[Director] Brooks plunges into the thick of a largely unfamiliar subculture in Quid Pro Quo, but the journey involves a series of well-telegraphed twists and turns.
Quid Pro Quo (2008)
Tomatometer
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Reviews Counted:33
Fresh:20
Rotten:13
Average Rating:5.9/10
Consensus: Despite a stunning performance by Vera Farmiga, Quid Pro Quo never develops its effective parts into a convincing whole.
Runtime: 82 mins
Genre: Dramas
Synopsis:
Quid Pro Quo is a dark, puzzling tale of strangers who crash into one another's lives and transform them forever. Isaac, a paraplegic, is a popular New York City public-radio reporter who is...
Quid Pro Quo is a dark, puzzling tale of strangers who crash into one another's lives and transform them forever. Isaac, a paraplegic, is a popular New York City public-radio reporter who is investigating a story from an anonymous source about a man who walked into a hospital demanding that his leg be amputated.
While pursuing the story to satisfy his own probing curiosity, Isaac meets the strikingly beautiful and mysterious Fiona, a restoration artist. Isaac's investigation not only initiates a relationship with Fiona but also leads him into the strange subculture of "wannabes," those longing for wholeness—or lack thereof—in rather peculiar ways. Will Fiona lead Isaac to answers about this underworld of seekers, or will their stormy association push him toward a more painful truth?
In his sleek directorial debut, Carlos Brooks confidently navigates the delicate line of the psychological thriller genre with the help of eerie and convincing performances from Vera Farmiga and Nick Stahl. Quid Pro Quo does not celebrate or sensationalize the subculture it portrays but instead explores the human psyche and allows the audience to ask questions. Brooks takes us on a journey to explore our desires, find order in disorder, and exhume the need to restore normalcy to a society we find ourselves ostracized from. --© Sundance Film Festival
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Starring: Nick Stahl, Vera Farmiga, Aimee Mullins, Leonardo Nam
Starring: Nick Stahl, Vera Farmiga, Aimee Mullins, Leonardo Nam, Jessica Hecht, Jacob Pitts, Pablo Schreiber, Phil LaMarr, Matthew Carey, Kate Burton
Director: Carlos Brooks
Director: Carlos Brooks
Screenwriter: Carlos Brooks
Producer: Sarah Pillsbury, Midge Sanford
Composer: Mark Mothersbaugh
Studio: Magnolia Pictures
Reviews for Quid Pro Quo
The film is lightest on its feet when it shakes off the Red Shoe Diaries foreboding for moments of sly irony
It frustratingly refuses to go bonkers, but the film is a compelling sit, brought to life by two very crafty, pointed performances.
Like a fender-bender to David Cronenberg's Crash, Carlos Brooks' Quid Pro Quo is a tame, yet weird and wonderful love-letter to the walking wounded.
If you were a fan of David Cronenberg's Crash, you might just be the target audience for Quid Pro Quo, a perverse psychological drama about able-bodied people who yearn to become disabled.
Has some pretty insightful things to say about the nature of being "disabled," and it says them with a good deal of humor, style, and understanding.
Although not a perfect film, "Quid Pro Quo" is a highly crafted cinematic achievement that taps into its characters' subconscious with surgical precision and elegant assurance.
By far the movie's strong suit is Farmiga, who gives an astonishingly layered performance,
Brooks has no idea how to pace his irritatingly giddy script, and the film feels overlong at 82 minutes.
Brooks tiptoes into territory Luis Bunuel would have frolicked in, but he does so without the master surrealist's desire to outrage and confound his viewers.
In fact, "Quid Pro Quo" is not at all funny, merely occasionally sarcastic, its plot a succession of half-baked pop-psych speculations and its dialogue a glib sampling of sub-Diablo Cody incredibility
Very deftly made, with some lovely cinematography and two quirky, engaging lead performances, it's a satisfying debut.
This odd little fugue of a movie would be implausible, even laughable, if it weren't also marvelously played, visually composed and plotted with the utmost cunning.
Might work if it was really about what it's really about, but its too-tricky script has too many paths that lead nowhere.
An obscure and terrifying mental disorder leads a reporter to the strangest and then the most terrifying story of his life. A neat film noir in a very modern setting amongst people who are not all there.
While a good director can spin a worthy movie from any subject, first-timer Carlos Brooks does surprisingly little with the jaw-dropper of a topic he chose.
The first half of Quid Pro Quo is among the most jaw-dropping things I’ve ever seen: Who knew there was a closeted subculture of people pretending to be paraplegics?
Quid Pro Quo is a respectable feature-film debut for Mr. Brooks, and it remains reasonably thought-provoking without ever becoming emotionally absorbing.
It certainly won’t be everyone’s cup of breakfast bitters, but you can’t dismiss it nonchalantly.
Latest News for Quid Pro Quo
August 11, 2008:
Not exactly Bunuel's differently abled erotica classic Tristana, it raises mystifying questions about disability as a state of mind. And whether or not the final clues to this mind over matter mystery reside in sex, shoes or tulips, hypochondriacs beware. ![]()
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June 19, 2008:
Why would anyone have an erotic compulsion to become physically handicapped? ![]()
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June 16, 2008:
Not exactly Bunuel's differently abled erotica classic Tristana, it raises mystifying questions about disability as a state of mind. And whether or not the final clues to this mind over matter mystery reside in sex, shoes or tulips, hypochondriacs beware. ![]()
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May 18, 2008:
Trailer & Poster review ![]()
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