The movie is watchable -- never more gratuitously so than when Alba is filmed showering and slipping into a tank top. But we've been here before, no?
The Eye (2008)
Tomatometer
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Reviews Counted:74
Fresh:16
Rotten:58
Average Rating:4.3/10
Consensus: Featuring wooden performances and minimal scares, The Eye is another tedious remake of an Asian horror film.
Rated: 15 [See Full Rating] for violence/terror and disturbing content.
Runtime: 1 hr 37 mins
Genre: Horror/Suspense
Theatrical Release:24-04-2008
Synopsis: THE EYE adapts the influential 2002 Hong Kong ghost tale by the Pang brothers into a star vehicle for Jessica Alba. While it remains faithful to the original story, this version ups the number of... THE EYE adapts the influential 2002 Hong Kong ghost tale by the Pang brothers into a star vehicle for Jessica Alba. While it remains faithful to the original story, this version ups the number of jolts for thrill-seeking Western audiences. Writing/directing team David Moreau and Xavier Palud, creators of the popular 2006 French thriller THEM, make their U.S. debut with a screenplay by Sebastian Gutierrez (SNAKES ON A PLANE), putting a few new twists on a cult favorite. Concert violinist Sydney Wells (Alba) has been blind since she was five, when an accident involving firecrackers damaged her corneas. Now in her mid-20s, she has just undergone a transplant, a risky procedure that is not always successful. When the bandages come off, her sight slowly returns, and everything she sees is a new experience. A happy occasion becomes terrifying, though, when she begins to see horrifying visions of the dead. Fearing that she's losing her sanity, she enlists the help of Dr. Paul Faulkner (Alessandro Nivola), who uncovers the identity of the donor of her new corneas and travels with her to Mexico to unravel the mystery of her horrific visions. Spare and effective, THE EYE retains the two most startling sequences from the original film--a truly chilling floating dead man in an elevator and an elaborate, explosive set piece at the conclusion. Moreau, Palud, and Gutierrez jazz the story up in other spots, with quick scares, sharp music cues, and twitchy apparitions reminiscent of those in JACOB'S LADDER, but the essence remains the same. Alba is fine as damsel in distress Sydney, and the always-enjoyable Parker Posey is uncharacteristically low-key as her airline hostess sister. With no gore or anything else objectionable, the film may also be good choice for younger viewers who enjoy a good scare. [More]
Starring: Jessica Alba, Parker Posey, Alessandro Nivola
Starring: Jessica Alba, Parker Posey, Alessandro Nivola
Director: David Moreau, Xavier Palud
Director: David Moreau, Xavier Palud
Screenwriter: Sebastian Gutierrez
Producer: Tom Cruise, Paula Wagner
Composer: Angelo Badalamenti
Studio: Lions Gate Films
Reviews for The Eye
The most vivid aspect of The Eye is its poster image, that of a huge female eye with a human hand gripping the lower lid from the inside. The least vivid aspect is the way Jessica Alba delivers a simple line of expository dialogue.
The Eye is the latest Western deconstruction of a successful Asian horror movie and it is louder and more literal than its inspiration.
The script is credited to Sebastian Gutierrez, who penned Snakes On a Plane, a movie that knew how to have scares and sex and a bit of fun. What happened?
Neither a good movie nor a bad movie, The Eye is just ... a movie, sitting there unnecessarily.
The Eye remake rolls off Hollywood's Asian horror assembly line like expired goods that have been repackaged.
Alba is very good at looking very good... but she's quite terrible at looking very scared, or very traumatized...
The feel-good Japanese horror remake vehicle of the year! No, that's a bad thing.
Not spectacular, not a waste, it's clever enough to keep its momentum going, and smart enough to not overreach its mission of being a diverting 90 minutes or so
The fatal flaw with The Eye is that it is a bland and boring work that is the cinematic equivalent of a dead light bulb.
Quite faithful until the dumbed-down Americanized ending, yet time and again the treatment is inferior.
You'd think that a horror story concerned with the unreliability of sight might at least try to generate scares via the use of visual trickery.
Good special effects and some scary characters put together with great cinematography make this one notch up from a B horror film. Turn off those cell phones now, boys and girls.
It's hard to know who bears the brunt of the blame for The Eye's stunning dullness.
Jessica Alba is floundering here, forced to spit out idiotic dialogue and make goo-goo eyes toward cold fish Nivola; not to mention she's one half of the most implausible pair of siblings committed to the big screen seen since Schwarzenegger and DeVito.
Considering The Eye was held from critics for review, it turned out to be surprisingly decent - much better than the putrid One Missed Call
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