The story's slow-burn never quite flares into dramatic wildfire.
Sugar (2009)
Tomatometer
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Reviews Counted:99
Fresh:92
Rotten:7
Average Rating:7.8/10
Consensus: Sugar is an exceptionally-crafted film -- part sports flick, part immigrant tale -- with touching and poignant drama highlighted by splendid performances.
Rated: 15 [See Full Rating] for language, some sexuality and brief drug use.
Runtime: 2 hrs
Genre: Dramas
Theatrical Release:05-06-2009
Synopsis:
Sugar follows the story of Miguel Santos, a.k.a. Sugar, a Dominican pitcher from San Pedro De Macorís, struggling to make it to the big leagues and pull himself and his family out of poverty....
Sugar follows the story of Miguel Santos, a.k.a. Sugar, a Dominican pitcher from San Pedro De Macorís, struggling to make it to the big leagues and pull himself and his family out of poverty. Playing professionally at a baseball academy in the Dominican Republic, Miguel finally gets his break at age 19 when he advances to the United States’ minor league system; but when his play on the mound falters, he begins to question the single-mindedness of his life’s ambition.
The baseball academy where Miguel Santos has been training as a pitcher since he was signed at age 16 is a breeding ground for major league talent. Living at the facility during the week, players go through rigorous daily training, while scouts observe and grade their abilities. Sugar’s uncommon ability on the mound is apparent, but there are thousands of teenagers across the island just like Miguel, all of whom hope for the opportunity to advance to the United States minor league system – just the first step of many on an arduous journey to the big leagues.
Miguel spends his weekends at home, passing from the landscaped gardens and manicured fields on one side of the guarded academy gate to the underdeveloped, more chaotic world beyond. In his small village outside San Pedro de Macorís, Miguel enjoys a kind of celebrity status. His neighbors gather to welcome him back for the weekend; the children ask him for extra baseballs or an old glove. To his family, who lost their father years before, Miguel is their hope and shining star. With the small bonus he earned when he signed with the academy some time ago, he has started to build his family a new house – one that has a bigger kitchen for his mom and a separate room for his grandmother.
Towards the end of their winter season, Miguel is called up to spring training in the United States – the next small step on his way to achieving his family’s dream of a big league contract. Family and friends come out of the woodwork to celebrate, and Miguel is on his way.
Miguel travels with several other Dominican rookies to the team’s spring training facility in Arizona. It’s his first time on a plane, his first time in a hotel room, his first time in a foreign land where a foreign language is spoken, his first time away from home. Miguel experiences a lot of firsts before he even sets foot on the enormous, immaculate spring training complex. Miguel quickly finds that he’s not the only superstar at spring training; there are hundreds of highly talented prospects all trying to land spots on one of the team’s minor league affiliates, including Brad Johnson, the highly touted 2nd baseman, who landed a million-dollar contract out of Stanford. Despite this new level of competition, Miguel proves himself exceptional on the mound even here, and lands a spot with the Single-A affiliate in Bridgetown, Iowa – the Swing. Brad Johnson and Jorge Ramirez, an old friend from the academy who was called up a couple years before, but has been slowed down by a lingering leg injury, are among the other players placed on the Swing.
In Bridgetown, Miguel is assigned to a host family, the Higgins, an aging Christian couple who live in an isolated farmhouse. The Higgins are devout Swing fans, and every year they house a new young player from the team. They try to treat Miguel like part of the family, inviting him to dinners, bringing him to church, and even encouraging a tenuous friendship between Miguel and their teenage granddaughter Anne.
Jorge, the more veteran player and the only other Dominican on the team, also tries to help Miguel learn the ropes. However, despite the Higgins’ welcoming efforts and Jorge’s guidance, the challenge of Miguel’s acceptance into the community is exposed in small ways every day, from his struggle to communicate in English to an incident of casual bigotry at a local bar.
