with her to Mexico to unravel the mystery of her horrific visions. Spare and effective, THE EYE retains the two most startling sequences from the original film--a truly chilling floating dead man in an elevator and an elaborate, explosive set piece at the conclusion. Moreau, Palud, and Gutierrez jazz the story up in other spots, with quick scares, sharp music cues, and twitchy apparitions reminiscent of those in JACOB'S LADDER, but the essence remains the same. Alba is fine as damsel in distress Sydney, and the always-enjoyable Parker Posey is uncharacteristically low-key as her airline hostess sister. With no gore or anything else objectionable, the film may also be good choice for younger viewers who enjoy a good scare. [More]
Starring: Jessica Alba, Parker Posey, Alessandro Nivola
Starring: Jessica Alba, Parker Posey, Alessandro Nivola
Director: David Moreau, Xavier Palud
Director: David Moreau, Xavier Palud
Screenwriter: Sebastian Gutierrez
Producer: Tom Cruise, Paula Wagner
Composer: Angelo Badalamenti
Studio: Lions Gate Films
Reviews for The Eye
There are a couple of effective scares, but this feels like a retread too far. Enough with J-horror already - let’s do something new.
It's all based on the creepy little Chinese film Gin gwai, an atmospheric spine-tingler that, we're sad to say, is considerably more frightening than this tame effort.
With every twist of the second-hand plot telegraphed far in advance, you don't need to be clairvoyant to see where this is going.
Alba simply isn't good enough to carry this kind of movie, and lacks the presence to counter the major deficiencies of a weak and feeble ghost story.
Moreau and Palud decide to trade in the creepy, atmospheric style of the Pang Brothers for a more amped up Hollywood approach...it fails to distinguish itself either as a remake or on its own terms as a horror film.
When it comes to showing something to end the second-rate horror drought, The Eye is blind.
The Eye never aspires to be anything more than slick sleepover fodder, but at least that qualifies as a step up for Alba.
A film of no distinction of any kind, destined only to fill the late hours at some 10-year-olds' sleepover party.
Considering The Eye was held from critics for review, it turned out to be surprisingly decent - much better than the putrid One Missed Call
The Eye is the latest Western deconstruction of a successful Asian horror movie and it is louder and more literal than its inspiration.
Not spectacular, not a waste, it's clever enough to keep its momentum going, and smart enough to not overreach its mission of being a diverting 90 minutes or so
Someone else should have seen the obvious hurdle of making a horror movie that relies solely on Jessica Alba's acting abilities.
The latest American remake of an Eastern import in which the thrills have been hopelessly squandered in translation, replaced with distracting, rapid-fire camerawork and thunderous bumps in the night that reflect a kind of creative desperation.
What’s worse than a bad American remake of a terrifying Asian horror movie? Why, a bad American remake of a crappy Asian horror movie, of course.
t probably goes without saying that the self-involved, privileged Sydney would pay scant attention to the violence and poverty that make up life in Ana's pueblo.
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