Written and directed by the first-time director Duncan Jones, Moon devotes itself to the mystery of the multiplying Sams. It’s a modest, melancholic undertaking, and a little virtuous, too.
Moon (2009)
Tomatometer
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Reviews Counted:158
Fresh:141
Rotten:17
Average Rating:7.4/10
Consensus: Boosted by Sam Rockwell's intense performance, Moon is a compelling work of science-fiction, and a promising debut from director Duncan Jones.
Rated: 15 [See Full Rating] for language.
Genre: Action/Adventure
Theatrical Release:17-07-2009
Synopsis:
It is the near future. Astronaut Sam Bell is living on the far side of the moon, completing a three-year contract with Lunar Industries to mine Earth’s primary source of energy, Helium-3. It is a...
It is the near future. Astronaut Sam Bell is living on the far side of the moon, completing a three-year contract with Lunar Industries to mine Earth’s primary source of energy, Helium-3. It is a lonely job, made harder by a broken satellite that allows no live communications home. Taped messages are all Sam can send and receive.
Thankfully, his time on the moon is nearly over, and Sam will be reunited with his wife, Tess, and their three-year-old daughter, Eve, in only a few short weeks. Finally, he will leave the isolation of “Sarang,” the moon base that has been his home for so long, and he will finally have someone to talk to beyond “Gerty,” the base’s well-intentioned, but rather uncomplicated computer.
Suddenly, Sam’s health starts to deteriorate. Painful headaches, hallucinations and a lack of focus lead to an almost fatal accident on a routine drive on the moon in a lunar rover. While recuperating back at the base (with no memory of how he got there), Sam meets a younger, angrier version of himself, who claims to be there to fulfill the same three year contract Sam started all those years ago.
Confined with what appears to be a clone of his earlier self, and with a “support crew” on its way to help put the base back into productive order, Sam is fighting the clock to discover what’s going on and where he fits into company plans. --© Sony Pictures Classics
Starring: Sam Rockwell, Kevin Spacey
Starring: Sam Rockwell, Kevin Spacey
Director: Duncan Jones
Director: Duncan Jones
Screenwriter: Mark Bowden, Nathaniel Parker
Studio: Sony Pictures Classics
Reviews for Moon
Director Duncan Jones also taps into the visual style of Silent Running, which was directed by special effects wizard Douglas Trumbull. Taking his cue from Trumbull, Jones creates a vivid but far from perfect futuristic world.
Moon is a superior example of that threatened genre, hard science-fiction, which is often about the interface between humans and alien intelligence of one kind of or other, including digital.
Co-writer/director Duncan Jones’ debut feature Moon is a modest but nonetheless exciting bit of (derivative) speculative fiction.
Jones is a methodical filmmaker, and he conveys his plot without mucking it up too terribly, but he's also dull.
The cool and unvarnished heir apparent to the throne of low budget indie sci-fi thrillers.
This excellent little science fiction film is a welcome throwback to an earlier era, when filmmakers used the canvas afforded by outer space and/or the future to explore ideas about the human condition.
This is a deep and inventive exploration into the human psyche, made believable thanks to a wonderful performance from Rockwell.
I was inspired as much by the movie's egghead take on science ficiton as the bravura performance from Sam Rockwell at the center.
If only Hollywood was willing to make more science fiction films like this one.
Intriguing and suspenseful with awe-inspiring visuals and terrific, well-nuanced performances by Sam Rockwell in dual roles.
Though we love pretentious grand sci-fi, this film feels kind of thin, just a corporate scandal-philosoph'cal show.
As the two Sams struggle to find their humanity, the film struggles to find entertainment within the esoteric. While they're trying to figure it out, we're left stranded on the dark side of the moon.
Mr. Rockwell gives a brilliant performance, the physical production is impressive and Moon made me think.
By keeping the human element front and center throughout the film (and kicking the story into an intriguing new dimension at the end), the director has avoided winding up where so many extraterrestrial tales often do: lost in space.
Like a lot of great scifi, it tells a small, self-contained story while hinting at something far larger and more troubling... It's one of the best movies of the year.
The film's ideas are interesting, but don't feel entirely worked out, and Mr. Rockwell's intriguingly strange performance (or performances) is left suspended, without the context that would give Sam's plight its full emotional and philosophical impact.
Latest News for Moon
December 04, 2009:
Sundance 2010: RT's 10 Most Anticipated Movies
Five or six years ago, the Sundance Film Festival was more famous for showing dozens of worthy, politically correct movies that instantly disappeared than the odd breakout hits... More...
November 27, 2009:
Duncan Jones Reteams With Kevin Spacey
'Moon' director Duncan Jones and the movie's computer voice, Kevin Spacey, have reteamed for a couple of advertisements currently airing on British TV. The commercials, embedded... More...
October 08, 2009:
Duncan Jones talks Moon, Sam Rockwell, and Mute
Space. Once film's final frontier, over the years sci-fi has sometimes been the domain of cliche and inferior riffs on past glories. All the more surprising, then, to discover a... More...
September 15, 2009:
Concept Art for Moon Director Duncan Jones' Mute ![]()
Director Duncan Jones, whose Moon has gone down as one of the finest sci-fi films of the year, has posted concept art for his next film, a thriller entitled Mute. Like Blade... More...
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