Miguel’s domination on the mound masks his underlying sense of isolation, until he injures himself during a routine play at first. While on the disabled list, Jorge – his one familiar connection to home in this strange new place – is cut from the team, having never fully regained his ability following off-season knee surgery. The new vulnerability of Miguel’s injury, coupled with the loneliness of losing his closest friend, force Miguel to begin examining the world around him and his place within it. Pressure mounts when Salvador, a young pitching phenom who used to play with Miguel, is brought up from the Dominican Republic to join the team. Miguel’s play falters, and the increased isolation begins to take its toll on him. As his dream begins to fall apart, Miguel decides to leave baseball to follow another kind of American dream. His odyssey finally brings him to New York City, where he struggles to find community and make a new home for himself, like so many before him. --© Sony Pictures Classics
Starring: Algenis Perez Soto, Rayniel Rufino, Andre Holland, Michael Gaston
Starring: Algenis Perez Soto, Rayniel Rufino, Andre Holland, Michael Gaston, Jaime Tirelli, Jose Rijo, Ann Whitney, Richard Bull, Ellary Porterfield, Alina Vargas, Kelvin Leonardo Garcia, Joendy Pena Brown
Director: Ryan Fleck, Anna Boden
Director: Ryan Fleck, Anna Boden
Screenwriter: Ryan Fleck, Anna Boden
Producer: Paul Mezey, Jamie Patricof, Jeremy Kipp Walker
Composer: Michael Brook
Studio: HBO Films
Reviews for Sugar
Naturalistic performances, even-handed characterisation and the utter eschewal of genre cliches ensure that this tale of a stranger in a strange land hits home.
Sugar is a slow-burning exploration of the immigrant experience that grows more compelling as Miguel starts to realise he might not be good enough to realise his dream.
Great cinema can extend our own experience by making us understand how it must feel to be somebody else - and this is, in its gentle and unpretentious way, great cinema.
A compelling and compassionate stranger-in-a-strange-land drama, it's a film brimming with insight, integrity and life. I reckon we're looking at one of the films of 2009.
In ‘Sugar’, the pair skilfully dismantle the timeworn themes, characters and story patterns of the conventional sports movie and then reassemble them as a rich, socially astute realist drama.
Sugar is a human story told with immense skill, right down to the deft transitions and the soft fuzz of the electronic score.
Poignant and beautifully written, directed and performed, Sugar confirms Boden and Fleck as eloquent chroniclers of the underbelly of the American dream.
Brilliantly directed, superbly written and thoroughly engaging drama that skilfully blends sports movies, immigration dramas and coming of age movies, while avoiding the usual cliches.
Sugar might look like a typical underdog sports movie on the surface, but over the running time it transforms into something much more interesting.
Sugar is dazzlingly free of message creep. We are perplexed, yet fully persuaded.
A powerfully engaging coming-of-age immigration sports documentary-style drama. And this unpredictable genre mash-up is pure magic.
The final reel veers away from the sports movie formula – and the narrative loses some of its drive – yet there’s a believability about the twist. If anything, Sugar underlines the fact that this particular immigrant experiences is not all sweetness.
Sugar, winningly played by the complete newcomer Soto, isn't a cut-out ingenu but a testy, competitive, driven but fallible person. The road he follows is modest, but the film is beautiful and searching in letting him find it for himself.
As a sports movie the film perhaps lacks the pace and punch to capture the genre’s traditional audience. But Sugar is much more than a sports movie. It is a picture of integrity, intelligence and empathy that studiously avoids cliché.
Sugar is a revelation, not least in the way it ducks an onrush of cliche to expose the whole rags-to-riches mantra as a bright and shining lie.
This is a film that finds certain purity in disillusionment and freedom in failure. Which may not be sweet, but it is tasty.
Such indie banality -- linked to liberal message-mongering -- proves Fleck-Boden go into a slump long before rookie Miguel.
An often engaging drama that tackles provocative issues, but, without a sensitive and intelligent screenplay, it ultimately fails to be truly moving, profound or memorable.
It seems Fleck and Boden didn't have much of a game plan for the main character off the mound after all, and this wearying aimlessness waters down the tension of Sugar's rapidly imploding life, grinding the film to a disappointing halt.
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