If you appreciate their acting, and enjoy the words of the battle between them - during which the duchess prevaricates until it is too late - it will seem fascinating.
The Duchess of Langeais (2008)
Runtime: 2 hrs 17 mins
Synopsis: Jacques Rivette (VA SAVOIR) directs this masterful adaptation of Honoré de Balzac's novel about a game of hearts between General Armand de Montriveau (Guillaume Depardieu), a protégé of Bonaparte in Restoration-era France, and Antoinette (Jeanne Balibar), the married but flirtatious... Jacques Rivette (VA SAVOIR) directs this masterful adaptation of Honoré de Balzac's novel about a game of hearts between General Armand de Montriveau (Guillaume Depardieu), a protégé of Bonaparte in Restoration-era France, and Antoinette (Jeanne Balibar), the married but flirtatious Duchess of Langeais. They meet at a ball where Armand--intense, morose, and lacking the embroidered manner of the aristocracy--is currently en vogue following a military campaign. The two become frequent companions. But it is unclear whether the Duchess wants a lover or a lapdog, leading to romantic frustrations for Armand who cannot live, like his compatriots, with Parisian society's unspoken and tacitly accepted hypocrisies. As a sentimental war rages between them--with Antoinette stoking the fires of passion and Armand unexpectedly turning the tables on his lover--the film raises provocative questions about the true sources of desire. Taking place in parlors that echo with chatter and creaking floorboards, THE DUCHESS OF LANGEAIS offers a restrained and realistic evocation of the 1820s. Composed of graceful widescreen compositions that decline to comment on the action, and interspersed excerpts from the novel that take the viewer out of it, the film's emotional reserve matches its story and heightens its fraught romance. In his role as a man tortured by his obsession, and all too willing to wound himself in its pursuit, Depardieu is mesmerizing. Though clocking in at over two hours, Rivette's film is an engrossing slow burn that crackles to a climax that is as inevitable as it is devastating. [More]
Genre: Foreign Films
Starring: Jeanne Balibar, Guillaume Depardieu, Bulle Ogier, Michel Piccoli, Barbet Schroeder
Screenwriter: Pascal Bonitzer, Christine Laurent
Producer: Pierre Grise Productions
Composer: Pierre Allio
Reviews
The duologues between the couple seldom vary in tone: he's the doormat, and she wipes her silk slippers on him. Depardieu makes for a compelling presence, even if he's a bit one-note.
In a tale of passion, don’t we want passion? Instead of Rivette’s painterly pose-striking tableaux, would we not like some madness and modernism?
Terrific performances by the two leads make this a far more rewarding film than the rigorous formality might suggest.
No lavish costume drama, it's instead a theatrical dissection of the spiteful games lovers play.
A rewarding and cleverly constructed experiment - but not one that is easy to enjoy or warm to. All will agree that it's a fine thing that Rivette should still be pushing the boundaries, few will actually want to watch him doing it.
Balibar delivers a supremely arch portrayal of a woman whose every gesture and expression seem calculated for effect.
The whole thing is compelling from start to finish; ‘cruel ironies’ doesn’t even begin to describe it.
The everyday moviegoer will find it as impenetrable as its heroine. But if you vibrate to nuances of style, if you enjoy tension gathering strength beneath terrible restraint, if you admire great acting, then you will.
The director guides the viewer through a sly consideration of near-sociopathic not-quite-lovers, one of whom finds refuge in religion, the other in romantic obsession.
If you like multi-arced episodes of Masterpiece (formerly Masterpiece Theatre), the pacing might work in this padded film. As it was, experiencing this in real time was akin to watching two snails race on a muddy track.
Classy? Yes, is classy. Boring? Yes, The Duchess of Langeais is deeply boring.
Even though it's nearly 2 1/2 hours, unfolds in flashback and derives from Balzac, then, The Duchess of Langeais is among Rivette's more succinct and approachable works.
The Duchess of Langeais is a stately costume drama of wrenching passions expressed in courtly phrases.
Jacques Rivette’s Duchess of Langeais seems to me a nearly impeccable work of art -- beautiful, true, profound.
It is the ultimate in movie as pane of glass, completely un-self-conscious of its own movieness but simply an intensely focused examination of human behavior on a narrative armature.
Based on a Balzac story, Rivette's Duchess manages to be both old-fashioned in its settings and circumstances, and coolly modern in its view of thwarted passion and despair.
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by: ReelReviewer.com 2/28
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