I wanted Quid Pro Quo to develop into something at every turn, but it just never gels. It's a great 20-page short story that can't sustain 82 minutes of life on the big screen.
Quid Pro Quo (2008)
Tomatometer
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Reviews Counted:33
Fresh:20
Rotten:13
Average Rating:5.9/10
Consensus: Despite a stunning performance by Vera Farmiga, Quid Pro Quo never develops its effective parts into a convincing whole.
Runtime: 82 mins
Genre: Dramas
Synopsis:
Quid Pro Quo is a dark, puzzling tale of strangers who crash into one another's lives and transform them forever. Isaac, a paraplegic, is a popular New York City public-radio reporter who is...
Quid Pro Quo is a dark, puzzling tale of strangers who crash into one another's lives and transform them forever. Isaac, a paraplegic, is a popular New York City public-radio reporter who is investigating a story from an anonymous source about a man who walked into a hospital demanding that his leg be amputated.
While pursuing the story to satisfy his own probing curiosity, Isaac meets the strikingly beautiful and mysterious Fiona, a restoration artist. Isaac's investigation not only initiates a relationship with Fiona but also leads him into the strange subculture of "wannabes," those longing for wholeness—or lack thereof—in rather peculiar ways. Will Fiona lead Isaac to answers about this underworld of seekers, or will their stormy association push him toward a more painful truth?
In his sleek directorial debut, Carlos Brooks confidently navigates the delicate line of the psychological thriller genre with the help of eerie and convincing performances from Vera Farmiga and Nick Stahl. Quid Pro Quo does not celebrate or sensationalize the subculture it portrays but instead explores the human psyche and allows the audience to ask questions. Brooks takes us on a journey to explore our desires, find order in disorder, and exhume the need to restore normalcy to a society we find ourselves ostracized from. --© Sundance Film Festival
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Starring: Nick Stahl, Vera Farmiga, Aimee Mullins, Leonardo Nam
Starring: Nick Stahl, Vera Farmiga, Aimee Mullins, Leonardo Nam, Jessica Hecht, Jacob Pitts, Pablo Schreiber, Phil LaMarr, Matthew Carey, Kate Burton
Director: Carlos Brooks
Director: Carlos Brooks
Screenwriter: Carlos Brooks
Producer: Sarah Pillsbury, Midge Sanford
Composer: Mark Mothersbaugh
Studio: Magnolia Pictures
Reviews for Quid Pro Quo
Brooks has no idea how to pace his irritatingly giddy script, and the film feels overlong at 82 minutes.
If you needed to find something -- anything -- redeeming about Carlos Brooks’s ridiculous romantic thriller, you can at least credit it for not sticking to the paths most traveled.
While a good director can spin a worthy movie from any subject, first-timer Carlos Brooks does surprisingly little with the jaw-dropper of a topic he chose.
Farmiga is captivating, Stahl less so -- although a bigger problem is writer/director Carlos Brooks's script, which sets up one story, then shifts gears into something more personal and psychologically specific.
[Director] Brooks plunges into the thick of a largely unfamiliar subculture in Quid Pro Quo, but the journey involves a series of well-telegraphed twists and turns.
Brooks tiptoes into territory Luis Bunuel would have frolicked in, but he does so without the master surrealist's desire to outrage and confound his viewers.
In fact, "Quid Pro Quo" is not at all funny, merely occasionally sarcastic, its plot a succession of half-baked pop-psych speculations and its dialogue a glib sampling of sub-Diablo Cody incredibility
Might work if it was really about what it's really about, but its too-tricky script has too many paths that lead nowhere.
A bleakly humorous romantic character study, Quid Pro Quo is appealingly offbeat until its narrative takes a wayward detour into pat simplifications.
If you were a fan of David Cronenberg's Crash, you might just be the target audience for Quid Pro Quo, a perverse psychological drama about able-bodied people who yearn to become disabled.
Its biggest mystery is how it was financed (by Texas trillionaire and Dallas Maverick owner Mark Cuban, no less) and selected for distribution.
Quid Pro Quo hovers in a noir-shaded twilight zone where repressed memories and guilt merge in an obsession with physical and emotional paralysis.
The film is lightest on its feet when it shakes off the Red Shoe Diaries foreboding for moments of sly irony
Strikingly original and spectacularly twisted, Quid Pro Quo is a gem. Two outstanding performances from Nick Stahl and Vera Farmiga provide riveting viewing
Quid Pro Quo is a respectable feature-film debut for Mr. Brooks, and it remains reasonably thought-provoking without ever becoming emotionally absorbing.
Very deftly made, with some lovely cinematography and two quirky, engaging lead performances, it's a satisfying debut.
This odd little fugue of a movie would be implausible, even laughable, if it weren't also marvelously played, visually composed and plotted with the utmost cunning.
It frustratingly refuses to go bonkers, but the film is a compelling sit, brought to life by two very crafty, pointed performances.
Latest News for Quid Pro Quo
August 11, 2008:
Not exactly Bunuel's differently abled erotica classic Tristana, it raises mystifying questions about disability as a state of mind. And whether or not the final clues to this mind over matter mystery reside in sex, shoes or tulips, hypochondriacs beware. ![]()
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June 19, 2008:
Why would anyone have an erotic compulsion to become physically handicapped? ![]()
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June 16, 2008:
Not exactly Bunuel's differently abled erotica classic Tristana, it raises mystifying questions about disability as a state of mind. And whether or not the final clues to this mind over matter mystery reside in sex, shoes or tulips, hypochondriacs beware. ![]()
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May 18, 2008:
Trailer & Poster review ![]()
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