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O Jerusalem (2007)
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Reviews Counted:20
Fresh:6
Rotten:14
Average Rating:4.6/10
Consensus: Though a noble effort, O Jerusalem fails to combine this history lesson and human drama into a coherent cinematic piece.
Runtime: 1 hr 45 mins
Genre: Dramas
Synopsis: In 1947, two friends--one Jew and one Arab--find their friendship tested as the state of Israel is being formed. O JERUSALEM is adapted from the book written by Larry Collins and Dominique Lapierre.
Starring: Said Taghmaoui, JJ Feild, Maria Papas, Patrick Bruel
Starring: Said Taghmaoui, JJ Feild, Maria Papas, Patrick Bruel, Mel Raido, Ian Holm, Tom Conti, Tovah Feldshuh
Director: Elie Chouraqui
Director: Elie Chouraqui
Screenwriter: Didier Le Pecheur, Elie Chouraqui
Producer: Andre Djaoui, Elie Chouraqui, Jean Frydman, Andreas Grosch
Composer: Stephen Endelman
Studio: IDP Distribution
Reviews for O Jerusalem
It's hard to take the film seriously with [its] contrivances, including a hokey music score, dialogue designed solely to give us historical information.
Director Elie Chouraqui and co-writer Didier Lepecheur [fall] prey to a fatal evenhandedness that reduces a complex battle for the loveliest, most fought-over city in the world to a pile of heroic clichés.
It's not easy to turn one of the most controversial events of the 20th century into a movie that makes your eyes roll, but O Jerusalem does this and worse.
I felt as though I could have gathered the same information about Israel's beginnings from a pamphlet, and saved myself the film's forthright baggage
Its heart firmly in the right place, O Jerusalem proves an uneasy mix of history and fiction.
Such fictionalizations are the stuff of TV miniseries, and only serve to add confusion and melodrama to a history that, as Collins and Lapierre's book proves, hardly needs further dramatization.
It aspires to be an epic drama but suffers from an acute identity crisis: It can't decide if it wants to be history, drama, or a cry for peace in the Mideast.
In trying to be sensitive to such a controversial issue, O Jerusalem glazes over important events settling for mediocrity while giving a history lesson more appropriate for high school.
O Jerusalem is as overstated and expository as a historical pageant, from the drippy music to a sputtering, running gag involving funky old jalopies to clichéd speeches and teary-eyed deaths and a final voice-over crying out for peace.
As a history lesson, the film is so elementary and silly that you'd half-expect to find Mr. Peabody and Sherman peeking around the Wailing Wall.
Hammers away at its Arab/Jewish variation on the chicken-or-the-egg debate ad nauseam.
Unfortunately, French director Elie Chouraqui settles for speed and cliché.
The filmmakers split time between history and personal drama in ways that do full service to neither.
In its struggle to present an unbiased portrait that balances Jewish and Palestinian viewpoints evenly, the film loses some narrative focus. Nevertheless, it presents a valuable history lesson that points out the dire effects of British occupation in the
The need to touch on pivotal events makes this at times seem like history's 'greatest hits,' although the personal stories provide a narrative thread tying it all together.
A hopeful and helpful movie that depicts the friendship between a Jew and an Arab that outlasts the winds of war and the culture of revenge and racial hatred surrounding them.
It's no 'Exodus' but is a reasonably involving primer on the birth of Israel in 1948, specifically on the fighting for control of Jerusalem.
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