Lane is an imaginative actress, every bit as good as Jodie Foster, and the film is clothed in a dark and chilly atmosphere that Hoblit constructs with some skill.
Untraceable (2008)
Runtime: 1 hr 50 mins
Genre: Action/Adventure
Starring: Diane Lane, Billy Burke, Colin Hanks, Joseph Cross, Mary Beth Hurt
Screenwriter: Robert Fyvolent, Mark R. Brinker
Story: Robert Fyvolent, Mark R. Brinker
Screenwriter: Allison Burnett
Producer: Steven Pearl, Andy Cohen, Tom Rosenberg, Gary Lucchesi, Hawk Koch
Composer: Christopher Young
DVD Info
Release:
Jan 5, 2009
Blu-ray Features:
- Anamorphic Widescreen - 2.40
Audio:
- Dolby Digital 5.1 - English, French, Portuguese, Spanish (SDH)
- Subtitles - English, French, Portuguese, Spanish - Optional
Reviews
Some viewers might find the Hostel-style splatter hard to stomach while, for a smart cop, Lane sure does some dumb things.
The problem with Hollywood films condemning the public appetite for torture is that they frequently pander to it, and this is a very lurid and unsavoury example.
Very unpleasant, though skilfully put together by director Gregory Hoblit and acted with beyond-the-call empathy by Ms Lane.
This new variation on the theme isn't bad, in a gruesome and horrible way, and features a strong performance from Diane Lane as an FBI agent.
On the surface the film is a solid thriller, but there's more thought here than in the average serial killer flick.
Very enjoyable as a 'race against time' thriller and Lane is great as the weary but determined lead. It's just a shame that Untraceable's message is delivered in such a ham-fisted, hypocritical way.
In keeping with the title, this Silence Of The Lambs wannabe contains not a trace of originality, but should appeal to those who like their thrillers with a side order of gore.
Feels as if it's been patched together using 'auto-fill' screenwriting software.
“It’s a jungle in there!” sighs Hanks as he counts the millions visiting the movie’s kill-view website. But for all its scaremongering, Untraceable is best viewed as an above-average thriller with a tech-savvy hook.
Pokes fun of a particularly dark hue at those emotionally stunted netheads who are enjoying a Second Life when they haven't even had a first one.
You know something ain’t kosher when a movie purporting to offer a critique of sadistic voyeurism opens with a hand-rubbing scene of kitten abuse.
A competent suspenser, helped by the always-dependable Diane Lane, but it suffers by following the modern thriller playbook to the letter.
Enjoyable thriller, enlivened by a decent script, impressive direction and strong performances from Diane Lane and Colin Hanks.
Even though this film strains to be another Silence of the Lambs (tormented heroine chases nasty killer), it's still oddly involving.
Creepy, suspenseful cyber-thriller about downloading death, hacker homicide, and a baby-faced computer geek wielding a mouse as a deadly weapon.
[T]he honkingly stupid script is the kind that inspires Mystery Science Theater call-and-response.
What is ultimately more disturbing than the premise itself is the way director Gregory Hoblit injects a sensational voyeuristic element to the proceedings. I felt as though I needed a good wash after watching.
Even if you take the film's moral lesson at face value, the overkill is discouraging, and not very instructive.
a... po-faced affair, pretending to be above all the sensationalism and depravity that it exploits, as though Hoblit and co. are somehow themselves immune from their killer's obsession with viewing figures.
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